haha beat go riddly diddly Subscribe now and catch a new, homemade, original dumpsterpost almost every day (or whenever I can think of a new idea)! Beat stolen from: • 170 - 250 bpm breakcor...
Gregory Coleman, the drummer of The Winstons and the inventor of Amen Break, died in 2006, homeless. He had zero royalties from the most iconic drum loop in the music history, because drum beats aren't (usually?) copyrighted.
@@cjnf11 Now this will forever stay in my head when I'll use this drum break. Damn, this is bullshit, considering nowadays people can get copyright problems for fractions of sounds in musics or other medias.
Eh- is what it is, this is a dead horse that's been beaten over and over for the past twenty years. Either the sound can be carried into the next generation- or it can die as a genre entirely.
thats still best than 80% of fl studio breakcore wips being made at the moment. also, you gain points for the audacity of using that software I forgot the name
@@dumpposterprostudios2856 i also saw a test of breakcore done in OpenMPT with the Synth1 VST by Daichi Laboratory When I said "Daichi Laboratory" I mean the creator of the Synth1 VST (it started as a DirectX plugin)
@@TrizziEhgan that actually sounds cool as hell, wtf? breakcore in OpenMTP is a really interesting concept, it makes sense given how the samples work but you don’t see many people doing it.
I find it bizarre that renoise breakcore artists did way better than fl studio ones quite disappointed really (No, it isn’t about the software, its about the musician themselves)
@@user-jv6ox5gb6v Well, my hypothesis and opinion is that the og breakcore scene (where trackers had a big importance) was much more cohesive and homogeneous when it came to quality whereas this new breakcore scene is extremely heterogeneous (at least from what I listened to). It's funny cuz a lot of people are forgetting all about the og breakcore scene (venetian snares, otto von schirach, igorrr, etc), and it has become this waifu-trashed-amen ... stuff? I listened to some new good shit, I can't deny it, stuff that surprised me but for some reason bad 30 seconds FL Studio look-a-like breakcore stuff is what I see the most around here.
As someone who has sampled and sped up the amen break at least once, in other words, a breakcore artist, I can confirm this is what I do all hours of the night
i swear everytime i find an ultrakill fansong its just this for 3 minutes and then for the "action" section they turn it up slightly and maybe add another instrument
thx for watching but can you maybe watch one of my better vids?????? like how about this breakcore remix of the funny krabby patty song from spongebob ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-pro8OZIhUhY.html edit: this is blowing up again, next ill make "japanese edm producers be like"
@@xddddddddddddd now im a washed-up one hit wonder who will spend the rest of my career trying to recapture the magic of something that never really had much magic in the first place
we are all breakcore artists here, or at least the majority, normal people dont see audacity memes at this point i'm gonna go to the download page of a VST and ppl are gon be like "as a music producer i ike this VST" ITS LIKE BITHC OF COURSE
now if you make some kind of instrument like a piano or guitar repeating in a different but similar pattern as this a random high pitched anime girl singing while also kind of having lyrics scrambled and repeated like maybe if you used the song im the japanese goblin or whatever and after the repeating pattern make it just like a really fast repeating sound with the symbals only and then different patterns with the instrument high pitched anime girl and the drum sound it could be a banger breakcore song
