Thank you! You wrote exactly what I was thinking. In my opinion Angel Olsen and Emmet Kelly are just awesome in this performance (both are a Gods gift to Will Oldham's music).
I like how Will is always changing up the arrangements of his songs, even if it’s just a little bit. I think that’s how he’s been able to release so many albums of re-recordings of his older songs without making it sound like he’s run out of ideas or going for a cash grab. Although I have to admit, I Have Made a Place was a very welcome record after such a long string of tribute/cover albums and albums of re-arranged and re-recorded BPB songs. It was getting to the point where I didn’t think Will had any new songs in him anymore.
@mottoth Merci pour la réponse, je l'ai vu dimanche à Nantes. Je pense que çà a duré 1:30 mais bon c'était le dernier set de la soirée qui en comptait 3. Mais c'était vraiment grand ! Ce type dégage autant de force que ses chansons et le groupe qui l'entoure faire le reste.....
(cont) mic is going to pick-up highs a bit more than lows. This is a concert so the audio isn't mixed or mastered, but the quality of the recording is very good. A lead singer's vocals can be framed in diff ways, I prefer wood-grain, some people prefer paint.
I disagree, I think Angel's vocals are a great addition, the job of the supporting/back-up singer is to frame the lead singer's vocals in a way that compliments them- the back-up singer, if you call it that, should not always be extremely quiet. The song is timed in a way that the vocalists aren't singing over each other, most of Angel's vocals take place during a point where Will is holding a note, and even when they aren't, both singers are easy to distinguish. The issue is that a camcorder
