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Bill Reichenbach - Take the 'A' Train (Horn of Plenty) [Bass Trombone Transcription] 

Josh Gentile
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Take the 'A' Train
Bill Reichenbach's Solo (1979, age 30)
from the album "Horn of Plenty" (Don Menza Sextet)
transcribed by Josh Gentile
ALBUM PRESS REVIEW:
After four years of living and working in Munich, Germany, in 1968 tenor saxophonist Don Menza decided to come back to the U.S. He settled in Los Angeles and found steady work, in studio and live performances: the quality of his musicianship was not overlooked by his peers and by the audiences.
In 1979 Don put together this sextet, with Chuck Findley, trumpet, Bill Reichenbach, trombone, Frank Strazzeri, piano, Frank De La Rosa, bass and John Dentz, drums. “Starting this group was a long slow process,” he said. “It’s hard keeping cats together because when they’re great players like these guys are, they’ve got other obligations.” Outstandingly powerful, dynamic in every sense, the music in “Horn of Plenty” highlights the direction Don took from 1976, choosing to play with a small jazz group after several years of big band work. Here you may witness Don Menza’s immaculate technique, the sheer power and drive of his playing, astonishing chops and fountain of ideas.
This release includes five unreleased tracks from the same session, three of them Menza’s originals performed by the sextet, and two standards in quartet featuring Findley and Reichenbach-no doubt, an outstanding addition to this great set.
Personnel:
Chuck Findley, trumpet; Bill Reichenbach, trombone; Don Menza, tenor sax; Frank Strazzeri, piano and Fender Rhodes; Frank De La Rosa, bass; John Dentz, drums.
Recorded at Producer’s Workshop, Hollywood, May 1 and 2, 1979
Recording Engineer: Rick Ruggieri
Original recordings produced by Jeffrey Weber
Executive producer: Dave Richardson
Photography: Aaron Rapoport
Original cover illustration: Roger Huyssen
Produced for CD release by Jordi Pujol
Stereo · 24-Bit Digitally Remastered

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6 окт 2024

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Комментарии : 7   
@robwest36
@robwest36 11 месяцев назад
Bills beautiful.
@gabeeedayyy2577
@gabeeedayyy2577 Год назад
This solo is legendary. Amazing work with the transcription!
@bush_boi_bass_bone
@bush_boi_bass_bone Год назад
Thanks! Currently doing a jazz trombone quintet arrangement with this transcription turned into a soli/ensemble section. I’ll post a recording and maybe the music once we play it.
@Niamhmusicmusic
@Niamhmusicmusic Год назад
It's so hard to solo in that register
@bush_boi_bass_bone
@bush_boi_bass_bone Год назад
This brings up an interesting point. When playing a bass trombone with dependent valves, like Bill on his Elkhart 62H, you are limited in your ability to use alternates. This streamlines the formation of bebop vocabulary in that lower register. As an independent valve improviser, I run into the issue of fumbling with the valves while soloing. A dependent horn would be nice for this reason. Nevertheless, Bill is definitely of master of that register, and was even at 30 years old. I still prefer the advantages of the independent arrangement. Check out my Chris Glassman transcription to hear independent valves in action.
@danhoenigman2757
@danhoenigman2757 Год назад
I play bass bone. I love bass bone! But I bass bone improvised jazz. Solos just don’t make it for me. Playing lead lines yes (ala GR). But improvising below the staff, although technically impressive, is just muddy and ponderous.
@bush_boi_bass_bone
@bush_boi_bass_bone Год назад
It is a fairly new thing so it can be difficult to get used to. However, I don't understand why playing a melody in the low register is okay but improvising down there is not. Improvising is just creating one's own melody. Bill Reichenbach's ability to hang with real, hip bebop language at this tempo is something so far beyond most bass trombonists' scope of experience that it is clear why many dismiss it. The legend George Roberts is very easy to digest and laid the foundation for jazz bass trombone, but the man wasn't an improviser. Because he has been elevated to god status by the bass trombone community, being unable to improvise/read changes/play at a jam/know tunes is considered standard and acceptable. This is exactly why I'm posting bass trombone solo transcriptions. Expect to hear more Bill Reichenbach, as well as artists like Reginald Chapman, Max Seigel, Mattis Cederberg, and others! Thanks for the comment.
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