Babymetal - Rondo Of Nightmare REACTION & REVIEW! FIRST TIME HEARING! 

So apparently, this video dropped on Su-Metal's birthday. FOLKS....I swear, I had no idea. This was a TOTAL and COMPLETE coincidence. Glad it happened, but I swear I did not plan it.

⚡ / 🔥 😱 🔥 Not only is Su brave enough to sing and dance on a tiny elevated platform in the dark, but she also has the total fearlessness needed to follow those incredible solos from the Kami Band. That's not just any seven stringer that Takayoshi Ohmura was playing. It's an ESP Ohmura Custom Snapper 7, one of his signature guitars. The first guitarist, Leda Cygnus has had an ESP signature model, but is best known for playing one of his Strandberg signature guitars. The bassist BOH is rocking a six stringed BOH custom model from Atelier Z. He has mentioned Billy Sheehan and Victor Wooten as big influences. This song had its world debut the night before, at the Budokan Red Night show. Su performed three solos at this Budokan Black Night concert, including 'No Rain, No Rainbow', followed by 'Akatsuki' earlier in the set. The two younger girls, Yui and Moa (as Black BABYMETAL) did two songs without Su that night ('4 no Uta' and 'Onedari Daisakusen'), and of course they performed a bunch of songs together. The way those shows were setup allowed Yui and Moa to take a break during Su's solo songs, and Su to have a break during the Black BABYMETAL songs. Yui and Moa have talked about how much they enjoyed listening to Su's solos from backstage. : ) That Black Night Budokan concert from March 2014 is still one of my favorite concerts of all time.

Great reaction and analysis. With regards to BOH, his hero when he was taking up the bass was Billy Sheehan - and yes he plays jazz fusion when left to his own devices. I think his own band or project, the Kari Band, has probably already been mentioned in the comments - you would probably enjoy that a lot. The two shows, Red Night and Black Night, at the Budokan were early March 2014 and these were the shows where the Kami Band became the full time backing band for BABYMETAL. Up until then they'd played some festivals and the encores in some shows, but it was from here on they have played every live performance ever since (the Kami Band of the West complicates things a bit, but they are all Kamis). Su was only 16 when she gave this performance - it was her 24th birthday yesterday. 'Rondo of Nightmare' is possibly their darkest song lyrically. Su is caught in a recurring nightmare (they borrowed the musical term rondo, being a repeated theme, to emphasise the nightmare is a recurring one) being chased through the dark by something she can't see. Finally she hides in or by a fountain or a well (this was the part where she looks like she is floating and just hanging, broken) but whatever it is that has been chasing her is still coming closer and, accepting there is no escape she asks that if she is to die won't it at least show itself to her first. Unlike the choreography in the songs where all 3 girls are involved, Su-metal's choreography in her solo songs is, I believe, mostly her own instinct. I can't find the quote from their choreographer now, but she said something like Su is a one of a kind or extraordinary. Where most dancers count the beat Su just goes with the music and it moves her. She has said to her that she liked what she did at a given part of the song asking why she did it and Su doesn't know or even remember what she did. For me I'd say that 'Shine' at the Legend M concert (Moametal's 20th birthday in July 2019) is Su-metal's best vocal performance so far. My favourite of her solo songs is probably 'Amore' - but they are so hard to separate - the emotion she conveys in 'No Rain, No Rainbow' at the Legend S concert in particular gets me every time I watch it even though I'm not really into power ballads, which that song is.

Su’s voice has matured so much, and in their most recent album with songs like “BxMxC” and “Shanti Shanti Shanti”, she does stuff vocally that she simply didn’t do in the earlier albums. Great review, and I really enjoyed your comments.

There aren't many of them out there but Babymetal is one of those few bands that must be experienced in concert.

Happy 24th birthday, Su-metal! You chose the perfect solo for her birthday. Well done. Yeah, everyone should watch Dave's RoR reaction. I've watched it like 10 times.... And it's not because I wanted to see David get 'emotional'. Ha ha!

nearly forgot.... I can explain the lyrics of the song, if you like.... it's about a girl/young woman running through a dark forest in the dead of night.... she's chased by an evil spirit/demon.... she tries to get away or hide but every time the spirit finds her.... finally, she hides in a pool a water.... but again the demon finds her, staring down at her while she's too affraid to come near the surface again... and with her dying breath she asks the demon's name, so she may at least know what it was that took her life so young....

