Bold and Break is a creative services house who empower clients and people to go above and beyond their own expectations. We are a hybrid collective of designers and creatives from an array of different fields.
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On this channel we'll focus on helping you learn new techniques while expanding industry knowledge. Our main focus will be on moving image but venture into areas which are evolving in our the industry.
Hi! Thanks for the video. I get regular crashes if I move the hair or change attributes like base or tip thickness with redshift rendering enabled. Is this something natural?
Thanks for watching. A few things you can do. If the issue persists please let me know. Update Drivers Update RS & C4D Make sure the After Effects or Vram intensive programs are closed when using Redshift. Check the amount of Hair strands you are rendering versus the Instances. Some hardware may not be able to render a high volume of hair strands
@@gokhanelmac I'm happy to look at the scene file you. It's hard to see what you are seeing. The Rotate property is in the UV projection. You should be also able to see those options inn the Triplaner node. If you are still struggling to see it send over the scene file.
One of the best ways to complement this workflow is by adding all of the relevant AOVs and checking them independently. This means you won't have to guess whether the noise is coming from your GI, reflections, refractions, lights or other. Flick to the relevant AOV, check how noisy it is and add samples only where needed.
Brilliant tutorial. For anyone involved in visualisation and technical drawing this is so useful. Any chance you can do more tutorials that create these graphic finishes- eg wire frame renders, edge renders....not sure if redshift does a cell render. Of course, thats if you have time. Regards
Hey thank you for this wonderful tutorial. I am stuck at one point where I want to connect 2 particles system via tracer. I am following a Tutorial where this person has used Xparticles.. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-jQu6GG5G6DU.html at around 17 min. can you create this in C4D
Octane provides a faster workflow for quick out of the box results. But I've found it lacks the control required for detail orientated art directions. Granted I've not been using the latest version. Octane is fantastic for quick result but I've come up against a wall when trying to fine tune certain properties. Thank you for the feedback and comment.
@@juwadmalik There is a lack of information on this in traditional educational institutions. But I’ve found that the time isn’t given to designers to provide them with this context. We’ve had to learn by being on the sideline listening in. It’s definitely helped me though. Thank you for watching and commenting ❤️
@@BoldBreak sir mine particle is ended after 150 frame but yours is last more than 300 frame and do the rounded circle thing mine is not doing that and your particles is runing very fast mine is slow how can i fix it sir ?
Hi there, been following your content for a while, I got 2 question hope you would answer. 1) how difficult it is for new/junior motion designers to get job nowadays 2) where would i be or how would i be finding freelance work as a motion designer?
Hey, Thank your watching and being a subscriber. The current market is really tough for all Jobs not just Motion Designers. This should not dishearten you though. I was in a similar situation when graduating from university in 2010. It was not long after the '08 economic meltdown and Jobs were few and far between. It took me until 2012 to get a full time design job. Before then I did internships, some bits of paid work, whatever I could get. For freelance work I would first start with LinkedIn. There are so many platforms where you can build an online presence,. Dots, Fiver, Up work, WorkingnotWorking, Vidsy are a few. Keep reaching out to people, network join slack, whatsapp and Discord groups. Your portfolio and network are equally important when getting motion work. I've seen some very average motion designers with a large network be busier than talented designers with a small network. I hope this helps. Feel free to reach out to my email. I'm happy to answer any questions. Good Luck ❤
@@BoldBreak I thought if I could contact agencies motion design and marketing agencies to get some freelance work what's your opinion on that, do you think it is good to reach out for work? Do marketing agencies need motion designers too?
@@KashifAli-oz4rq always a great way to try get work. When freelancing it is common to reach out to marketing agencies. But do be prepared for 90% to not reply. It’s also a great way to pray live selling yourself if you email 100 agencies and you get 5 regular clients out of it you are doing well. Try not to get disheartened when doing email outreach.
@@BoldBreak Thankyou so much for your time, just three more questions. 1) if I try cold outreach asking for job in agencies is it good way? Actually I'll be looking for a remote job not on site 2) How about direct clients how to find them? 3) If I do free brand motion work ( Which I'm currently doing) and send them as a free sample just for an exposure and hopefully landing a job, what's your opinion on that?
@@KashifAli-oz4rq Remote work is an acceptable way of working. I would recommend that you get experience on-site with other designers if possible. You will learn very fast being sat next to other motion designers. Finding clients direct is difficult and requires connections and luck. Do research find business that have online video content. Maybe look at reaching out. The best think you can do is lots of research. Companies that have marketing departments but dont have a full time motion designer is a great start. This is why LinkedIn is a great tool. I would recommend doing free work for companies that are profitable. If you are going to offer your services for free best to help out a charity or local business. Personally I recommend against free work that is not always possible. Free work is worth doing if you can see a long term benefit. Companies that use your services for free are doing a disservice to themselves and designers. There are some video I did on all these topics check out here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-loeiNLqjS8k.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-OGckL_SuEa0.html
Thanks. But u can use also standart material for hairs if u use tag RedShift Object. At least I use it for tracer. I like this idea to use hair position for gradient.
For a basic hair system the tracer is a viable option but for work requires more complexity it is best to use the C4D hair object. Many hair systems requires dynamics and thousands/millions of strands. The hair shader works differently to other shaders. Physical hair has completely different properties to the standard shader such as Melanin.
Thank you for the feedback. This is a good suggestion and worth trying. Redshift now has the flakes node which makes this process much more streamlined.
Hey!! The file is available on the Bold&Break store here: boldandbreak.com/store/Cinema-4D-Working-Files-c153177672 You can also receive the file by signing up as a YT member which is cheaper :)
@@schmergenz Hey I don't full understand your question. Are you having issue re-creating the scene in cinema 4D or have you purchased the working file from the store ?
@@BoldBreak Hi, sorry I'm a novice so probably didn't pose the question correctly. What I was trying to ask is, after you have constructed this particle system, how do you then get it to look like it does in the thumbnail preview of your video with those really nice looking light streaks etc?
