A7IV Colors using SLOG3 - LeemingLUT 

Thanks!! It was for one day and it translated to basically zero views - but it was a nice attaboy

Thanks!! I did forget. 👍👍😂

@@MarkBennettCameraCrisis have an apple juice on me 😂

@@NunnitoMiguel Done 🍻🍻

thanks!! The LeemingLUT makes all our mugs less offensive to the eyes

@@MarkBennettCameraCrisis 🤣

@@MarkBennettCameraCrisis haha 😂

Thanks!!

🤣☕️

true true. but hopefully people will be reading the pdf so they learn how to apply the LUT properly (including white balancing 😀)

The leeminglut helps us all look like pros 🤣🤣

Thanks!! Its not helping the channel - but it’s a nice pat on the back 🤣🤣

ya man!! 👍

This is a new Sony feature and unfortunately is not available in the A7IV

No - once you download the LUT you can use it on any footage anytime.

@@MarkBennettCameraCrisis awesome. Thank you. Does it work for A7RV?

I usually use the lower limit.

recheck everything and use the zebras for exposure. 85 on the skin or 95 in the highlights on slog3

@@MarkBennettCameraCrisis rechecked everything.. it’s still the same… although I’m getting amazing results with sonys free LUT using the same settings… lovely colours as desired.. but with the leeming lut there’s a black haze all over 😒

I will make a video on the phantom lut. It’s really for people who want things to look like an Arri cinema camera. Which is great for a lot of productions - but not as great for RU-vid probably. I guess we’ll find out!!

@@MarkBennettCameraCrisis I have both. Love the Phantom Out look - it requires minimal tweaking which is good for Color-blind noobs like me.

@@User_not_found_403 yes, I like that you can seemingly expose however you want too. It’ll be a fun comparison

@@MarkBennettCameraCrisis cool - looking forward to I! It'll be nice to get an opinion from someone not color blind.lol

@@MarkBennettCameraCrisis Hey did you ever make a video on the Phantom Lut? If so, could you send me the link?

It’s not so much about using LUTS, but rather taking advantage of log footage and 10-bit. you get billions of colours and much more detail and skin can come out much nicer and more “filmic”. Standard profiles in cameras don’t look great under artificial lights in my opinion. Skin tones have a lot of different textures and colors that get lost and the standard profiles tend to be high in contrast. everything looks much more like a video camcorder. In the natural sunshine, things look a lot better in standard than in the studio. But even in 8-bit cameras like the zv-e10, you can get much better studio colors using HLG3 and conversion luts

That’s it - set zebras to 85. You don’t even have to back them off fully. When you start to see them on faces - leave it there. Apply LeemingLUT HLG3 and you’re done

@@MarkBennettCameraCrisis and this for s-log 3 too?

@@timboh8776 for slog3 it’s 75 for zebras on faces. The LUT has changed over the years, but in its current state it is 75 for zebras in slog3 for skin tones

@@MarkBennettCameraCrisisonly for in camera zebras, right? To my knowledge, on atomos ninjas it’s 85 on zebras. Could be wrong though as the manual only says 85 for slog3 and doesn’t mention skin tones

I actually just stuck a magnetic Aputure mic in there - if you look closely - you will see it’s not plugged in 😀

@@MarkBennettCameraCrisis Ayyyy. Nice trick!

I could get too technical if I tried 🤣🤣

@@MarkBennettCameraCrisis Best news all day!

absolutely - on an 8-bit camera - that’s the way to go. in fact, I used HLG3 on the zv-e10 in this video

@@MarkBennettCameraCrisis Thanks, your channel is very helpful. Now if the zve 10 was just in stock somewhere...

@@GuhyasamajaCenter yes - hopefully the chip shortage will be fixed soon

definitely will do the phantom LUT comparison. At least you’re the Saskatoon on the States. I mean, you could be the Moose Jaw.

@@MarkBennettCameraCrisis Ha! Moose Jaw. Funny names are funny 😄

@@kevinkrause5798 🤣🤣

Gonna be huge in Turkey 🤣🤣

@@MarkBennettCameraCrisis hell yeah! :)))

I appreciate that 👍👍

absolutely- in fact - he provides a bunch for free along with the corrective LUT

they changed everything for me

ha. good call. it was my job for the last 20 years. But I’m old now so standup is taking a backseat to RU-vid!!

🤣

@@MarkBennettCameraCrisis 😂

Oh well, I guess YT wanna sell LUTs then! 😅 Basically I wrote that LUTs are obsolete if you use Davinci with it's color management features.

@@noname-cj6jp I’m glad that’s cleared up!! DaVinci has great tools for sure, but I find the LeemingLUTs easier to use because I can expose to the right with certainly whereas exposing to the right and then converting with DaVinci color management, I’m guessing around a little - plus they work across final cut, premiere and DaVinci. But for sure, you do not need them - especially in you’re a Resolve user. I just enjoy the one click fix.

I JUST for the Phantom LUTS - gonna do a vid on it 😀

he actually has them for most camera brands 😀

got a haircut because of it 🤣

🤣

Awesome 👍👍

There’s always personal preference - and with slog3 you can grade it as much as you like. Probably myself and Gerald and others like that look that you think is flat while you prefer something with more contrast. I use HLG3 with 8-bit cameras because slog needs 10-bit usually. But most of the difference you are seeing is personal colour grading preference. A good colourist will be able to make slog3 and HLG3 match well (I am probably not one of those guys 🤣)

@@MarkBennettCameraCrisis Actually I am wrong now,since I got A7IV and use properly SLog3 on 10bit files. I am getting much better results grading it to HDR footage and it looks fantastic.