No Rain, No Rainbow is a solo ballad by Babymetal where Su-metal shines vocally as well. That's worth a look as well.

"Who designed the stage?" Yui wanted to know it too after she fell off from there.

Re "her hand motions," Suzuka Nakamoto is a graduate of the Actors School of Hiroshima and a graduate of a dance/idol group called Sakura Gakuin, so she has years of showmanship training.

Oh, so much to talk about on this! First, BOH. Yes, he's Jazz trained. You named every single one of his influences, save Billy Sheehan. One of his other side projects outside of Babymetal's Kami Band (along with Babymetal's two drummers, Hideki Aoyama and Yuya meta) is a group called Kari Band. They are a rock/jazz/fusion project, along with one of Babymetal's guitarists, Mikio Fujioka (RIP). Mikio played the Red night here as opposed to Black night, where Leda Cygnus (blue ESP M-series guitar) played on this video. Takayoshi Ohmura (7-string ESP Snapper - his signature series) is the other guitarists here, and not only is his instructor Mikio Fujioka himself, but he's the protege of another great guitarist - Marty Freidman. Yes, that Marty Friedman of Megadeth. Needless to say, they are all legit, and the best I've seen over the past 15 years. I mean, imagine this group of 4 together with the ladies from LoveBites. That's why Japan is kicking everyone's asses and is one of the places that is saving metal right now. As for the stage? All of that is the idea of the guy that put Babymetal together, Key Kobayashi (KOBAMETAL). He put together the idol group, Sakura Gakuin, where Babymetal came from, and is a huge Metallica fan, and that is where he got the idea of meshing Japanese idol music with metal, and thus a new style was born - BabyMetal. Note that the stage is created with the emblem of the next video you're scheduled to react to: Babymetal DEATH. You'll see where that comes in. Oh.. and if you think this stage is impressive, wait until you see their show at Tokyo Dome. That stage and show makes Budokan look tame. About the song. You love time changes, right? Well, a listen again.. When Rondo of Nightmare begins after Mischief of the Metal Gods (the intro), the beginning of the song switches between 7/8 and 8/8, until you get to the verse, which is in 6/8. Then the prechorus (when the band drops out) and chorus is all in 3/4, putting the entire song into a waltz. The waltz is even more accentuated by Su-Metal's dancing in the chorus. They go back to 6/8 for the 2nd verse, then leading into and through the breakdown is all 4/4. The back to 6/8 for the last verse and chorus, where they end how they started, back switching between 7/8 and 8/8. As for Su's singing.. This is Babymetal's allegorically darkest song. It's about someone who is having a never-ending nightmare (Rondo of Nightmare) where an evil being (use your imagination) is chasing her in a dream, and she can't wake up. Like an Alice in Wonderland type dream, but darker. What makes it even more interesting is that not only is she dancing a waltz above the band, but the elevated stage isn't what is spinning; the band is spinning around her. And one thing that completely gets everyone.. After the breakdown and it's just Su and the piano, there is no vocal effect. Everyone thinks that it's a Lo-Fi effect that was added, but it isn't. She's singing NASALLY. The microphone is pushed up further towards her nose, and if you close off the passage at the back of your throat (like you're talking like a nerd or so), and talk out of your nose, that is what she is doing here. She's singing through her nose to get that effect, and the microphone is picking it up. Finally, note that this is a Su-Metal only performance. Babymetal has two different shows inside the show: The Queen (Su-Metal, Yui and Moa take a break), and Black BabyMetal (Yui and Moa, Su takes a break). Black Babymetal get the heaviest songs, while Su is the Metal Queen. Mischief of the Metal Gods can be taken to be the performance that summons the Metal Queen, which is what you've seen here. Since Babymetal DEATH is already on your list, after that I'd say to react to Sis Anger, which is a Black Babymetal performance, then a live performance (and NOT A PRO SHOT) of Tales of the Destinies. You will be impressed with that one.

