Arpeggione Sonata // Schubert // Flóra Fábri & Martin Jantzen

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kind of live recording on historical instruments.
Arpeggione by G. Tiefenbruner 1847.
Pianoforte after A. Walter 1785/1992.
▶ Flóra Fábri - Pianoforte
florafabri.com/
▶ Martin Jantzen - Arpeggione
mjantzen.de/
▶ How to play Schubert's Sonata on an original Arpeggione
• How to play Schubert's...
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The fortepiano was built in 1992 by Monika May in Marburg. It is a copy after an original Viennese instrument made by Anton Walter in 1785 that is part of the instrument collection “ Monika May / Gerald Woehl” Marburg.
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The Arpeggione is an original instrument from 1847 made by Georg Tiefenbruner in Munich. Compared to other surviving instruments it has a rather small corpus, more likely a guitar than a cello, although it is a melt down of these two. The bow is a violin bow made by Thomas M. Gerbeth, Vienna 2019.
Recorded on June 13th 2021 (Frankfurt, Germany).
video and audio production: Winfried Hyronimus
#Arpeggione #FloraFabri #MartinJantzen

Опубликовано:

15 сен 2024

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Комментарии : 58

@cherenkov_blue Год назад

This is the best version I can find on youtube of a recording with an arpeggione, well done! I just love the unique sound of the instrument, with bowing like a viola da gamba and plucking like a guitar. I hope someday I will have the opportunity to play such an interesting piece of music history.

@sonjamuller2846 Год назад

Wunderschön. Aber warum mit Maske. Ich möchte auch gerne das Gesicht sehen!!

@RockStarOscarStern634 Год назад

Very versatile instrument

@inorin5157 2 года назад

One of the best interpretations of heard. Extremely stylistic and beautiful

@violistanton 2 года назад

Thank you for this video. Finally I can listen to this sonata in a way it supposed to sound!

@muyu69 7 месяцев назад

Wonderful perfomance. Super creative!

@chiarasamatanga9575 2 года назад

Absolutely stunning!!! Bravo!

@pascalpoussin1209 2 года назад

Bravo, fantastic playing from both, the arpegione being particularly revealing.

@framefu 5 месяцев назад

Absolutely wonderful performance.

@merry9858 Год назад

wow Martin, Braaaaaavo ! unglaublich schön 🎉

@KonferencjaObszarychronione 2 года назад

Extra! It is great pleasure to hear this sonata as was composed by Schubert.

@roveredam 3 года назад

Bravissimi ! Finalmente gli strumenti appropriati !

@lionelmartin1 2 года назад

Unglaublich schön!!

@yakubov Год назад

Beautiful performance!

@bellafont10 5 месяцев назад

Excellent analytical - Schubert pure.

@thomasgrossenbacher9092 2 года назад

Fantastisch! Grossartig!

@cretium805 2 года назад

Great! The fortepiano seems to be a bit before Schubert's time (the Deletaille & Roudier performance uses a warmer period instrument that I think matches the music's character better), but I love the virtuosity and great blend between the fortepiano and arpeggione here!

@katherineparadis-chateaune8004 Год назад

Schubert ♥️

@jjangu1000 Год назад

들어본 슈베르트 아르페지오 첼로 소나타중 최고 밋밋하지 않고 펄쩍 펄쩍 뛰는 연주

@rahelklein104 3 года назад

Bravo! 👏👏👏 Das ist wunderschön!

@christianebbertz7057 Год назад

So far the best version I've heard.Full of convincing musical characterisations, although there are some moments in the second movement when I prefer the modern piano. But it wouldn't fit to this small arpeggione.

@mayumi7986 3 месяца назад

Increíble, gracias

@RockStarOscarStern634 4 месяца назад

Deletaille's Cover is great but this version sounds lovely too

@rodrigogianessi659 2 года назад

Bravo!! Muito bom!

@superdog797 5 месяцев назад

can you please do a video or a series on the arpeggione? bows, strings, finger technique, instrument maintenance, where to buy, costs, repetoire, technique, exercises, tuning?

@violistarenan Год назад

Belíssimo, complimenti! 👏🏽👏🏽👏🏽👏🏽

@fernandaguerra3119 Год назад

Bravo!

