Since I've lost interest in producing, I honestly don't watch your videos lately but I really appreciate your dedication. I will come back and watch all these gems one day.
@@Danhan12341 I'm relatively old now and I have bills to pay but music doesn't give me money. :) It's a boring reason but I'm gonna come back no matter what.
I like that trick with the sub to make the higher crunchier but isn’t that just somehow generating AM to the rest of the frequencies as the bass is triggering the ceiling first? I know there is also clipping from the soft clip involved but i get am impression maybe we might be able to come up with similar sound without needing the sub before and the high pass after?
Love these videos keep it up fam, no matter how good I get at production I always go back to one of your videos and there's always something new I didn't know about!
Tip #6 inspired me to try a new workflow. Instead of spending a few hours looking for the right sound to layer with the current one I can just keep adding to the current melody and then split it later 🧠
aiden! love your videos, and your way of teaching! just noticed you showed an example of a limiter with a compressor set to RMS detection (0:20! if you want no peaks trough the compressor, you need to change it to peak mode, or else, you'll be letting some transients go trough because of a slower detection in the comp circuit.
so where do you get your samples from im just wondering. all of these professional sounding producers all use these really crisp samples and i have no idea where they get them
With each video you just blow my mind. I am not sure my wife can clean up the carpet from all those brain pieces aging around any more every time I watch your videos.
Tip#2: You can do this, simply using Serum ou else similar; Use an Oscillator with White Noise wavetable and AM or RM w/ a very low octave Sine wavetable. :)
so for #2 (top crunch) you added distortion and cut out the lows for the sub bass. Wouldn't you be losing all the low end of the sub? or are you not concerned because the sub bass along with the white noise is now the (top crunch) layer?
Can someone explain to me why layering kicks or drums and then using a limiter is enough? Couldn't you simply lower the level of both elements instead of use a limiter? Also, wouldn't you still have to EQ one out of the way of the other? Or not really?
Downward compression, you get more of the subtle sounds to peek through, lowering the level won't make the subtler parts relatively louder with respect to the overall sound
duuude when you mentioned that song transition trick - i remember when i first listened to the continuum ep i thought damn how long is that track only to find out i was already on the 2nd one. btw Beam is such a great track!
Soft clipper rounds up the waveform when it crosses the threshold and that saturates the sound. Compressor doesn't do that, it simply decreases the volume. Compressor will give you softer sounds. And you can't do that in Pro-C 2 as, as far as I know, it doesn't have a soft clip option
this one is a really good tips for everyone, especially a tips that make a good intro because some new producer just using a piano for their intro and thats kinda boring to hear. but yeah thanks for the tips
Hi, thank you! Very cool! I have one question. I use Logic. When you are talking about reverb in this video you use it as send or it is directly on your sound? Thank's!
Love the music productions tips brother, would love a video production tip video also though. Like how you record the specific channel, crop it and add clean backgrounds...takes me forever to edit something like this so any streamline tips and shortcuts would be super helpful, thanks!