I told ya from a previous reaction that the Kami Band has their time to shine in a few songs like this. And that they all have great showmanship and personalities. You are correct. They show each other respect when they do their solos. These guys are all very close just like the girls are close to each other. As others have already said, Most of the Kami Band play together on other projects. Takayoshi Ohmura and Boh also have a RU-vid channel together and are hilarious. Now in this performance, we didn't even get to see the "little God". Mikio (R.I.P) is Takayoshi Ohmura teacher and is just brilliant as well of course. Su.... Su is Queen and she absolutely shines here. Happy birthday Su! And again, you are correct, everything is strategic and planned down to the most minor thing. BABYMETAL and the entire team just knows how to do it. This will NOT be the last time you are blown away by BABYMETAL 🤘🦊🤘

Oh man this is gonna be great. Been waiting for this. EDIT: This did not disappoint. This was fantastic.

That’s why they’re called the Kami Band… Gods!!! The first guitarist is Leda, amazing musician. But you have to check out Mikio Fujioka…. He is literally a Kami, now. Members of the Kami Band are so loved & respected by BabyMetal fans. Can’t really think BabyMetal w/o the Kami Band.

The instrumental intro is extremely impressive.

I really really can't wait till you do Tales of Destinies, Arkadia and Amore. Absolutely brilliant compositions.

Perfect timing! 12/20… Su-Metal’s birthday!!!!!

Great reaction I know that the Kami band would blow your mind. The fearlessness of Su-metal. Think about that, she is on a platform 2 meters wide 2 meters up, without any safety equipment. Lights on her face, there is no chance that she can see where she is standing. It's okay if you stand still, but she takes some dance moves and then there are the thing with your mind, it's playing with you when you know you are on an elevated platform. AND the night before, Yuimetal fell of the stage (not this elevated platform though) so she must have had that in her mind too. Kitsune up /yonmetal

QUEEN SU～お誕生日おめでとうございます。 神バンド、すごいね～！

Thanks for doing this reaction ! The first guitarist is Leda Cygnus, he does a bunch of his own projects that aren't that well know. So not much to say about that. The second guitarist Ohmura plays/tours as the guitarist in Marty Friedman's band. Marty is the ex-guitarist of Megadeth. if you know anything about Marty Friedman, you'll know his playing is amazing and he obviously demands nothing less from the other guitarist in his band. Marty has been living in Japan for years and he was one of the first 'western' musicians to endorse Babymetal. About bassist BOH training/influence: his first big inspiration was Billy Sheehan. And his own band/project is a couple of the guys from Babymetal/Kami band together playing: Jazz fusion. The band is called: Kari Band. BOH even got to perform together with Billy, at... the same Budokan venue. The drummer Hideki is a second generation drummer, both him and his brother had a father who is a famous drummer in Japan. So he basically has drumming in his blood. 26:13 conveying a song is maybe her biggest talent. So I'm glad you catched that. As the choreographer that works with Babymetal says: "she never tries to dance like someone. Once music is on, she is someone." She performs by feeling the music, she doesn't count. Although this songs is performed with a click track, it's especially used on this song because it switches between 4 and 3. Yes, Babymetal is choreographed, but it's choreographed to fit her. The choreographer let her do her thing and then incorporated it in the final versions. And the dance is related to the lyrics, so it's literally is about enhancing the story. 35:25 the song is about a never ending nightmare, she is being chased by something, she doesn't know what. It seems at some point she needs to take a rest, she had been running, etc. the whole time. And she hides inside a well. Then realizes she painted herself in a corner because their is only one entry and thus exit from a well. Whatever is chasing her is probably close because she gives up and asks it to show itself because she expects to be killed. The part about the well is in that section with the effect on her voice. Just like your voice would sound different when you are in a well. Maybe she actually fell down the well and has broken bones ? 39:30 and we don't mind, she's only 16 years old at this performance after all. Possibly with her voice still changing from puberty where she has to change/adjust her way of singing over time. 40:19 some say the sudden ending is maybe waking up from the nightmare. I'm happy with the score. Was surprised you hardly talked about the lighting how it enhanced the performance.