@RockStarOscarStern634 4 месяца назад

The reason why you're using a Violin Bow has to due w/ the size of the Body. Nicolas Deletaille uses a Cello Bow as the Body on his is a little bit bigger.

@toreeketorp1232 2 года назад

Sehr schön! Bravi!

@federicobagnasco 2 года назад

Wonderful!

@musicaterina1976 2 года назад

Sehr schön! Ich liebe Schuberts Arpeggione-Sonate, wenn sie auf einem echten Arpeggione gespielt wird. Und ein solcher anscheinend relativ kleiner Arpeggione (bzw. ein solcher Nachbau) könnte vielleicht sogar zu mir passen (ich bin nur 1,55 m groß und spiele bereits Altgambe - eine Bassgambe ist mir zu groß... Überhaupt habe ich ein Faible für besondere Instrumente, wie z. B. die Gambe. Vielen Dank für die Aufnahme.

@geigenunterricht8684 2 года назад

Very nice and clear sound, thank you! Though, timestamps would have been nice..

@LauraGraneroFortepiano 3 года назад

Schön! :)

@rgosens2 9 месяцев назад

A choking performance

@user-yh7ue9kr3i 2 года назад

Вravissimooo🥰🥰😍💣💣🎶👍👍

@davidecarlassara8525 Год назад

incredibile

@doloreslopezmackenzie7591 Год назад

❤

@user-xz9np3ut5l Год назад

The REAL Arpeggione sonata.

@senioritaalfaro Год назад

The only one performance that must be called good performance

@nathetchoc 2 года назад

Ok but one little thing : WHY do they wear a mask 😳😳 ??? Only 2 on stage, far one from another.... i do not get it....

@martinjantzen 2 года назад

thank you for asking - I also really didn't understand this rule

@k_b7341 2 года назад

we played a concert without masks. the keyboard player was infected with corona - as he found out later. the two musicians who were playing next to him (at about 1,5m distance) got infected by him after 3 days, too. the other musicians, being further away, did not get infected. this shows there is a thin line, were the infection can get transmitted and where not. if all of them would have worn masks, the infection would probably not had spread from one musician to the next. [edit] (4 days later) 5 more of the musicians got Corona now. All in all 8 of 15 musicians got infected. The other seven were lucky, had less close contact, were discussing less, did not share the same car, did not have food inside the venue.

@adampasztor6187 2 года назад

also to set an example. some rules are stupid, some people more.

@k_b7341 2 года назад

@@adampasztor6187 if one could understand the purpose behind it one would not need the rules I guess.

@adampasztor6187 2 года назад

@@k_b7341 sadly we live in an age where science is questioned day-by-day and some people still believe earth is flat for some reason.. anyway.. great recording, gotta love the raw and powerful sound of period instruments.

@jacklefatalis7663 3 года назад

first

@Kam-xm6mm 2 года назад

You’re the last one in heaven

@jacklefatalis7663 2 года назад

@@Kam-xm6mm 🤣🤣🤣🤣🤣🤣🤣

@scotthullinger4684 2 года назад

Very nice indeed - EXCEPT for using original instruments. There's never any justification for it.

@geigenunterricht8684 2 года назад

Why? The gestus on original instruments is completely different and ear-opening for pieces like this. Of course you can achieve a good and adequate sound with modern instruments too, but it's different..

@scotthullinger4684 2 года назад

@@geigenunterricht8684 - It's nice just to get a listen of the differences, but it's not superior. I for one don't prefer it. If and when I hear an old forte piano, it reminds me of a toy piano. I don't need to hear everything on ONLY a Steinway, but the difference is monumental. How would you like to hear Yo-Yo Ma play something on a tinker toy cello?

@cretium805 2 года назад

Try the performance by Deletaille and Roudier. When you hear the fortepiano sound from Schubert's time (as opposed to the classical era fortepiano here), it makes a lot of sense. The warmer sound suits the intimate chamber music setting very well together with the arpeggione, I wish it had been availabe to these two excellent performers too.

@scotthullinger4684 2 года назад

@@cretium805 - I'll give it a try. I suppose I could find that performance on RU-vid?

@cretium805 2 года назад

@@scotthullinger4684 Yes, it's the most viewed performance of this sonata that's played on arpeggione and fortepiano