VOX Baratom! Nagyon hasznos a videod. Az a megfigyelesem, ha egy Doors zenei videot nezek, a ket fekete rud mindig ki van huzva, a fehereket csokkentik amennyit kell. Viszont V allasban ugy tunik a Reface hozza teszi a ket kihuzott fekete rudat. Yamahanal eldontottek ha a kapcsolo V, akkor tessek Doors zenet jatszani :) Egy VOX Continental 300 as orgonam van, azon a rudak fent 16-8-4-II-III ilyenkor nem kell az 5 1/3, 1 1/3. Lent 8-4-2-IV ilyenkor nem kell a 16, 5 1/3, 1 1/3. Lent van egy kis elteres, mert a IV es keverekben is van 2 es, es kulon is van 2 es. Majd kiserletezek, mikor hasonlit a Reface legjobban a VOX 300 hoz. Lehet kicsit elter a Reface hangja, de mindig meg fogom neki bocsatani, mikor szuleimhez viszem a hatizsakomban oromot okozni vele, es kozben nem kell fuvarost fogadnom.
Oh, been quite a while since I owned the small one. I briefly had a Microkork but not at the same time. It seems like the Odyssey was more comfortable. I briefly tried to google. I'm sure somewhere there is info if it's the same keyboard. The smaller keyboard actually feels better than the full size keyboard which is pretty cheap feeling.
I like the vibrato of the 200A more. The 200 without vibrato is more like my Rhodes Mk 5, sharper with more upper midrange bark. I think this video helped settle which one I would like more.
Can anyone tell me if it was a Wurlitzer that plays the galloping keyboard track that underpins Frank Comedes's Bravura? Thanks in advance. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-Xf17r_yUKCo.htmlsi=JFOoZ0tIaQKgxoUW
@@phlattgetit been messing around with gsi deluxe ipad app and yea, it is a lot of fun and sounds very good and as close to the farfisa as best as i can tell. i read that the crumar mojo 61 uses the gsi app for the farfisa. do u know if all the parameters of the app are usable on the mojo 61? i see 9 drawbars that function as on/off but i am wondering if the all tone and multi boosters are accessible?
@@phlattgetit Thank you for your reply! But after all, Suzuki Andes 25F has a completely different sound - it squeaks like a bird, only 2 octave and it is more bulky (not so convenient to hold in your hands when playing)! And yet Yamaha or Suzuki?! It seems to me that the Suzuki build quality is more solid.
@@alexseybekmurzin9565 All true. I think I prefer the flute sound to the reed. Suzuki more solid, in some ways I suppose. I wouldn't worry about traveling with either one. The Yamaha has a stronger carrying case.
Hi, Thanks for your comparison and review I have read most of the replies that you offer. You have mentioned that you recommend the suzuki M-37C and YAMAHA P-37D Do you know which one of the both requires less air to trigger the sound? I may choose that one first. Thanks a lot
My experience is I can get a more delicate sound from the Yamaha. Just barely breathing into gets a sound. The Sukuki takes a little more air to get the reeds to respond.
Nice vídeo! Thank you so much. Do you think It sounds better than the Arturia VST? I have It and for me It sounds like unnatural. Does the Yamaha Reface give that hint of authenticity? Best
Thank-you. It's been some time since I tried the Arturia. I agree with you it seems to be lacking. the reface sounds some better than it. Just more fun to play. If you can find a copy of Combo Model V it sounds more authentic than Arturia or Reface. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-nz2Q12tH6eU.html It dissapeared from his site about the time Arturia came out with their version. I'm wondering if they didn't buy him out or some other deal? There may be some copies of copies around though.
Thanks for this review! I ordered it as a gift for my husband and am reassured by your vid I did good! I also ordered the tuner you just recommended. It hasn't arrived yet. But I feel good now, about my purchase. Do you know of this cat? LOVE his work and why I ordered the guitar. Have good one! Over & out. Jamie Dupuis at - ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-uVn0wOB07pY.html; and here's a link to my main channel - www.youtube.com/@half-lifewife/featured
@@phlattgetit We got the guitar yesterday. But my husband can't figure out how to open the battery compartment, to change the battery. Please advise. Over.
@@katemillpointer565 There is a little flat panel behind the volume knob. Press on the switch and it should release that panel and it will slide out a battery holder.