Excited for this one! Boh is a beast. The first time I’ve ever heard Bass and been genuinely in awe!

I always learn something from you reactions, David, but this is one of my favorites. Your obvious joy watching the performance really brought a smile to my face. I especially liked your analysis of the structure of the vocals. What she she was singing about didn't matter because you can appreciate the way she sings.

You can see her 'conviction' a lot on song called 'NO RAIN, NO RAINBOW'. please react on this. Be sure to use「LEGEND - S - BAPTISM XX -」version.

When Tadayoshi Ohmura sprinkles fairy dust onto his guitar, he's adding the magic.

You know David.. your reactions are quite unique in that, unless you are amazingly skilled, you cannot fake the way you 'red face' when you get emotional and really get invested and involved in a reaction. You are one of the most unique person's I have seen on the reaction scene and you obviously bring a well schooled perspective, involving passion, experience, knowledge and overall an incredible luv of music. Your take, is one of a kind, and I've enjoyed quite a few of your vids. Keep going hard my friend!

We hyped it up for good reasons, lol. I can't wait to see the entire reaction. Edit: After watching the reaction for the 3rd time, I have to say, I really enjoyed it. I genuinely like your pausing, analyzing, speaking what's on your mind, and appreciating the skills, technique, performance, and everything involved. And tbh I don't mind those reactions being almost an hour-long at all. The Budokan stage was great but wait until you see the Tokyo Dome stage. That will blow your mind, even more, looking not only at the pure scale but also the thoughtfulness of how it was set up and used =). This was 16-year-old Su-metal being summoned by the Kamis delivering an (almost) perfect performance, as usual. And in my opinion, she got even better now with being able to express more emotions through her singing (tbf "No Rain No Rainbow" from the Legend S show is probably her most emotional and best performance of that song.) My suggestion, since you like rather difficult songs would be "Tales of the destiny" as your next reaction. This song was only ever performed once at the Tokyo Dome show, so give it a try. I am sure you won't regret it =).

Thanks for your reaction and sorry for using to send a Happy Birthday to our queen SuMetal, this performance is a proof that she's totally queen since teenage, now she's a beautiful superlady ❤️ 🦊🤘

Oh man, I have been waiting for this video for so long... Nothing better than professional musicians and seasoned metalheads dissecting BM songs, especially a masterpiece like this. I am sure you would enjoy watching BABYMETAL Death or Tales of the Destinies. I bet I would enjoy watching your reactions. Death is all about theatrics, TotD is... ragtime progmetal, but you didn't hear this from me ;)

The intro is called "Mischiefs of the Metal Gods" is a ritual performed by the gods of guitar, bass and drums, to unseal Su-Metal from a nightmare prision. Everything on the stage played into that story: The octagon, the position of the band members, their solos (the ritual), and finally Su, emerging from the center of the stage, has been awaken from her nightmare.

Rondo Of Nightmare (eng below) Kaketa tsuki ga terashi dashita kageri no naka habikoru kyooki Warai-goe hibiki watari kiba o muite me o hikaraseteru Nigerare-nai Yura yura yurameku kokoro ni mie kakure Akumu no rondo ga kurikaesareteru Mezame no hikari wa haruka kanata mie-naku nari tada hashiri nukeru yami no naka o Mori no naka izumi no naka iki o koroshi mi o hisomete mo semari kuru sugu chikaku ni Yodonda koe. Owara-nai yoru Aa… Moo koko kara derare-nai no nara anata no sugata o misete wa kure-nai ka? Yura yura yurameku kokoro ni mie kakure Akumu no rondo ga kurikaesareteru Mezame no hikari wa haruka kanata mie-naku naru Tada ochite yuku no yami no naka e [English:] The waning moon has lit up the insanity rampant in the shade The laughter resounds around It bares its fangs and its eyes gleam I can’t escape from it It flickers slowly appearing and disappearing in my mind A nightmare rondo is being repeated The awakening light is gone far away out of my sight I can do nothing but run through the darkness In the woods, in the fountain I hide myself holding my breath but it’s still coming closer to me A stagnant voice. An endless night Ah… If I can no longer get out of here won’t you show me your figure? It flickers slowly appearing and disappearing in my mind A nightmare rondo is being repeated The awakening light is gone far away out of my sight I can do nothing but fall into the darkness

