'After You've Gone' Solos (P. Bartley, B.Harris, E. Cohen) Transcription 

hi emmet

Please get someone to transcribe your solo from the other live performance you guys did on this tune. It was amazing and longer. Big fan

It’s the man himself. I really appreciate everything you’re doing for the jazz scene and music as a whole.

🐐🐐🐐🐐

🐐🐐🐐🐐🐐

Literally goosebumps :)

Yep, 100% This recording is up there with other landmark sessions. It represents so much scope and context, in the incredible American tree that is jazz. The journey of jazz crystallised. It reminds me of Marsalis, Mingus, Morton, in its intention and belief in jazz as a serious musical discipline.

It really is.

Definitely, great analogy!!! I was hearing Colman Hawkins and Benny Carter

And Harris sounds like if Clifford Brown did the same!

@@seabasszamarripa8252not sure about the sound but at least in terms of notes Harris played way more out stuff than Brown did, at least according to my limited number of Brown’s recording I listened to. Both are awesome though!

Thanks:) Yeah it's definitely one of the top shelf jams at Emmet's place. And super re-listenable.

cheers :)

Bravo.

Thanks for asking:) lukabolte05.wixsite.com/my-site-3 has Eb, Bb & C charts.

if u email me i'll send a chart pdf if you want(lukabolte05@icloud.com)

Es ist in Konzerttonhöhe geschrieben, um das melodische Material des Solos analysieren zu können. Ich verstehe, was Sie sagen (ich spiele auch ein bisschen Altsaxophon). Auf meiner Website (lukabolte05.wixsite.com/my-site-3) finden Sie die korrekte Transkription zum Spielen des Solos (Tonart Eb).

yeah i also wrote B instead of Bb as a chord symbol a few times:)

One of my fav licks. It's a Clifford Brown quote from the tune "Brownie Speaks." Be sure to check it out if you haven't already!

@@seabasszamarripa8252haha you are insane, this lick in „brownie speaks“ is actually played in the original at 0:45s by Cliff Brown. Thanks for letting me know ;)

sure thing. so Emmet is essentially starting midway through the B section of the melody. In the song, the chord progression repeats twice, except for the change of that second time variation it lingers on the ii minor chord (Cm - G7 - Cm) tonicsizing it with the dominant, instead of a 2 5 1 into the tonic as it does the first time. He's basically starting on the lyric "someday when you feel lonely." as playing through almost the entire second half of the changes as the intro ( Cm / G7 / Cm / Ebm7 Ab7 / Bb / Am7(b5) D7 / Gm / Gdim7 / Dm7 / G7 / Cm7 / F7 / Bb / / / E+7 )

@@fresamouse Wow. Brilliant. Thank you so much.

absoutely. Bruce Harris - a master of space!

for free (lukabolte05@icloud.com). let me know which solo and if you want Eb, Bb or concert pitch.

too many. like over 10 hours cos i procrastinate a lot

@@fresamouse it takes me ten hours to transcribe a 2 minute solo 💀 respect

Because he can.

Haha no, Joe Saylor is an absolutely incredible drummer :)

The short answer is "bebop," which tends to involve a lot of complex flowing melodic lines, rhythmic call and response, small band improvisation, and often a simple understandable 32 bar harmonic structure. Here Patrick Bartley is taking inspiration from musicians like Cannonball Adderly, Miles Davis etc.

Good jazz.

It's in concert pitch that's why

slow it down:)

glad you asked. it's a concert pitch transcription for objectivity's sake. when there are three solos in one video, you can examine the difference in approach to soloing in the three players(what chord tones/ extensions they rely on, space, etc.). But there are also Eb, and Bb transcriptions in the link in the description. :)

yep. there are Bb, and Eb transcriptions at the link in the description :)

should be working now. if not, email me and i'll send you the transcriptions (lukabolte05@icloud.com).

email me i'll send you pdfs(lukabolte05@icloud.com)

cette transcription vidéo est en pitch de concert

@@fresamouse ok je comprends mieux, je te remercie pour cette précision