ARLECCHINO | Commedia dell'Arte with Dr. Chiara D'Anna (Session 2) | Practice 

Thank you!

Grazie! What a lovely message. Hope to post more stuff. You can also find some free resources and links to cool practitioners here: www.pantareitheatre.com/commedia-dellarte

Thank you Anamaria!

Thank you for your message. I'm glad this video was helpful. Enjoy your performance!

Grazie!

Thank you for watching!

Thank you Luis 🙏 very kind of you!

Thank you for watching!🙏

Great! I'm glad you found this video useful!

Thank you!

Thank you!

Thanks for your comment. I think there are different perspectives on the specific physicality of each mask. But I'll certainly take note of your observation!

Thank you for watching our videos! 🙏

@@MovementActorTraining , youre welcome!!!! im a big fan 😄

Hello! Thank you for your message! From Brazil: WOW!! The video had some sound issues! Will upload a new one ASAP: watch this space!

Wow! That's great. May I ask how my vides can be useful for 3D animation? I' love to know more about it. Would you need something specific that could be useful for characters and 3D animations? Maybe I can develop more videos that you can use. It would be fun!

@@MovementActorTraining "May I ask how my videos can be useful for 3D animation?" I use your videos as a reference for many reasons, they are complex enough to be a challenge, simple enough to be done even by a novice(I mean in 3d animation), and the most important you explain every detail, the simple background helps, you do front and side view most of the time. As a bonus, you explain the theatrical implication of your actions(this helps my student to learn artistic expression not only the technical aspect). In contrast with any non trained person walking is hard to synthesize manually because we have poor control of our movements. Therefore making every movement slightly unique. "Would you need something specific that could be useful for characters and 3D animations?" Actually, I'm looking for facial expressions, that would help me. Considering that I have never been in a theatrical class(maybe I should), even the basics help me. All of that is for manual animation, but I also started working on what is called "3D Pose Estimation." The idea is to create 3d animation based on videos of characters without using markers and without human animators. For this purpose, your videos are not perfect, but workable with some editing. The perfect video would need strict guidelines(multi-camera position, focal length, etc). I'm barely starting my lab for such research, but that is an interesting topic on computer animation. If you are interested in helping me, videos with 2 cameras on the same plane and a known distance between them and without rotation is what I'm looking for.

@@lordtanatos84kmkn59 Hi, This might be beyond my limited video making skill. But I have a friend who has more equipment and video making skills. And these videos would be for facial expressions? I cannot promise I'll produce anything remarkable but I'm intrigued by this 3D animation. Have a great day!.. Or evening?!

Grazie mille! Good luck with your project!

Hello! Colombina is one of the names for la Servetta (i.e. the Female Servant of Commedia) which I covered very briefly in Session 4. But it would be good to go back to that character and create a longer session: I will add more material on that! I have never worked with Pierrot. He's a late mask developed in France in the late 18th century as an evolution of the Servant Pedrolino. I should deeper my research on that! Thank you for inspiring me to do so!