It's Mischief of the Gods. The band members are the Kamis, which can be translated as "spirits" like you said, or, more accurately, Gods. Every Babymetal live song that has an intro, has all of the Kami Band soloing ;) Rondo of Nightmare is about her having a persistent, well, nightmare, in which she's being pursued by an invisible monster. In that "broken doll part" she's been cornered by her pursuer, and she sings something along the lines "since I'm about to die, won't you at least show me your face?" Besides being a great technical singer and dancer, she's also a nice theatre actress! That's why she's good in playing the role, and she really interprets her lyrics. All that, alongside with her undeniable charisma, plus her monstrous stage presence, comes to make her our one and only Queen. 🤘🏻🦊🤘🏻

Christmas came early! Was waiting to see this one! Also posted on SuMetals Birthday! Great reaction review!!! 🦊

Love that bass solo and knew you would too. The way Boh stretches his arms out at the end is practically saying "I'm great, you are welcome".

Whoa!! How I missed this Great DH review I'll never know! I thought I saw a luke warm review of this by you, & I was ttly Mistaken! \🙄/ I was so relieved you enjoyed this song. It's a bit short but it's one of my top BM faves! Thanks for your music analysis! I wish you could do some music theory instruction//explaining on your channel! You're a True musician! Absolute Respect Mate!

People always give reactors the wrong name for the intro. It's actually called 'Mischiefs of the Metal Gods'.

Great Reaction and Analysis... You put a lot of effort into your videos, it's such appreciated. It's nice to be able to learn some musical theory and being able to gain more appreciation for this fine music from watching your videos. I don't know what will be next in your BM journey, there are still a ton of performances to see and analyze.... Maybe watching them at a festival, with a more barebones stage. Ijime Dame Zettai, from Sonisphere UK would be a great option... With them away from their home crowd.

This is going to be awesome! The dark, ominous, urgent and unsettling feel to Rondo is a vibe. And this performance is pure fire... Enjoy, and thank you for the reaction. 🦊🤘🔥🖤

Another great one D.H.! Always a pleasure to watch your reviews!

ooohhhh yeeeees!!!! thanks thanks, need to see this!!! amazing, always fantastic reactions 💞🌺🌺💓💓💞💞❤️❤️❤️

Your comment about her singing with conviction, is the main reason I love her vocals. Plenty of singers has got vocal ranges (Floor, Tarja), but Su's got a great ability to make you feel what she's trying to convey in the song. Since you've reacted to mostly their harder stuff, checkout Akatsuki Unfinished or Tamashii No Rufuran.... watch her expressions and listen to the emotions in her voice....🤘🦊🤘

and yes, you're right ... the Bassist, Bohte Daisuke (aka- BOH), his favorite genre is Jazz

Happy Birthday to our queen Su-Metal. Great reaction.

Kamis showing there are Gods of Metal , How do you follow that intro you send up a small 16 year old girl Who blows your socks off with her performance. We call her Queen for a good reason. Excellent review 🤘🦊🤘❤

I’m so excited 🤘BabyMetal Rondo of Nightmare is lit 🔥🤘💯 BABYMETAL BxMxC turn it up 🤘

Always love your honesty. Actually made me rewatch the original video again.

Thing about the Su solo songs is, it is very little choreographed. She almost does it intuitively without much choreography. You can even see some of the glimpse of choreography in her performances from Actor School Hiroshima days. She was doing it since she was probably around 7 or 8 Loved your reaction ✌🦊❤

My 1st exposure to Babymetal and I can honestly say that I'm pleasantly impressed. Only complaint is no lyrics so now damn idea what she is saying and watching her I want to know what she's saying.

I thought for sure your head was going to explode when you heard that bass solo by Boh... Good stuff here... Keep the Babymetal coming and I'll keep coming back for more thanks!

