[BASS COVER] Metallica - Master of Puppets 

its 90% correct but he plays most of the breakdown wrong unfortunately, not saying i could do any better, but yeah the breakdown is played VERY different to the recording here.

I like the primus version a lot

@A I agree it’s a cover put your twist on it you know

@@xremembrance1474 But im sure that if you played this on Bass it would be worst

With decent tone at least

Sounds great man

lol this is the original bass part? i've been living a lie all these years haha

he just made the bass louder :-))

Unfortunately Jason and Rob double the guitar. I prefer Cliff approach. Kind of sounding more heavier and agressive

how fucking good man cliff was a genius he knew how to be one yet stand the bass out from the main riff so fkn sick.

@@patwilsontrudeautanguayall5810 it basically becomes a heavy fuckin power chord riff with the way Cliff played it. Really smart writing

In the original tracks, the producers purposely lowered the bass volume. I still don't understand why till this day.

@@yoshikigrg8 Thing is you can still hear it, like in Orion. You can hear it pretty well in the og MoP track better than anything on AFJA or The Black Album

Well, it‘s not totally different. 80 % are identical….

@@a.g.4843 its like 60% maximum dude

Trujillo plays the B-C-C# along with the geetar it’s kinda funny. Meanwhile I’m in a tribute band as Jason and can’t figure out if this fucker’s down picking the whole thing lol

@@GinoBtheman Newsted downpicks everything, just like James. That's how they sounded so heavy.

@@yourface3154 fuck me, those wrist muscles

Jajajaja same

Ooh

I didnt get the joke

@@jannetoropainen9865 fingering

@@roninmusic144 i still didnt get it...

Agreed with that, I have a Euro 5LX and it is the best bass I have ever played

I wouldn't say they're in the shadows but yes they make killer sounding bass.

Did you get it yet? I can't. Really tough

@@TexturaI Honestly, no I haven't, but I haven't been practicing it much lately. I think I'm getting too old for this shit, haha.

Interesting thing is that there is a subtle fallacy in this reasoning I write music as well and it took me a while to realise this Now don't get me wrong, this bass part is absolutely awesome However, the idea that it "goes so well with the guitars" is an emergent property of your own perception, and not Cliff's. Because you have always heard those guitars with that bassline laid out in the background. Even if you couldn't hear it clearly, your perception of the guitar has always been comfortably resting on that bass groove, and therefore that bassline is implied in the way you hear the guitars, so of course when you hear it clearly you think it is the perfect bassline. There could have been 100000 other basslines that compliment the guitars well, but this one is the one that sounds familiar and true, not because of itself, but because it is the one that was printed on the record. What you call "the guitars" doesn't exist in a vacuum. You do not know what the guitars could have sounded like without the bass, and you never will. Because the bass deeply affects how you perceive everything above it (and there are a million tracks that demonstrate that, with the guitar playing the same thing twice while the bass changes for example). "But what do you mean, rambling stranger?? Of course I know what it sounds like, I can go listen to the guitar riff without the bass, you dumb fuck" No, you can't. The only way you could is if you had never heard the song with the bass. If you find someone who has never listened to that song, you can show them the guitar part in isolation and they will hear exactly that, the guitar part. But you, my dear fellow, will always have the bassline in your head, whether you know it or not. When you hear the guitars in isolation, something will be missing. Something that completes the harmony in your memories of this song, something you are so used to that it feels off without it. So when you hear the bassline, you think "THAT! THAT EXACTLY WAS MISSING!". But the truth is, our brain is pretty much unable to think of anything else because the bass is an integral part of how we understand this melody, how we feel it, how we think it "should" be. Now, don't get me wrong (again), a bassline can be better or worse. But that is an extremely complicated thing to discuss and I'm kinda too lazy to go into a whole essay here xD

Spector and Darkglass is an awesome combination, I use them both as I play a Spector Euro 5LX and I have the Darkglass Harmonic Booster and the Microtubes B7K Ultra as well as having the Alpha Omega 900 head and a 4x10 Darkglass cabinet

@@chrishampton1981 thats sick man

@@ionehkontehdiabo7627 Definitely the best bass guitar rig I've ever used. Also got the Seymour Duncan Studio Bass Compressor and a Peterson StroboStomp HD tuner on the pedalboard

@@chrishampton1981 is that Seymour Duncan comp good? I wanted to try one out

@@ionehkontehdiabo7627 I can definitely recommend it, very versatile and responsive compression pedal. I picked one up after seeing a video of Alex Webster of Cannibal Corpse using one on his pedalboard. His setup influenced mine which goes StroboStomp HD to Harmonic Booster to SD Bass Compressor to Microtubes B7K Ultra

You mean in breakdown?

He plays it exactly like cliff its awesome