Make sure to be subscribed to not miss more content like this in the future! Share it with friends! If you have any suggestions for videos on other artists or topics, comment below!
She's not a technician but she's still a very talented songstress with a beautiful instrument. Adele is one of my faves. I love her for her interpretative abilities and the emotion she expresses. She's a Queen! 👑
Shes actually good. She has the lows and good mix register. And a decent head voice so idk why some classify her as a weak vocalists when actually shes not.
@juicybussy Hm? I’ve yet to see a pop mezzo without a solid Eb3 (Adele has a D3). The other singers you mentioned aren’t natural mezzos, especially Jojo or Beyonce. The rest are debatable.
This is the only album were she hit alot of Eb5 and also F5. Just proves that Adele has more ease in her belts specially in 5th octave which is she barely hit those notes in her album before this. But this album she hits 5th octave alot easier now.
She says she's more comfortable with belting high notes than low, softer notes. I think there's so much more to her voice that we are yet to experience.
@@지선신디스티븐 being a soprano could atleast be comfortable hitting G5 belts or sustaining them. While her highest sustained were just Eb5. Pretty high for mezzy but not enough to be soprano. We'll see in the future tho. She might improve even more vocally and be a soprano.
You can be a soprano and not be able to belt past C5 without training. I know many classical sopranos who switched to pop and would strain to even get past the fourth octave in belt. G5 is almost an octave past the passaggio for a soprano. I think you’re expecting too much from sopranos to be comfortable at. G5 for a lyric soprano is like a D5 for a lyric tenor in full voice. And D5 for a lyric tenor is ridiculously high in full voice. That being said, Adele is a mezzo. And always had been one. And she won’t just become a soprano if she learns to sing high. She’ll just become a mezzo with an extension.
Her voice got naturally lower, as she has much ease in lower notes and her voice sound more husky and raspy, as predicted, but somehow her upper belts are better supported and healthier (check her new Hello live performance, she does is better than 25 Era), I'm happy for her.
@@kittygalore7344 she has always been a Mezzo, as the video shows her lowest note is now B2, C3 was her lowest note in the 25 Era, but now her low notes are much darker and stronger
@@thearabicmusicland The voice gets better with age, both in the lower and higher aspects. So this shows her voice is healthy and she knows what she's doing.
@@henrymathews3671voice gets better with age is the standard, but in Pop Music industry most female singers are overworked, and their voices age for the worst, very few exceptions have better voice with age like Beyoncé, P!ink and now Adele
@@kauanrodriguezalvesalves4128 I’m not sure cuz according to this, you’ve got range. But if this stats is correct, then you’re a baritone that can pass for a bass when needed. You should be able to sing John legend songs with ease.
She's the voice of our generation. She may not have the best technique nor the most refined voice, but she's THE SINGER people of all ages will gather up to listen her perform her songs and she gives her audience the trill and excitement that was absent for last 20 years.
Apparently your content is really pigeon holed according to the comments haha, I'm not at all surprised you made this video and liked the album :) also I'm so tired of people bringing their expectations for her to have some kind of classically trained ultra healthy voice. At some point it's not out of concern for her vocal health it's just a way for people to justify saying certain singers are better which is just so annoying to me haha, like is she incredibly healthy vocally not really but I have noticed improvement and in the end if you're listening to Adele for that you are missing the point of her art. Love this vid kaji good job as always
I love her range from A4-C5 cuz shes one of the few that can really make those notes sound projected, mariah's range in that area is also very projected as well, love it. Edit: guys im not sure how this caused a debate in the replies and why you guys are mentioning support, resonance, and voice types. I simply said that adele, like mariah, seems to really project from A4-C5 (and ill clarify now that im talking about recent mariah not 90's mariah). I hope this clears things up because I never mentioned resonance, support, or voice types. I mentioned *projection.*
Mariah's voice is actually very small and barely projected, that's not the term I'd personally use honestly, you could just say you like Mariah's tone in that area more, that's do it rather than using vague terms you don't understand anything about
If we were to talk about older Mariah I'd agree. But in the early to mid 90s her A4-C5 was very speechy and smaller in volume. You can hear what I mean very well if you listen to her SNL 1990 rehersals in full. Her voice is barely louder than the piano there.
@@KajiVocals no yeah im talking about older mariah, like mariah rn. Her range from A4-C5 always sounds so open and projected. Imo as she got older her voice gained more resonance
@@lightning0506 its very projected, what are you talking about? Look at her joy to the world performances, or her vision of love performances. When she sustained the notes theyre very projected and sound very resonant and grounded as well.
@@KajiVocals really? Cause it sounds quite powerfull in many performances, id say her voice isnt naturally quite loud but her resonance in the music box tour in new york was truly quite impressive.
Adele with weight loss 1. Her voice has gained breadth in range which makes up for the slight loss in power due to her having a smaller body frame now. Her voice is less powerful than her earlier days, but what she lost in power and richness (To Be Loved is not nearly as powerful as Set Fire Through The Rain or One and Only and yet is the VOCAL MOMENT OF 30), she gained in range and agility. Her voice now moves so fluidly and she seamlessly transitions (Easy on Me). 30 is such an excellent album. Her songwriting, her musicianship, her sequencing...uuugh I love this woman
@@KajiVocals first Adele does a Bb5 then she goes up to C6 and then down to Bb5 again, listen in acapella and better some people say its not her voice but i think it is!
