Ouais j'en fait mais desfois je ne suis pas content du résultat et ne les publis pas... Pour la desynchro j'avais pas capté mais ouais on dirai bien, c'est bizzare parce-que c'est le push qui la sequence, donc ça devrait être spot on..
Yo Paul! Nice! its great to do ambient stuff, I enjoy it a lot as well. It resets my mind form the raw techno, acid and breakbeat I'm usualy doing. When did you get a 303 then? Finally eh?! When you sync the 303 thru your Multiclock and activate the clock divider on that channel, you can change the rate of the acid line, slowing its pace. Very cool, Plastikman vibe.
Thanks, yeah same here, I have been doing a lot of more ambient stuff lately... I got it a month ago I think, found it on reverb, the mk1 new (from the guy who make them, he found old stock in a storage room... I would have rather get a RE but I always feel is too expensive for a 303 clone.. This one was n°2 on my favourite 303 clonenafter the re so I took the plunge... Yeah I need to try that, but I can do it with push 3 and cv tools as well I think
@@audioreakt very cool you found the mk1 , from the builder even! Still love both my RE-303s You should check out Audiothing Noises vst, excellent for weird soundscapes and ambiences.
it is push 3 standalone, everything ios sequenced by the push 3 and all audio goes back to push 3. push 3 got ableton inside, then the output of push3 is recorded with the recorded above the 303
Hey buddy, wanted to know for making a track from A to Z and live performance, among these three( Push 3- stand alone, octa track, analog rythm) which one is the best & you recommend?
It‘s a question of preference. Rytm is the easiest of the 3 but gives you the least broad musical and soundwise horizon. With Octatrack you need other material (samples at least) and the Push 3 can do almost everything an electronic music device ever could do, but takes years of learning and is not finished in software development yet. Some quick killer features of Push in comparison: polyphony, musical keybed, „unlimited“ tracks and fx, loads of sound sources. Rytm on the other hand is still the best drum machine that ever existed.
yeah this is a very hard question to answer like mention above, the rytm is probably the one will get you there quicker but also will feel limited at one point. Push3 is great if you alreasdy have knowledge of ableton, I wouldn't recomend to use push3 if you never touched ableton. regarding octatrack, never used it so cannot talk about a lot of people usedit live...
@@el_dani Thanks fot your thorough explanation buddy. we already have the Ot mkii, and we're familiar with Elektron devices, they're great for live and improvised performances but not for a 0to100 project as an Ep for instance! I guess push3 is more stable for several tracks to be performed in crowd.
@@audioreakt thanks for your thorough explanation buddy. I'm familiar with ableton and I'm already using it, our studio is fully analog like yours we're using Ot mkii as our studio's leader (for 8tracks midi sequencer and sending clock) I guess all these processes will be done better and more stable with Push3 in order to (sending clock, midi tracks sequencing synthesizer though not sure how many midi tracks!) and it can be a good sampler, drum machine, and a great arranger to expand the project in desktop ableton as well. to many questions;) all in all I guess Push3 plus rythm would be the best choice to write and arrange 0 to 100 of an Ep or album? ❤
Are the reverb and delay from Ableton? Can you share the gear's interconnection and the audio/MIDI/sync setup in Ableton, especially for the DFAM? Also, is the delay time 1/16 note?
I saw your first comment but needed more time to answer that's why I didn't answer earlier...but good comment I usually put a breakdown of the set up in the description and didn't do it this time, my bad. Will reply to you with the breakdown and also put it in the description now so everyone can benefit from it. There is no computer, the push 3 is in standalone so everything come from Push3 in term of effect. Drums are coming from the tanzbar Random Perc are coming from a Ableton Kit called Alarma Kit Bass is coming from the DFAM Acid Line from the TT 303 Pad is coming from Ableton Meld + Strings from String Quartet by Spitfire Audio (ableton paid pack) The main Lead is a preset from Ableton library, from Meld called B-stock (awesome preset btw) The other synth is another Meld Preset (from me) The noise is a ride I processed (eq, slink filter, auto pan, delay and reverb) Sync/Midi Midi out to the TT 303 (midi clip from push3 sequencing it) Mid Out to Tanzbar (just for the clock) CV Clock/Start out from pedal input on Push3 to the DFAM Audio Routing Tanzbar goes to TT 303 Audio Input (which is connected directly to the output of the tt303 so not affected by the machine) TT303 goes into Ableton Push 3 Input 1 DFAM goes into Ableton Push 3 Input 2 Regarding the delay, each element almost have delay on insert, i don't use return for delay/reverb and put them straight away on each track.
@@audioreakt Thank you for this breakdown. I appreciate all the details. Realised my previous comment wasn't concise enough despite multiple attempts at editing. Couldn't find the alarma kit in Live 12. Are you doing a mix down post recording? Master bus?
@@Cybercowboy_69 ha yeah just realised you need the Punch and Tilt pack to have it... I did a subbtle maser with my ableton mastering rack from here : ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-6bDPAIFZn2w.html