Finally you have reacted it!!! I’ve been waiting it so long. Very nice reaction and you have done it so good. I have always enjoyed your professional point of view in every reactions you’re doing. Plus, I learn lot from your specific detailed description every single bit. Yes, I totally agree with you on your scores and no I don’t mind if you rewind it as many as you wanted. Actually, I wanted you to rewind it. So, thank you again for your honest reactions and hope we see more reactions of Babymetal in upcoming year. Next, if you want to here some metal ballad, I suggest you Sumetal’s another solo “No rain, no rainbow”, or if you want to hear some up tempo songs, “Amore”

Since you like Bass solos, you would definitely enjoy BabyMetal's song "Amore": It has a Bass solo inside the song, not as a separate intro! :D

This is gonna rock i just know it

Loved the enthusiasm in your reaction bro, epic

I like your breakdown of the solo's, especially the drums. The guitar solo's speak for themselves. Others have said.. the drummer didn't quite seem as insane, compared to maybe the West Kami band drummer, but you recognised and explained why his solo was so good. Gave me a new insight into his drumming. Appreciated .. and what a song!!

What a perfect time to release this reaction as The One around the world celebrated QUEEN Su 's 24th birthday yesterday. The Kamis or Gamis are Gods actually and not spirits. The Kamis line up here (in order of appearance) are Leda, Takayoshi Ohmura, Daisuke Bohte and Hideki Aoyama. Excellent reaction as usual. Kitsune dao

The song is about a Nightmare, in the part who she seems a broken doll, she is praying to the monster in her nightmare at least to know his name before she dies, cause she knows she can escape from him.

Yes! Been waiting for this and his reaction to Boh's bass solo!🤘🦊🤘

The song is about her being trapped in a dream and being chased by an unseen monster. The rocking part I believe is her running, well that's how I see it.

Great! & thanks again from Japan 有難う💛。I also appreciate your shout-out of my name. You are correct. The bassist BOH is a fusion musician in his own band (You can find a good and new video in RU-vid with keywords [ kari band u/yeah!! ]). I cannot blame those naysayers. Even after I witnessed them live 10 times at different venues, I am still wondering whether the shows I actually saw and heard were real or not. Next song? How about "Kagerou" with instrumental intro not by East (Japanese) Kamis but by West (American) Kamis. Undulation of hefty sound emitted by the West Kami Band will impress you in a different way, I believe.

deym.. this was a long reaction but it was very detailed.. i loved it.. the best reaction for this song so far in my opinion.. worth watching it whole

I've been looking forward to this since you said you had recorded it, and this did not disappoint. As someone who doesn't know much about the making of music, I really enjoyed your insights

Nice reaction. If you want to see more Kami band intro you have to check out Yava at big fox festival, catch me if you can, and Awadama fever. Another epic one to check out is Ijime Dame Zettai live at Sonisphere 2014 🔥🦊🔥

Oh yeah Happy Birthday Suzuka Nakamoto.

Yeah now you come to the good stuff !!

Do yourself a favor. Listen to a full Babymetal concert. Babymetal in Las Vegas on YT. Also one in London. Turn the lights down and watch the full show just for enjoyment.

DH "I'm going back!" Me: shucky darn! Yeah, like we mind you rewinding David.

The Power of the Queen! 👸 👑

I'm a slacker. I completely forgot to leave a comment. lol Very nice reaction and breakdown. Well worth the 51+ mins. I appreciate the shoutout in the beginning, and you're one of the few that got my last name right.😆

Awesome reaction as always Dave! And great job dropping this on Su's birthday. Well technically it was yesterday, but timezones got in the way. 🤣 I am surprised you didn't dive into that odd time feel of the instrumental sections of the song. I was hoping to hear what you (a bassist) would count it to. As a drummer, I was counting the intro of Rondo at 4/4 - 3/4 - 4/4 - 4/4 at about 168-170 bpm. The verse was 3/4 on the drums but coulc be counted as 6/8 from the guitars (Su is swaying/waltzing in 3 though). Chorus is in 6.

