In Fight Club when they get on the bus, The Narrator pays his fare but Tyler Durden doesn't. When they're wracking the cars for the alarms to go off, only when the Narrator hits do they go off. Also, when they get in the car before the wreck, they both go in the same door way.
The 6th Sense... When Bruce, the little boy and mother are sitting in the living. The mother never looks or addresses Bruce in any matter, hinting he is not actually there.
There are plenty of hints in "The Sixth Sense," but this list is things that you don't notice until you rewatch the movie. The ending of "The Sixth Sense" has a whole montage showing you the hints that you missed, it doesn't require a rewatch.
@@Kristine_202one hint they don't replay is when the kid tells Willis' character that he sees dead people - and that they don't even know they're dead. That movie has a lot more stuff in it than what they show you to hint that Willis is actually dead.
That Get Out shot is so clever, we're led to believe that the camera is lingering there for a completely different and very justified reason all while he straight up tells us his whole game. Shots like that are what put certain horror movies on a different level.
In my opinion the first clue in "Us" comes much earlier. When they are in the car and Adelaide tells her son to "get in rhythm" with the music while simultaneously snapping her fingers NOT in rhythm because being a Tethered means she does everything a little off.
The way Chuck handles the firearm at the beginning is a giveaway. When he's told to turn it over, he handles it incorrectly. No trained law officer would do that.
In Get Out, you don't mention the creepy shot you start with. Chris is tied to the chair in front of the TV. The shot has coffee being poured into a cup and stirred. But from the angle shown, it looks like Chris's brain is being scooped out.
In Glass Onion, it was also a big point, cause Ed Norton characters is not supposed to have phone, he loves using fax instead which he have on the island. So even when some audience notice the phone, if they doesn't remember the point above, they probably assumed it was his own phone.
So the woman drinks from an invisible glass, puts down an empty REAL glass, then gets up and leaves a half-full real glass of water on the table? There's so much wrong there.
Also in Get Out, Rose pushes back against the police officer who pulls them over NOT because she's mad that he's unfairly harassing a black man, but because she doesn't want any record of Chris heading in the direction of her parents' house. Brilliant writing.
An early clue that Fight Club has an unreliable narrator: No doctor would ever recommend a testicular cancer support group to an insomniac instead of just giving him a prescription. He's actually being diagnosed with testicular cancer in that scene, and it destroys his psyche so much that he invents an "alpha male" personality to cope with his loss of masculinity. The entire film centers around his fear of castration, right down to Project Mayhem saying "we gotta get his balls" when he tries to turn himself in.
Murder by Death (1976): Before even getting to the mansion, Sam Diamond's secretary Tess opens up a dossier, presumably given to all the detectives, reading that the owner of the mansion, Twain, who would speak to them all assembled before him, before being murdered, had no pinkies. None of the detectives noticed that the person speaking to them did, in fact, have pinkies, and it is wondered how many of the audience caught on the first time around. Fallen (1998): The demonic narrator tells you right at the start of the film that this is the story about how he almost died... Not how he died.
In fact they were extended for emphasis. Man I thought I was the only one that remembered that movie. What a cast in that. Maggie Smith and Eileen Brennan did not disappoint.
It really makes you feel stupid for not noticing the first time. It's really a master class, the way they were able to hide so many things in plain sight.
The Fight Club reveal isn't as damning as made out to be in this video. Payphones were originally only made by the phone company, but eventually other companies were allowed to make payphones as well and they usually had the "no incoming phone calls" sign. It didn't mean they couldn't get incoming calls, but that incoming calls didn't cost money, so the companies didn't want them. It was not uncommon for someone to call home, quickly say "call me back on this phone" and hang up -- super short calls were assumed to not go through and usually got refunded. Then, the other person dialed *69 (the code to call back the last call received), and you get a free phone call.
Fight Club. No one acknowledged Tyler during the scene when the Narrator freaked out over the Project Mayhem news clip on TV. No one even glanced in his direction when walked past them leaving the room.
