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Bruckner - Symphony no.9: Finale (Samale-Phillips-Cohrs-Mazzuca, reconstruction 2008) (part 2 of 3) 

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I thought people might be interested in this. If you are, go and purchase the CD. This RU-vid version has been deliberately encoded at low resolution.
Bruckner left substantial sketches for the Finale of his 9th symphony, with the entire movement mapped out. Some fully orchestrated, some in sketch. Sadly a number of the pages of this sketch were distributed as souvenirs on his death, and still not all have been recovered. The extant sketches have been the subject of work for the last 20 years by a few different sholars in an attempt to provide some kind of satisfying performing edition. This track is the latest of such attempts, which has been developing by these scholars since 1983. The 2008 revision includes the latest finds of missing pages of the sketches by Bruckner.
I find this attempt at a performing version of the sketches to be very exciting, and in no way takes away from the quality of the sublime slow movement immediately before it. However, in parts 2 and 3 I personally find some of the writing still a little confused, particularly in the articulation of the fugal section.
This second part of the movement is in the greatest part a speculative orchestration of some bare sketches (often just one instrumental line linking fuller-orchestrated sections). A significant number of bars of this are also guesswork, based on repetetion of previous material and including some material from discarded sketches. A small part is freely composed to link the material together.
This is the Musikalisches Akademie des Nationaltheater-Orchesters Mannheim conducted by Friedheim Layer in 2008.

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3 мар 2011

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Комментарии : 9   
@ChrissysVideokids
@ChrissysVideokids 12 лет назад
this is music!!!!
@mrsneaky2010
@mrsneaky2010 13 лет назад
Very Interesting!!....One can hear Mahler strongly, especially in that central fugue section..hence strenghening the link between the two composers..
@iduefoscari
@iduefoscari 13 лет назад
@winebird1 Expect for the chorale this music has little to do with what we have heard in the first three movements. There is some similarity to very early Bruckner but to be honest the best bits of this appendage after the chorale is the stuff composed by Carragan , especially the minimilism towards the end after the recapitulation of the chorale .And infact , I find the ending of the Da Vinci Code in this minimilistic style by Zimmer nearer to how Bruckner may of ended his work.
@winebird1
@winebird1 13 лет назад
fantastic sound..real bruckner,but i find it hard to connect it to the 9th
@jrbleau
@jrbleau 9 лет назад
Bruckner may quote the other movements of his 9th and others of his symphonies, but do others here find the fifteen or so seconds starting at 3:52 salute the first movement of Beethoven's 9th?
@Bekothegreat
@Bekothegreat 8 лет назад
+jrbleau Definitely!
@Leon-Hardt
@Leon-Hardt 8 лет назад
+jrbleau ........Exactly! is the repetion (better say: "variation") of the First Movement¨s Introduction before the first theme of "Allegro ma non troppo un poco maestoso"
@jrbleau
@jrbleau 8 лет назад
+David Rojas Hello David. I don't know if you feel as I do, that this completion feels like an approximation of what Bruckner would have offered as a final product, but it's tantalizing to see a collective effort grope toward an ever more satisfying completion. It's pretty exciting, in fact.
@Leon-Hardt
@Leon-Hardt 8 лет назад
+jrbleau Yes it is. The fact that they have recovered more than 50 missing bars gives a very close ide of the original idea of Bruckner; also know the orchestration and knowing the previous three movements and references to previous symphonies is very instructive. The new coda that of the baton of Rattel and the Berlin Philharmonic is COLOSSAL very typical of this unique "peasant" but endowed with a deep musical doctrine and Christian faith to "Dear God" .... HUGE! I'd say. I want to have the album of this interpretation and I can only hear it for spotify (and not own premium account) :)
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