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Bernd Alois Zimmermann: Nobody knows the trouble I see (1954) 

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Bernd Alois Zimmermann (1918-1970): Nobody knows de trouble I see -- Konzert für Trompete und Orchester (1954).
Gert Fischer, Tromba
Rundfunk-Sinfonieorchester Leipzig diretta da Jörg Peter Weigle.
Cover image: painting by Bernd Ribbeck.
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16 мар 2011

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Комментарии : 14   
@harvestedvoltage4324
@harvestedvoltage4324 8 месяцев назад
Great piece and great recording!
@julianemanuelbecker2005
@julianemanuelbecker2005 4 года назад
Tolles Stück und toll gespielt!
@Clark901000
@Clark901000 4 года назад
This unlock new sides of the mind. Amazing!
@klangschatten5610
@klangschatten5610 3 года назад
Brilliant music.
@amapolabilis4663
@amapolabilis4663 6 лет назад
Very enjoyable!!!!
@vonklingelfeld
@vonklingelfeld 13 лет назад
Thank you a lot ! just read the score this morning in the train ;-) !
@csaponxypan1
@csaponxypan1 11 лет назад
Wonderful music. The interactions of the individual colours of the orchestra with the soloist are great. The playing is very much in the spirit of the music which owes a lot to memories of the inter-war German cabaret scene.
@christophedevos3760
@christophedevos3760 Год назад
I think Zimmermann was closer to the Italian composers like Maderna and Berio, than to the German ones of that period.
@whatsthatnoise5955
@whatsthatnoise5955 3 года назад
Well this is fucking awesome
@JPJOFREvideos
@JPJOFREvideos 13 лет назад
great piece ! does anyone know where can I find the score?
@bebaguette766
@bebaguette766 6 лет назад
Was great to hear it live. The first three minutes are atmospheric, but somewhat boring. When the piece does get going at about 3:45, it sure is wonderful and intense.
@omgtkseth
@omgtkseth 12 лет назад
@Hamgammy Why bother replying to one if one is so few?
@bigeasyno1
@bigeasyno1 12 лет назад
Fischer's playing is not very tidy, is it? I believe this is what has inspired some to lean on the dislike button. This piece has certainly earned its place as one of the titans of the 20th c. repertoire for trumpet, but IMHO you'll be better served to seek out the extraordinary recordings of Hakan Hardenberger on Philips and Reinhold Friedrich on Capriccio.
@lalas147
@lalas147 6 лет назад
i actually liked his playing very much, but okay.
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