The source is a 9/11/40 radio broadcast of a program called "California Melodies." 24 tracks from this weekly program, including Caravan, were issued in 1994 on Memphis Archives CD, catalog #MA7007. The sources were 16-inch pressings held by Mrs. David Rose.
😅 Wonderful. I've read that both Rachmaninoff and Horowitz considered Tatum to be the greatest living pianist, irrespective of style. As Tatum was practically blind and therefore unable to read music, it would have been difficult for him to have been a classical musician.
@@tpxchallengerTatum could play classical music to a very high degree. He could famously play bachs WTC books 1 and 2 and each prelude and fugue he could transpose to all keys. It’s insane
If two way different if not opposite pianists such as Oscar Peterson and Thelonious Monk ever had any inspiration, that one was Art Tatum, and that's rather telling.
Oh the irony of there being an advert before this video for some hack saying that they can teach you 100 songs on the piano in one week. This would take a 100 lifetimes
Quand je vois la partoch qui retranscrit son impro et entend son tempo...Complètement hallucinant. Car non seulement c’est inhumain techniquement mais c’est surtout beau, très beau!
Mostly piano players listen to Art. That's a fact. Young so-called aficionados like Monk, not Art, Oscar, Errol, Bill, Keith. It takes awhile for the youngsters to appreciate melody, harmony, and creativeness.
Not a contest, but an artistic presentation-Tatum could play as fast as most, but he had great touch, tone, improvisational, melodic and harmonic artistry, much like Horowitz in classical piano.
Do you mean that, you couldn't understand Art Tatum's art without the medium of piano? What a statement, you make me awe about the awesome mind and dreams that Art Tatum had.
No i think you mean that you need the transcribed notes in the video, to believe what you're hearing. I thought you meant you need the musical instrument to transcribe his dream.
@@thomasbullock4136 Yes, the latter: you need the transcribed notes to believe what you're hearing: those amazing cascades of right-hand runs. It's a figure of speech, of course.
Great transcription. Good when you HEAR what he's playing & want to educate your ear. Try it reading & you'll never get it. This is very useful for analysis, but HEAR it first. This = a valuable lesson. Thank you.
@@emilycai1581 YES. A literate Musician has to be able to read, but learning JAZZ though transcriptions is back to front. Play your own ideas + work out what YOU did. That way we learn the Theory without becoming a clone of some present hero. Improvisation = variation on a theme..our Musical take on it. JAZZ has its style of phrasing. Emily, never be frightened to play when you hear how it should go. Hear it & play it. All the best to you.
Let someone hear Tatum once, and they gave a rather lukewarm response. I mentioned that he was the most monstrous stride player ever & they responded "THAT EAS STRIDE!? 🤯" 🤣 Tatum & Phineas Newborn, Jr. Are my absolute piano idols.
Безусловно великий музыкант. Насколько мне известно, у него были маленькие ладони с короткими пальцами, не позволявшие брать большие интервалы. Тем удивительнее слышать такое исполнение.
Это явно не про него вы слышали, всё как раз наоборот, он имел большие руки и играл в очень быстром темпе любые терции через октаву от любой ноты, в этом как раз заключался его фирменный стиль левой руки. И он критиковал современных джазистов того времени, что они демонстрируют очень мало работы в левой руке
Asking any pianists: Here we have an amazing show of playing skill plus an amazing score. Please tell me -- 1. Was this score actually written BY Duke Ellington and did Art Tatum "learn" to play it, or was it scored note by note by Tatum or someone else AFTER Tatum improv'ed it? 2. Could Art Tatum read and play very difficult classical masterpieces? 3. Would an advanced classical pianist be able to learn and play such a piece?
1. The song was written by Duke Ellington, this is Tatum's arrangement of the song. Art had themes he would play for each song, but every time he played it, he improvised. 2. Art Tatum was blind. I'd venture to say no musician throughout the history of humanity had better pitch than he did. There are many stories you can find in documentaries about how perfect his pitch was. You can find some vids on yt of him improvising to classical pieces. 3. Doubtful. Some classical pianists have paid tribute to Tatum, although they usually lack the swing and improvised feel that Tatum brings. Especially in a piece like this, pure improvisation at 300 bpm.
art tatum did have limited vision in his right eye, and could see out of both (not very well) until he was apparently attacked by some guy in his twenties, and i wouldn't discount any amazing pianist on being able to play a tatum transcription with enough time as one does here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-e_562_Y3c6I.html however to improvise to the same level, you'd have to be more than advanced.
1. Caravan was written in 1936 by Juan Tizol and Duke Ellington. For as far as I know , Tatum has never composed a ballad or song or anything else... this is a transcription of the original Tatum improvisation on Caravan's tune... 2. No. Art Tatum was totally blind in his left eye and had a 25% visus in his right eye... so he couldn't have been capable to read classical masterpieces 3. No. As far as today, I have never listened to a pianist who is capable to play stride piano at such speed as Tatum does. The problem is the left hand tecnique: nobody plays with the left hand the things that Art Tatum was used to play so easily , like drinking a glass of water... For example: " Tea for Two" is a classical stride piano piece, but if you listen to Yujia Wang version ( the video is available on YT ) , her left hand has nothing to do with the "stride beat " Tatum had on his left hand when he played Tea for Two... and you have to think that Yujia Wang is one of my favourite classical piano players...
If im right this transcription is from "Art Tatum Solo Book", transcribed by Brent Edstrom and published by Hal Leonard. And dont wonder, NOT EVERY "jazz musician" is able to do this, it really takes a while and is hard, especially the fast stride parts, also because of the old audio you will probably sturggle to get every note precise.
@@philrademacher yes, but if you know the tune there are only few possibilities, what the left hand notes could be, say if you are in Ab6, but it s challenging with chords
Ci sono alcuni virtuosi che eseguono cose difficili e scritte, non improvvisate, quindi sarebbero in grado si suonare anche questo. Uno di loro è Hamelin, che apprezzo molto, ma ce ne sono anche altri. Però eseguire questo brano con la stessa verve di Tatum, credo proprio sia impossibile
That's the same way I'd have played it.( if I were an almost blind black piano genius, suffering accute and hostile racism constantly, with whatever eyes to see harm to your fellow black folk in the 30s and 40s.🤔👀😇👌be safe.
Art Tatum is proof there is a God. He is not a God like Fats Waller said. But his genius sure points to God's existence. Talent and art like Art's can not be the result of accident. Art is such a treat to listen to every day. I can't blame 0scer Peterson for his response to first hearing Art, which was to quit the piano for a short while because he knew he couldn't top him.
Ain’t no “South African” desert … but there exists the Kalahari and Karoo in parts of South Africa. The Music is 💯 gold. Wonderful soft base, the opposite technique of the jumping left hand of the Fire Dance.
Grande Tatum, però per chi frequenta cose tipo Busoni, Godowsky, Sorabji,Alkan, etc etc etc, uno spartito del genere risulta davvero semplice semplice semplice.