That's a great analysis. I realized once again that singing on such a high and dark circular stage is very difficult. It's amazing that she seems to do it so easily.

I also would buy an album of SU-METAL singing about breakfast cereal

Those pig noises when you explain you don't care and it's your show, get me every time.

Really love your review! You enjoy, that make us fun! Keep going bud!

If you want to talk about SuMetal believing it, you should check out No Rain, No Rainbow from the Legend S Baptism XX concert. Legend S was performed right before SuMetal's 20th birthday in her hometown of Hiroshima, and was the first concert they did without Yui. She is good at expressing emotions as it is, but this performance you can really feel it. Considered by many to be one of her best performances ever.

I recommend "Death" from Legend 1997, "Ijime, Dame, Zettai" from Sonosphere 2014 (their first UK performance), and then you may be ready for "Catch Me If You Can," which pumps up the cuteness and the heaviness. Watch the one with the Kami Band intro (Budokan Black Night).

Love your reactions to Babymetal. Genuine, thourough and with feeling. Thank you! Btw: check out BM live at Tokyo Dome, 55k people and a crazy stage. Also, at Hiroshima with the Fox setting.

Love your ability to identify details and your honesty in your reaction video's! You've got my follow! 🦊🤘 Got to hear them live a month ago, and it was pretty damn fun. I'd like to watch them live in Japan in one of those amazing stages tho. Gotta hand it to the engineers and production, they know how to make a stage!

"It's my SHOW" ahahah I watching you from France, you ad my like

I'm a bit surprised the term "Rock Opera" doesn't get thrown around more when talking about Baby Metal. They didn't start out that way. In the beginning it was just an offshoot project to combine the teenager j-pop girl group stuff they were trained to do with some metal concepts and make a couple of quirky music videos. The concept kind of snow-balled from there and ended up doing full Metal + J-pop, rock opera productions.

You by far are my favorite reactor...love the breakdown of the music....do you have anything on your band we can listen too

Finallly

Would love to see you tackle "Tales of the Destinies" by them. You'll need 2 hours. :-D Remember that that girl, with a performance like that, had only just turned 16..... ;-)

christmas came early for me!!!!!!!!!!!!!

THE QUEEN!! No more words! Absolutely amazign and perfect! Great react again David! See you in the next!!

The best stage of all the recitals is that of the Tokyo Dome. It does everything and it is huge.

The members of Kami Band the East, are basically all session musicians, so they belong to other bands as well. "The Kari (temporary) Band", a jazz fusion band led by the bassist, BOH, is pretty good too. According to Wikipedia Japanese edition, he's influenced by American bass players, Billy Sheehan and Victor Wooten. But I am not sure about them. I am also not sure who designed the live stage at the Budokan in 2014. I think it's wonderful, but at that time Yui fell down and there were some accidents. So, hmm, it's hard to say actually, haha... It is excellent that your point about Su-'s hand movements expressing the content of the song. She becomes like a puppet in the breakdown, and she sings "I can't escape from you. If I can't get out of here, at least let me see what you look like", with putting a mic on her nose and making a radio voice weakly. Maybe she would expect to be dead soon in the song. It is so informative for me about their music .I enjoyed your reaction video. I felt it was like a short time. Thank you from Japan.

You make my day... Thanks you mr. David..

I really like your reactions, you give really good insights from a music industry perspective. Don't worry about each new song exceeding your expectations, there are plenty of songs still to go that will more than likely "blow your mind". Looking forward to that. A 9.4 ? Harumph. LOL.

finally another babymetal reactions.

