Como no imaginar que los maestros de Tangerine Dream y muchos otros, como Klaus Schulze, Manuel Göttchings, comenzaron experimentando rudimentariamente con estos instrumentos, hasta lograr el sonido que todos conocemos a través de sus excelentes obras musicales. Felicitaciones y gracias por mostrarnos como se crean estos magníficos sonidos. Saludos desde Chile.
This song is amazing. It reminds me very much in the first 4 minutes to "Ultima Thule Part 2" By Tangerine Dream (as the whole track is really a trbute to TD in my opinion). I would buy really an album from you.
Lovely! Have you tried modulating the filter with those sockets next to your cv outs on the 960? It looks like there's a 960 size hole next to a 962(?) Size hole underneath. Then you get an amazing synergistic effect! So much fun!
Thanks! You'll be pleased to hear that the 960-sized hole has now been filled! (Also now have a C961S and Q173 to make life easier controlling the 2 x 960s.)
Electric Ape I had to sell mine. My modular belonged to Brendan Pollard & I sold it back to him. Check out Flux Echoes. I've got a eurorack system I play around with. Try just taking gates from one 960 to the gate ins on the other. I miss it but I had no option but to sell.
Awesome! the sequences are nicely tweaked 'on the fly' and especially the strings really sound like being played live. Of course it is live but i mean played on the keys. If you had three hands i'm sure you did it :-)
RotaGilla the 2 chord string riff coming in at about 1:25 is the Juno60. The strings before that are GForce’s fabulous MTron Pro. Thanks and glad you liked. Wish I’d mic’ed it up properly now!
Sure: starts of with white noise through an EHX Small Stone Phaser (that effect didn't really come out very well on the iPhone mic), then GForce's M-Tron VST (with some reverb). Then 2 preprogrammed chords from the Juno 60. Then bring the modular in: lines 1 of the 960 sequencer play oscillator 1, then from 4:30 line 1 plays osc 1 and 2 (both square waves I think). From about 5:14 I use the 962 to get the sequencer to play lines 1 and 2, both still to osc 1 and 2. At about 5:56 I fade in the 3rd osc which is playing the counter melody (line 3 of the sequencer) using a triangle wave. The rest is just varying the timing of the seq, tweaking the filter, etc. Around 7:20 I bring the Juno chords back in again. (They're in time because I'm using the DAW to clock the sequencer.) Then the mellotron. Then play around a bit and fade. All deliberately retro (I normally play techno but you have to acknowledge your sources occasionally) but great fun and sure beats the hell out of staring at a f***ing screen when playing!
PeterCatLovesYou Man I didn't realize this reply was 7 months old! Thanks for the tips. I'm about to get a 960-3 compliment here in about a week or two!
Rhythmicons No worries, glad you read it. One thing I'd strongly recommend (after you've bought your 962 switch) is to get a quantizer. I've got the dotcom Q171 and it's fantastic. Makes improvisation possible esp. when locked into triad mode. (I didn't have this at the time and tuning the steps by hand is a right PITA.) Then you'll need to get the Q963/Q128 combo in order to actually create rests ...
Just came across this looking for tutorials on Berlin-style sequencing. I appreciate the time-by-time breakdown you give in this description. Super-useful!
magnifiques sonorités _ j'adore ce monde presque originel de la musique électronique _ beautiful sounds _ I love this almost original world of electronic music
