This would be a dope series. This was a frequency focused video to me and it was amazing and so informative. Maybe you can do something like this for compression, saturation, delay, reverb etc.? Just an idea. Keep up the great content!
Sound in the very first part is so good and I really want to make that kind of sound. Alot more tension and its possible to take it into any direction. So inspirational. Well done on the video, almost had goose bumps when I was able to differentiate between bad and good mix😮
We want this to be a serie please . And make it please soo we can use it on any DAW . Like this video above I usually saw a lot of eq videos before but didnt know it was this important . But after your video i will use those techniques
Hello man, just thank you for all the work you have done so far. 🙏 You are helping a lot of people with all theses video especially your tips and trick ! I just buy a lot of your samples packs and i am not disapointted. About a video idea i would like to hear your point of view about arrangement. Anyway keep up the good work man, I AM WATCHING YOU ! 👀
Maybe I'm the only one, but having a moderate amount of resonance is sometimes cool, maybe like in soft rhodes piano that plays some spicy chord, like sus4, those clashing sounds can sometimes be very pleasant, but it all depends on the situation, the instrument, and your style.
My op mix strat is to rout every rack in parallel to a single bus that’s routed to nothing. On that bus, slap a pro q 3 and name the bus something like “de clash boi” or whatever. When ur tryna mix in an instrument, add a proq to that rack, un rout it from “de clash boi” and view the “de clash boi” named proq instance. Now you can see where you need to cut and boost that boi to get it to slide on in there. Than, rout it back to the reference bus and check again. Sometimes, phase cancellation makes it so you need to over compensate nd stuff. Can reverse the rack polarity to check if this fixes it. Usually, I’ll start by comparing central, main instruments. Than slide everything around em. It cuts out a lot of the guess work but, doesn’t limit “using your ear” because, you still can decide where everything goes. You just have the ability to check whether or not your decisions are going to mess everything up in advance and can make more accurate calls.
Oh yeah. I mainly save this for stems. Just cuz, at that point, I usually have a lot more things grouped or layered/ less cpu dedicated to synths. Tho, I’ll still do it in the earlier stages, mainly for more important sounds that I want to blend and compress together.
Hey man not relevant to this specific video but I was looking for a answer to this and I knew to go to your channel immediately. When your looking to sample a song etc what version should we be looking for to get the highest quality out the back end? I mean like the bitrate, kb, file size etc for example lets say im sampling a old lil wayne song and theres a bunch of versions on youtube I can grab it from, which would sound the best once the audio is ripped? Basically should I always try and get the audio with the largest numbers?
Filesize, bitrate and a format will all match. Just go for WAV/24, but you won't get it from RU-vid. RU-vid is mp3 I think 192kbps? Something low. So just go to Spotify, the highest quality level and record the audio with voicemeter banana or some other audio rec into wav/24. Best quality you will find will be on tidal master quality. There you have flac 192khz or 96khz 24bit. You don't need to go this high, you will end up making music into wav/24 anyways, tho you can try recording max quality as it may translate better when rendering.
if you aren't using mid/side in a senseful and well thought out way its very easy to make your sounds very weak.. my advice for beginners is to don't use mid/side