Glass Onion also had another obvious one in the murder scene when Ed Norton's character puts down a drink glass, and then picks up the other glass. It was so blatant on screen was surprised anyone could miss it. Who puts down a glass and then picks it up again right away?
I remember, late 80s/early 90s, here in the UK we upgraded our public telephones and some of the new ones said incoming calls weren't possible, but they were. I guess they just wanted you to pay the increased rate.
I cant be the only person that thought 'us' was obvious and predictable from the moment the camera cut and she had reappeared from the house of mirrors off screen
So many clues in Fight Club when you rewatch. Like when The Narrator buckles slightly as Tyler is punched by the the bar-owner's goon. Or him noticing he has the exact same briefcase as Tyler - to which Tyler reacts with an almost sarcastic sigh.
I still think at the end of Shutter Island Leo's character lying about not being able to tell the difference so that he can get a lobotomy. Because there is a difference the first of the movie in his eyes at the end he looks almost relieved when his friends looks resigned .
In US, the real hint was a mention that she didn't speak for a long time after the incident. You know, as the others generally didn't speak and she had to actually learn.
FIGHT CLUB: The scene where they get in the car (that Brad Pitt is shown driving), the man holding the car door open says "After you Mr. Durden" to Edward Norton's character, to which Norton says the same thing to Pitt, Pitt isists Norton is "Mr. Durden."
As a cult follower. I noticed the blink of Tyler and knew then. But as a cult I have DIDs and immediately understood because of this. In Tyler we trust!
In glass onion you can even see Edward Norton hand Bautista the wrong glass before he dies if you watch verry carefully! That's even more impressive if you ask me.
In "Fight Club" there is a 'blink and you miss it' moment: the Narrator (Norton's character - for the most part) goes up to Helena Bonham Carter's character's apartment and grabs her and takes off (I forget why), as they pass a security mirror in the upper corner of the hallway, you see what looks like 'Tyler Durden' in place of the Narrator. You have to have a dvd player to catch the moment, freeze frame and all that. I wonder if Fincher was anticipating the 'digital revolution'?
My bad. Resolution on DVD player is better. Watched it on VHS for the first time, back in '98, saw the DVD a few years later. You're right, though. @@scribblegurl
also in casting of the two male leads in Barbarian with skarsgard Pennywise with the way he is your like hes the creepy rapist hes gunna date rape this girl and then turns out hes not but then mr unlucky good guy justin long enters the film and turns out hes the creepy rapist.
The only thing I noticed on a re-watch was in Star Wars Episode IV A New Hope (the first film), after the reveal of Luke's paternity in the follow-up films. When Luke asks Obi-Wan "How did my father die?", Obi-Wan's eyes shift away for a moment, and he fidgets a moment in discomfort as he thinks about how to tell Luke the truth without telling him the truth, or, lie to him without lying to him (whichever way you prefer to look at it). That moment of discomfort probably goes unnoticed by the viewer the first time one sees the film (that is, if they are smart and watch the entire saga in their release order, not episodic order). Even if it is noticed, it is probably just dismissed as the usual awkwardness one might feel when broaching a sensitive topic like the death of someone's relatives.
"Dismissed as the usual awkwardness(...)"... and rightfully so. Lucas had no plan to make Darth Vader Luke's father in Star Wars, it was an afterthought. Anything else is retconning.
best coincidence and good acting... since at this point Anakain and "Darth" were literally two different characters. It took the recent Obi-Wan to sorta fix the issues in episode IV (Vader claims he killed Skywalker, Obi-wan then calls him "Darth") lol
I ended up figuring out the killer in Searching from the daughter’s choice of favorite pokemon. She chose Uxie to help her forget the pain of losing her mom. The killer chose… Kecleon 👀 I rest my case.
@@briansullivan5908 Well, that's okay because they're not being themselves, are they and of course, I am not saying that because acting is becoming another person. But the presenter of this channel isn't acting, he's being himself. If he was playing a part of an American, then it wouldn't bother me.
@@briansullivan5908 Not sure about where he is from, but Whatculture is from Newcastle. So if he works in their offices, I'm pretty he would now live near or in Newcastle.
