I friggin love this thing, Chris, thanks so much. While you are working on lo-fi reverbs, i'd love to see something like a granular octaverb type thing! Something like Galactic (or maybe MV), crossed with Melt, but with all the grains sped up double speed. If you could include a knob for altering the sample rate on the grains, that would be crazy!
Well, this is the kind of work you'd need to have to go forward to that. There's no special reason I couldn't run grains and do the Bezier reconstruction on those, and they'd sound like DeRez3 but be a granular effect. Since you're doing a curve-fitting process, it's kinda well suited to grains.
DeRez2 with the dry signal mixed back in seems like it would sound great on the drum kit... adjusting the "hard" parameter to taste. Maybe as an "air" effect for the cymbals.
I just want to say, you are legendary, the things you have done are beyond appreciated, i didn't know there was a channel, it just popped up in my feed, I'm happy, thank you
Chris, thank you for all the content and support. I wonder if maybe you can clone a Linn LM2 someday, you know, a fully featured and close to original LM2 machine on VST! :). There are some BIN files and RAW sounds from the machine out there you can use to make it. That work would be wonderful for VST surgeon like you. Thank you so much for everything!
Why can't you just take whatever sample you like… and put it through DeRez3? :) why in the WORLD would I be trying to cop the mojo of a vintage machine when I want to teach you to make your OWN mojo…
Sounds great man. I’ve hopped in to some mixing live streams and very much like what console x is doing. I do implore you, however, to consider releasing a version of the console x system where the channel strip plugin doesn’t rely on the plugin’s internal faders and pan sliders. As an engineer handling 100+ track sessions, I gotta be able to see all my faders and pan pots on the screen at once to be able to move quickly-much as an analog mixing engineer would get a lot from seeing those all laid out on the console. So if there was a way to make a version where the faders and pan pots at least *didn’t hurt* the encode/decode process, man, that would be phenomenal.
So far, I can't do that. It would be different if the DAW supports post-fader plugins, though I can still do better with internal controls because I can design them into the spot on the 'circuit' that is most effective. Console7 did some pretty sophisticated things that can't be reproduced with a post-fader setup.
@@before.23 Logic, Pro tools, or reaper depending on the client. But really, I’ve tried a lot of the work arounds to make it work the way it is-which is why I’m asking for consideration for the ergonomics from the c man himself lol
@@before.23 yes I’ve done it that way. It doesn’t work for my workflow. Respectfully, im not looking for a workaround-I’m hoping there’s a version of console x in the cards for the people out there who like / don’t have the time to redo their whole workflow
1:30 Yes, please let me know when you make one for Hip Hop. . it be a full sampler like the sampler in Logic Pro or Studio One? Or the Mpc 2 or 3 software? I'm going that it's a full fledged sampler with your effects in it, and the creative capabilities of something like Bitwig. I knew that's a tall order. Most people are using something like Serato Sample or Studio to chop up their samples before importing them into their sampler software like Reason Studios nnxt, mimic,or Kong and it's nanosampler. But I'm excited to see how you build your sampler. Please, whatever you do, make sure that you use the 16 pad format of the Akai Mpc and Native Instruments Maschine, please. Thank you. I appreciate what you do.