"Do you think Adele could hit higher notes? I tend to believe she's never wanted to try or explore beyond. She hits an A5 in falsetto in 'Sweetest Devotion,' but I think she could go further than that."
@@kittygalore7344 I don't think her lows are that develope, I mean, she can project, but it sounds like she has to force her larynx down from Eb3-E3 and lower, that's just at most decent. For me her only develope part of her voice are her mid belts
I'm curious why do you say that? I don't know much about music so I don't really get what u say but I think she has a great voice so what exactly do u mean?
Her head voice was better before. I don't know what happened but maybe it's an onset problem. Some of her C5s sound free. She sounds great in the F4-C5 area of her belting range
@@KajiVocals This proves the fact that you have no idea about vocal biology and you think that she has a bad technique when in fact she overused her voice and still managed to sing
Didnt expect this video, you usually do artist with more developed voices and Better technique, but im definitely not mad, i love her tone and the album
Lol I can't believe all the she's a contralto articles I read and misguided fans. Lyric mezzo her voice shine right in that middle range, C5 was the best note in my opinion. Haven't listened to her in years but the voice had made some improvements, the lows were also good.
Some people said that she is contralto, I disagree, she smoked cigarettes for years and stopped, she even operated on her vocal cords for that, she still has vocal breaks because of that, but that causes emotion in the song. Now, but I always saw her as Soprano who wanted to make her voice sound deeper than it really was, Glad she stopped smoking, her voice sounds healthier now, I loved her husky sound but it wasn't healthy for her.
a) she does not have much of a technique; she is not a trained singer; you can tell by her vowels she does not have a technique b) she can connect all of that head register down c) there is very little mixed voice in this video; only several notes past the high C were mixed
@@KajiVocals her head register has air and tension coming through. And i wasn't talking about the notes before C5 when talked about lighting the mix. She used to be hella chesty on the fifth octave mixed notes.
@@pedromurilo1050 Her issue in head voice (the full head voice in particular) is largely her overuse of badly produced closed vowels and heavy valsalva. Same issue as 2010s Mariah in quieter head voice.
Her belts sound weirdly similar to mine, even timbre-wise I haven't listened to an album itself yet (yeah, I'm very lazy to listen to new music sometimes) She sounds as usual though, I can say there's no significant technique changes, just pure natural talent Very obvious struggle in 5th octave, quite hard to listen to.
She mixed most of the fifth octave here. She belted even some of the C4s in the album. Her voice has lowered considerably. She'll probably become a contralto by the time she's 50 (like Melonie Daniels). Or close to one. Like Etta James.
I think that in the last 6 years she have studied a lot. In fact, she showed it in her live "One Night Only" where she made incredible perfermance with excellent technique
@@corradosscala Doesn't sound like technique to me. She just sounds good. Technique implies you're making conscious choices with your vowels etc. to produce a healthy, free and sustainable sound.
How does she not have good technique? When she sounds amazing and can sing night after night for hours how can you say she doesn't have good technique? Do you realize how dumb your statement sounds?
@@giannis_tar because she doesn’t. It’s not stupid to say that, she had to cancel some of her tour in 2017 because of it and she damaging her voice. Her voice is great but it’s not at its full potential since she’s made the decision to not work on her technique.
@@reggiemitchell5198 I meant in her youth. Now yes. Her voice lowered a semitone or so after her pregnancy. Same happened to Etta but her voice ended up lowering far more over the time. By the end she was a legit low dark, almost contralto mezzo.
umm can u correct me and range i am:(? idk what type of vocal and range i am i would be so honored if u correct me i can do C5 but i feel like my voice still need a lil bit more practice am i baritone or tenor:( the video are in my channel where i do a cover by conan gray's song heather, people watching etc
@@KajiVocals Yes I agree. Her low notes aren't that strong. She has a dark timbre for a female singer in pop music, but not to THAT much of an extent. She uses a fake dark with fake vocal weight used in an unhealthy way.
Also, she's not going as easy with her voice as I think she should be going, I mean, she has been hurt two times, she really should be careful, she's not Christina with those metallic vocal cords lmao
@@loveyall1910 if you don’t care why did you mention her when the person didn’t even bring up Ariana in the first place 💀 and Ariana is a better vocalist than Adele if we are going there and she didn’t get ate up lol
@@bartolomemusic Mix is an M2 laryngeal vibratory mechanism with a high degree of adduction, epiglottic funnel narrowing and a yell-timbre formant coupling often. The description you posted is scientifically inaccurate as one cannot use both head and chest at the same time due to them being within different laryngeal vibratory mechanisms. Mix and belt are two distinctly different modes. Mix is technically in the same mechanism as head voice. It’s just a different formant adjustment of that mechanism. Belt is done within the M1 mechanism. It is a controlled yell, your modal voice taken upwards. Even if you thin out it’s still a belt as long as you don’t transition into M2. The ‘mix ratio’ is a myth that has no real basis in how the voice works.