Another great reaction! Really enjoyed it

That tiny dip in her pitch occurred on the line that translates into "I can do nothing but fall into the darkness". Not only does it prove that she's really singing, it also kinda fits with the lyrics. No hate at all to you for pointing it out. As mentioned elsewhere in the comments, the song is about Su being caught in a recurring nightmare. I'm surprised that you didn't pick up the slightly wavering, frightened-sounding vibrato on her voice (maybe it's more apparent on the studio version, but I can still hear it here). 🤘🦊🤘

Speaking of Black/Red night, they did another set of shows called the Five Fox Festival that had restricted attendance: Black Fox -- Males-only show (1 night only) Red Fox -- Females-only show (1 night only) Gold Fox -- Teens-only show (1 night only) Silver Fox -- Elementary school children and 60+ show (3 nights) White Fox -- Corpse Paint Dress Code (3 nights)

Great reaction once again! I‘m a guitarist, but I have nowhere near the same level of experience that you have, but I totally agree with almost everything you said. All the musicians are awesome, but Ohmura‘s (the second guitarist) work always stands out to me. He does not only have the technical skills, but he also has that effective phrasing and clearly knows when and how to use it. There are not many Rock guitarists whose bends are so well executed, in my opinion (Joe Satriani, John Petrucci). He knows how to make them scream with emotion. And as you said, the combination of the two guitarists’ different styles keeps it interesting. I haven‘t played much bass, but from my experience as a guitarist I had always believed that the beginning of the bass solo with the fast fingerpicking must be more difficult than the tapping part, even though the latter might look more difficult. I take what you said as confirmation of that. What I like about the drum solo is that it‘s not too geeky. Many drummers tend to play stuff during their solos that no „ordinary“ listener is able to follow. It‘s good for them if they can play 4/4 with their feet, 3/4 on the HiHat and 7/8 on the snare simultaneously, but it rarely makes for an entertaining solo (accept maybe for other drummers). What Aoyama does may technically not be quite that advanced, but it‘s more entertaining in the end, because the audience can actually follow. Like Ohmura, he has not only the skill, but a sense of creating something that‘s worth listening to. Where my opinion seems to differ a bit from yours is the melody of the chorus. Even after having listened to this song countless times, I‘m still impressed with the beauty of that melody. It‘s quite complex (compared to the typical Western Pop or Rock song), but it has a great continuous flow, and it manages to carry that slightly eerie and mysterious atmosphere of the lyrics perfectly. The lyrics talk about a person being trapped in a recurring nightmare. They can sense a strange figure coming towards them through the darkness and run away to hide, but finally give up in despair. With their final words they ask the mysterious creature to at least reveal themselves before the end. I‘m not sure how the doll pose fits into this, but I think vocally that part fits the scene quite well. The protagonist has realized that they cannot escape, and in almost total silence (with only the piano playing) they make their plea in a tiny, defeated voice (thinned out by that vocal effect), knowing it‘s going to be their last words. Very effective, in my opinion.

Hello! Great reaction! And you're right, Boh also plays Jazz, if you have a chance listen to Kari Band, it's Boh's Jazz project , and , Mikio (Ex Guitarist of Babymetal - Kami ) was also with them before passing away :C I like how you analyze the songs, I know that no requests are made around here, but there is another Su's solo that her performance makes me equal or better to me. The song is Akatsuki of the Black night Budokan concert, and also the Kami Band in that song are amazing !! Greetings from Mexico! /o/

"No Rain No Rainbow" ... let's go ...

Very good analysis, i thought it was gonna be BabyMetal Death when i saw your community post the other day, but we got this before instead is even better and more anticipation for BabyMetal Death. You've seen them in their own country and at their best and big productions, time to see them in festivals level out of Japan, and my suggestions are: -KARATE Live from UK Download 2016 - Ijime, Dame, Zettai from SONISPHERE 2014 Thank you for this, keep the good work and keep them coming, cheers! Oh, and Happy birthdaay 24th for our queen Su-Metal! :)

I’ve seen some of the guitar solos from other shows. And in shows where babymetal is opening for other bands, Leda Cygnus (the first guitarist) incorporates some of the other bands songs into his solo (e.g. for Red Hot Chilli Peppers, he goes from his solo to playing the intro to “Can’t Stop” by Chilli Peppers.) In another show Takayoshi Ohmura (the 2nd one) was doing a solo and starts playing happy birthday (it was either Yuimetal’s bday or close to it.)

yup .... BASS player here ... ;)

Put your kitsune’s uppppp🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊🦊

Queen SU and her Kamis! :)

31:39 Alright, I always get chills here. And I’ve watched this some 100 times. Always!