@@phlattgetit Hey now, hope you're doing well. Yeah, we knew what the panel was for. The problem is that it is stuck. Any ideas how to coax it into opening? The guitar shop was afraid to try as they didn't want to be responsible for damaging it. I'm going to try tomorrow, having smaller hands. I tried once, but didn't put a lot of time into it. What do you think? Thanks! Over.
@@katemillpointer565 Without physically seeing and handling I would be afraid just like the guitar shop. I would just be gentle and try not to force it too much.
Keep 5 1/3 and 1 1/3 pushed in. Continental didn't have those. However you set 2 2/3,2,1 3/5 and 1 keep them the same length because Vox has all of those on one drawbar. Keep the percussion off and the Leslie off, Use vibrato and not chorus and you have it dialed in pretty close. Keep rocking!
I like my Reface YC , awesome , awesome ! Beautiful sound and feeling and , just great . Put batteries and make organ sound everywhere , fabulous . For the price , GO for IT ! Mine is under my desk , appear in my face in a second , always where and when I want it to be , never let me down , never backoff , just THERE ! o 0''7
I think its just that the volume is lower and using the tiny little built in speakers is not the best sound. Going stereo into an amp or DAW and It is definitely not a toy!
I've not found a single hardware instrument that replicates the mellow sound of the Farfisa with the green boost section on, but the all-boost off. When I owned a Compact Duo, that was a sound I used a lot. Also the vibrato is never right - it's always too much. The Arturia Farfisa V is great, but I'd like that in an actual portable keyboard. I had an Ace Tone Top 5 too, which this is supposed to emulate, but again, its a much more raspy, brassy sound than I got from that too.
The Korg Vox Continental does, or did, I'm not sure if they make it still. The reface sounds all made it into the CK61 and I've had success using its onboard cutoff filter to replicate the knee leveler with a pedal
@@TheWhiteCatIncidentBand I since found that switching the Reface's vibrato off and running it through a vibrato pedal results in a much more authentic sound. Also, I can get much closer to those green tab Farfisa sounds by using the Y mode.
@@phlattgetit also, I a/b tested all the modes against an original Ace Tone Top 5 and found that you can get extremely close to its all-tabs on sound by using the Y mode with the 16 and 8 drawbars fully out and the 4 drawbar about halfway plus the distortion at about 25%.
To me, no one of both sounds the same. Suzuki is darker kinda sweet mellow sound, Yamaha is brighter although colorful sound. Good comparisson, here are the chances to chose a melodica according the type of music. Now, making chords or combining more than one note simultaneously in a melodica is not really recommendable, few combinations may be acceptable, others horrible.
@@phlattgetit yes, you're absolutely right. I have been doing several experiments and I found that combinations are really few and so frustrating. The only way to combine notes is using two melodicas simultaneously. Honestly I don't get why that acoustic phenomenon happens. I tried same combinations in the accordion or the harmonium and the sounds never hit each other or create a cacophonic resonance. Although these disadvantages, I still love the melodica so much, I already have five melodicas and I reserve time for everyone. Perhaps one day some specialized scientific engineers may find out how to solve that inconvenient, possibly a new material or metal, who knows. I heard Ena Yoshida with a wooden hand made one, she plays beautiful harmonies and sounds really clear. Later I heard the wood made Yamaha and the negative resonance still appears like in the plastic one with just a little difference. The vintage Czechoslovakian Bohema with its individual reeds per key is the unique melodica that respond without any clash but they are very hard to find, only in Europe.
@@oscarcaviglia5640 I think it could have something to do with air pressure changes inside the air chamber from the different sized reeds. Also the larger reeds air-robbing the smaller ones. Maybe developing a melodica where the air comes in at the center of the chamber instead of the low end. Or maybe a design where air comes in evenly at both ends.
Thanks, I wish modern Hohner would take note. I see similar responses om all vintage Hohner vids. Wish they would take a page from the synth makers and do a vintage repro line. Especially the models that have the scimitar shape. They sound the best.
so the farfisa has the analog sizzle of the filter , so all you gotta do is get a nice sizzly analog filter and you are pretty much doing the same sound ,in a mix with all the other instruments layered the end result is pretty much the same so yeah the farfisa is lovely but so the reface, fin
Damn dude that sound is amazing, sounds just like a Hammond. Ever heard of Mr Nutty Lee? Hes got a uk version and plays it through a leslie speaker to get that sound. Very cool though man, I'm gonna subscribe to your channel since you have a Vox!
@@phlattgetit No problem and yeah i totally agree. I might try this pedal through my Jaguar to see if i can get a similar sound here but probably will be different since they sound different