24fps vs 23.976fps | FRAME RATE dilemma for filmmakers 

Have you watched my new video (video essay) comparing two scenes from The Godfather & an Amazon Prime Indian series? ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-AjDyNtHnd14.html 💓🤗

Absolutely loved this! I had searched RU-vid for a comprehensive explanation and you are the only one giving it. Love the other videos - easy subscribe!

24 frames per 1.001 seconds makes so much sense now, thank you.

Simply amazing. This was the best explanation/class that I found at that moment. Thank you very much. Memories from Brazil.

Clearest explanation I’ve come across, thank you. Still stuck though, can you help me out? 1. If NTSC ran into problems with colour and slowed down 30 to 29.976, and 24 to 23.976, why didn’t PAL do the same for 25? 2. Can you explain more about DVB-T, ATSC, ISDB-T, DTMB? So can they all display true 24 and 60 fps? What about 25 fps in PAL regions? Do PAL and NTSC regions still exist? 3. So, what is the point of my camera shooting 23.976? Why don’t we all shoot 24, and let NTSC TV slow down the playback at 0.1%? Alternatively, why not just shoot true 24 because all modern TVs can display it anyway? Is it something to do with the electronics in the camera? 4. You say delivering at 24 is obviously for DCP projection at digital theatres. So do you mean that if I shoot and deliver at 23.976, it won’t project properly? Why don’t we all shoot and deliver true 24 if TVs can display it anyway? Why is there still this issue with 24, 25, 30 fps, depending on NTSC/PAL regions of 50/60Hz? 5. So what happens if I shoot 23.976 and deliver at 24? Will there be duplicated frames? Or does it become shorter in length? Vice versa, what if I shoot true 24 and deliver at 23.976? Are there skipped frames? Or does it become longer? Likewise, what about compatibility with 25 fps? Say, if 23.976 or 24 was to be broadcast in PAL regions, which you mention have been replaced? I’m asking all this because after watching your video, I still don’t know to shoot true 24 or 23.976, or 25 for that matter. Nor what format to deliver in and if it matters at all.

A great deal of effort has been put on it by engineering minds, and since it has been arduously carried on by filmmakers, to linger your experience to a great extent of time, to help you contemplate. Which makes you a more sensible living being and you resonate more with lift itself. “The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.” ― Andrei Tarkovsky Great Topic there.

One of the best videos on topic I've come across. Well done and thank you!!

If you can't really understand him, please turn on subtitles/captions.

Thank you for this video and nice quote at the end

what a good video. Great job!

Hey! Thanks for this video. Can you please help? I shot & edited short film on 23.976 fps, Film fests. are demanding 24 fps. Should i render it to 24 fps and if i do, will there be any changes ? One more thing that i noticed is after adding video of 23.976 fps (Shot, edited and rendered with same fps) have lag or lack of fluency. What should i do in both the scenarios?

Complete explanations and moving commentary at the end, I loved it.

8:36 Can anyone confirm if I understood correctly. So there is a video of 2 hour 7.2 second (7202.2 seconds in total) length at 23.976 FPS. It means that (A) this video consists of 172,800 frames (= 7207.2 seconds / 1.001 seconds * 24 frames), (B) it's supposed to play 24 frames for 1.001 seconds and (C) this video will play for 2 hours and 7.2 seconds on an over-the-air television. But if you play the same video file at a theater through DCP, DCP will regard it as 24 FPS and will play 24 frames for 1 second. So this 2 hour 7.2 second long video will be played for only 2 hours at a theater through DCP (so 7.2 seconds less) because 172,800 frames / 24 frames = 7200 seconds.

Fantastic lesson and the presentation is top shelf!

3:23 I believe there is a small error here. 30.0 became 29.970 (NOT 29.976). 24.0 became 23.976 which is where i think you got confused.

but the camera companies STILL don't give us pro-sumer cameras that can shoot True 30.0 or True 60.0 fps.

Outstanding. Subscribed already. Thank you for this.

Probably the best explanation I’ve ever heard respectively seen. Good job 👏 ❤

Thank you very much man. 💚 Such a in-depth research you have put in this video. Very helpful. Lots of love🌿

👏👏 thank you . A new thing I've learned. Greatly appreciated. 👍👋

Waiting for you to upload the other videos you mentioned in this video

Thank you. This video is made by heart. I see it 😊

Well done and subscribed

Thank You! Well Done!

So, if I have some footage in 23,976fps, some footage in real 24fps, and one drone shot in 29,976fps and I wanna do one video with all of these footage, what can I do for smooth result? What timeline and export fps settings do you recommend? Thanks a lot.

I would say just shoot true 24fps in all situations. (Aside from higher frame rates like 30fps and 60fps, etc.)

Thank you for this video, very helpful 👏🏻

this was really well done!

Thanks for doing this video!

Really good video ! You need to show the subscribers amount to get 1 million !

The best explanation I came across Internet. I know os this things before because my father was a TV engineer and spoke about this things.

Yet another indian tutorial to teach western civilisation about what they invented themselves. Well done dude.

Gracias. La velocidad le da la magia. Saludos, desde Argentina.

Great video, thanks a ton!

You should avoid both frame frames. Both frame rates belongs to last century. 24fps is a must NO and 23.98 it could pass cause you can easily convert to 30 and 60. But avoid both frame rates at all costs. Those frame rates are unicorn, don’t exist in today’s monitors and displays and will cause you many problems.

The strip of 35mm film, you showing is not from 35 motion picture camera! but from still camera.....

Dragonball Z in Japan was dub on 23,976 fps!

thank you, awesome. how to convert 23.976fps edited footage to 24fps. without audio drift?

Great video essay

This was amazing!

I'm quite confused if it is ATSC or ASTC. 5:31 I think Japan uses the ISDB-T and not DVB-T. I'm quite confused. 5:34

So if your master is at 23,976 fps how you conform this to 24 fps for dcp?

Wrong. No one shoots PAL in Brazil as far as i know

I got a big problem. I just bought a Sony fs7 but i need to shoot a feature in 24p. For a movie/cinematic look i need 24p. But in the camera settings i only see 23.98p and 25p. What should i do?

Oshadharon.

Is there gonna be a different runtime between 23.976 and 24 fps? If yea how many second different from 2 hour movie?

any defference in motion(natuaral moton blure ) between 24fps and 23.97 fps?

Hello great Video, when I shoot in 60fps or 120fps, should I export in 24fps or 23,98 fps?

Can you really tell the difference when you watch it?

😎🤏 😏🕶️🤏 Smooth.

Bom video!

Hi bro.. just have a doubt.. i have 4K 100fps footages to be edited for RU-vid. So which is the best frame rate to work in Premiere pro.. i tried 24fps sequence but when i slow down the clips again to ultra slow motion, the frame jumps !! I need to make Cinematic 24fps 4K video for RU-vid, no need of 100fps !! Kindly please help !!

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