There is nothing more effective that the concept of Superimposition. Learn how to master it and it will be there forever. Ignore it and a big piece of the puzzle will be missing from your bass playing :-)
This is such cool stuff. On guitar I'm doing this now with Garry Dial using b6 mixolydian scales on different degrees. I feel like doing a zoom with you to see how you apply all this to a stringed instrument
You make it sound so cool Joe - as i recall, E-7 & A-7 are diatonic subs of Cmaj7 & the B-7b5 was the sub for G7... but a natural 5th on a B-7 gives the 7,9, sharp11 & 13 - Am I right?
@@JoeHubbardBass Great! I'd forgotten about the B-7 sound over th Cmaj7. There's an article in the Bass Player mag from years ago by Lincoln Goines - I recall the patterns but not the connection - Love it! Hoping all's well 😊👍
