Bob McChesney full music trombone Clinic at Allegra Music Academy with Paul The Trombonist

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Trombone Virtuoso Bob McChesney full Music Trombone Clinic at Allegra Music Academy with Paul The Trombonist.
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3 апр 2016

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Комментарии : 21

@PaulTheTrombonist 7 лет назад

that was fun! Follow me on twitter to get in on the action next time twitter.com/jazztrombonist

@johndowson7929 Год назад

Maybe one day if we work hard enough . Great player is Bob who made toodle tongue his own . How the evolution on jazz trombone came about is quite amazing

@barbaragittins9953 3 года назад

One of my all time favourite tasty trombonists ...

@geraldnichols2722 8 лет назад

Watching Bob M. made me wonder if the advancement of his level of playing over , say, 50 years ago will also increase over the next 50 years? If it did---- Wow! What would THAT be like? Sounds like his abilities are in both classical and jazz--- yes?

@geraldnichols2722 8 лет назад

+Gerald Nichols To clarify: If the level of virtuosity Bob [and Paul/others] have reached advanced this much in the last 50 years, what if it did the same in the next 50 years?

@vitalyestrin1410 6 лет назад

Thank You very much to Bob for the bright lesson, and best greetings to a great Paul for opportunity see this video. Paul! Your works for trombone players incredible!

@spencerfreed6947 6 лет назад

Pentatonic scales are fantastic and there isn't as many so it becomes much easier to pick up on. Guitarists use them quite a bit, in fact, that's how i got exposed to them and it helped me in obtaining a stronger grasp on theory learning them. Learning guitar and translating it to trombone(as weird as it sounds) was a serious lightbulb moment!

@khbgkh 9 месяцев назад

Same

@austindavis2406 5 лет назад

WOAH. I just clicked on a random part of the video, and it was about how extending your thumb allows you to have less movement in your arm and such. That's exactly what I have been having trouble with, and boy, this is gonna help.

@crtune 8 лет назад

Excellent as always. This stuff about the mass of the forearm, and the movement of the horn is SUPER IMPORTANT. I originally got some of this stuff from either The Art Of Trombone by Kleinhammer or a similar book by Dennis Wick. You can see with players like Bill Watrous that moving the horn, or the chops, or anything, really is to be avoided. It winds up being important, but not an absolute. For slower stuff, some movement will not always destroy the good effect (of course, why take the risk?). It's a good idea to try to adopt the HABIT, though, of being conscious about avoiding moving the horn, and introducing "bumps" into the horn during critical passages. Bob is really "the man" of this stuff. Very, very good.