Antonis Andreou tests the B.A.C. Elliot Mason Trombone 

Haha me too bro!

Yessir. It was a pleasure to hear Antonis explore the limits of that instrument, and others. He plays his truth.

..how many times have you really paid attention

@@dEadERest All the time;)

this guy has a better tone than 99% of jazz trombone players@@dEadERest

uwu

Check with Mike Corrigan at mike@bacmusic.com or Kevin Stiles at kevin@bacmusic.com.

The partials can have narrower or wider "slots", depending on a lot of different factors in how a horn is built.

@@harrisonreed8718 I still don’t understand

@@PumilateVFX Last try -- you know what partials are right? What they are talking about could be two different things, 1) how the partials slot, or 2) how the partials line up. 1) slotting - Some horns "slot" into the partials really well. On some other horns, each partial is like the grand canyon, and once you're in a partial, you can move around with vibrato in that partial no problem because that partial is vast and wide. On other horns, the partials are like gutters really close to each other. You can fall into the gutter easily, but you can't move around in the gutter at all. So trying to use vibrato just makes you move to the next gutter like it's nothing. On yet other horns, the partials are like deep narrow gutters that are also far apart, so that not only can you not do lip vibrato easily, but it is also tougher to leave one partial and get to another. These are what you would call a very stable slot. Some people like one or the other. Grand Canyon Slots are good if you want to have lots of control with your lips and your accuracy sucks. You can fall into partials that are a mile wide. Close row gutter slots can be great if you want to move around the horn a lot like in this video. Spaced out gutter slots might be what an orchestral guy is after, do that they can slot in easily and not be affected by vibrato weirdness. I think they are talking about 1), slotting, and not number 2. 2) how the partials line up, is more about the adjustments you have to make to play in tune, like how sharp your F partial is vs your Bb partial.

@@harrisonreed8718 ok I understand now thank you

Sounds like doodle tonguing to me.

@@jacobruiz97 Thank you 🙏

Sounds like classic Arban style double tonguing to my ears.

Paul, These videos are from 2018. You can contact the extraordinary team at B.A.C. to see if they can provide you with content reflecting that style on the instrument.

Antonis can just play the best ballad youve heard he's gone make you cry man , i know i played with him

He was play testing the horn, not trying to entertain you or show off. That is where that guy is at, that's how he tests what he can and can't do on the horn.