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Bruckner: "Te Deum" with John Eliot Gardiner | SHMF 1993 | NDR Elbphilharmonie Orchestra 

NDR Klassik
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John Eliot Gardiner and the NDR Elbphilharmonie Orchestra (then: NDR Symphony Orchestra) perform Anton Bruckner's "Te Deum" at the Schleswig-Holstein Music Festival 1993.
The soloists are Katarina Dalayman, soprano, Susan Graham, mezzosoprano, David Maxwell Anderson, tenor and Peter Rose, bass.
ANTON BRUCKNER
Te Deum 00:00
I. Te Deum laudamus 00:01
II. Te ergo quaesumus 05:28
III. Aeterna fac 07:52
IV. Salvum fac populum tuum 09:18
V. In te, Domine, speravi 15:34
John Eliot Gardiner, conductor
Katarina Dalayman, soprano
Susan Graham, mezzosoprano
David Maxwell Anderson, tenor
Peter Rose, bass
NDR Symphony Orchestra (today's NDR Elbphilharmonie Orchestra)
Monteverdi Choir London
NDR Choir (today's NDR Vokalensemble)
Final concert of the Schleswig-Holstein Music Festival, St. Marien Church, Lubeck, August 1993
Website: www.ndr.de/eo
Facebook: / ndrelbphilha. .
Instagram: / ndr.eo
#ndrelbphilharmonieorchestra #johneliotgardiner #antonbruckner

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18 окт 2021

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Комментарии : 69   
@victorpotapczuk9681
@victorpotapczuk9681 3 месяца назад
R.I.P. Scottish born tenor, David Maxwell Anderson, who died of sudden heart failure aged 58, on 30 April 2024.
@NDRKlassik
@NDRKlassik 3 месяца назад
Oh no, how sad. Thank you for letting us know!
@guillaume3889
@guillaume3889 2 месяца назад
Thanks for this info :(
@markfurnell6748
@markfurnell6748 Год назад
And Bruckner was worried God would greet him with "Well, my boy, you didn't do near enough with the talent I gave you."
@jacquesbeaulieu4443
@jacquesbeaulieu4443 Год назад
what a extraordinary performance! Electrifying. The very best. He makes this piece what Bruckner wanted it to be: his passport to heaven! To the greater glory of God!
@NDRKlassik
@NDRKlassik Год назад
Happy to hear that you enjoyed it!! :)
@DobriPes
@DobriPes 2 года назад
Lieber Gott, das war ein schnelles Tempo!
@MrSnoid-sj7fd
@MrSnoid-sj7fd Месяц назад
Es un circo de barroquero! El tempo es para vomitar al estúpido inglés
@prehistoricangel5063
@prehistoricangel5063 Год назад
I just love NDR products. It is one of their marvellous work.
@NDRKlassik
@NDRKlassik Год назад
Thank you, it is a great pleasure for us to be able to share these treasures!
@justineschaefer1573
@justineschaefer1573 11 месяцев назад
Electrifying and polished performance with plenty of nuance! My choir is performing this at the end of next month...can't wait :)
@notaire2
@notaire2 2 года назад
Wundeschöne und spannende Aufführung dieses romantischen und perfekt komponierten Meisterwerks mit herrlichen Stimmen vierer genialen Solisten und gut harmonisierten Stimmen des ausgezeichneten Chors sowie gut vereinigten und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und ebenso geniale Dirigent leitet das ausgezeichnete Orchester im relativ schnellen Tempo und mit möglichst effektiver Dynamik. Wundervoll und atemberaubend zugleich!
@PatAcct
@PatAcct 2 года назад
Herzlichsten Dank NDR für das.
@NDRKlassik
@NDRKlassik 2 года назад
Lieber Patrick Un, sehr gern, es ist uns ein Vergnügen ✨
@peteykwia2752
@peteykwia2752 Год назад
❤👍🌹! Tausend Dank fürs Upload!
@NDRKlassik
@NDRKlassik Год назад
Es ist uns eine Ehre und ein Vergnügen! :)
@arneheinemann3893
@arneheinemann3893 2 года назад
Endlich Ersatz für meine alten VHS-Cassetten ! Darf ich noch einige Wünsche äußern: Holst The Planets, Schumann 2, Mendelssohn 5, Beethoven Missa solemnis, alle mit Gardiner beim SHMF. Ist ja bald Weihnachten ! Vielen Dank für die bisherigen Veröffentlichungen. PS: Beethoven Violinkonzert und Brahms 1 mit Tennstedt/Kennedy.
@NDRKlassik
@NDRKlassik 2 года назад
Lieber Arne Heimann, vielen Dank zurück! Natürlich dürfen Sie sehr gern Wünsche äußern. Wir leiten sie weiter und hoffen, dass wir den ein oder anderen Mitschnitt aufstöbern und veröffentlichen können.
@hchan216
@hchan216 Год назад
I love this tempo, which shows another facet of Bruckner's works. Just my opinion, I don't see the point of dragging to a broader tempo just because of "Bruckner".
@NDRKlassik
@NDRKlassik Год назад
Thank you for sharing!
@maximodiazrios6959
@maximodiazrios6959 4 месяца назад
The best version, full of vitality!
@NDRKlassik
@NDRKlassik 4 месяца назад
Thank you!!
@carlosdescartincristellys8273
@carlosdescartincristellys8273 2 года назад
Bravo!!!
@bohumilkoral5504
@bohumilkoral5504 23 часа назад
@carlositurra4315
@carlositurra4315 Год назад
La más rápida de las versiones que yo conozca de esta obra maestra, sublime; dicha rapidez le saca un insólito partido, un efecto contrario al que obtenía Celibidache y que no deja de complacer... De momento, es mi versión favorita, aunque sé que volveré a Celibidache.
@NDRKlassik
@NDRKlassik Год назад
Gracias!
@franciscoespinozagamboa6490
Magnífica versión de esta brillante obra.-excelente orquesta y solistas felicitaciones maestro Gardiner.
@NDRKlassik
@NDRKlassik Год назад
Muchas gracias!!
@ricardonascimento6020
@ricardonascimento6020 2 года назад
18:22 🙏🙏🙏🙏
@einarkazakov8436
@einarkazakov8436 2 года назад
Thank you
@user-pz2cl1ob9e
@user-pz2cl1ob9e 2 года назад
I watch this version from time to time. Also, I respect the belief of viewers who don't like fast tempo. However, my personal point of view is that the tempo of Bruckner's te deum should be somewhat faster like this video. I think this should end with a grand and powerful ending, like Mahler's Symphony No.8 . I think the meaning of ("Non Confundar in Aeternum") ="A chorus of intense and earnest faith"... fades when the tempo slows down. So, I think Bruckner's te dem should be tempo like this version.
@NDRKlassik
@NDRKlassik 2 года назад
Thank you for sharing! :)
@ayethein7681
@ayethein7681 Год назад
It makes a change to hear Bruckner that may be thought Too fast rather than Too slow. It's exciting but I do feel the tunes are rattled off too get to really get the best out of it. But it does give one a valuable different perception of the work.
@user-pz2cl1ob9e
@user-pz2cl1ob9e 2 года назад
Wow Good~! Best Version Ever..! Because of this version, Karajan now has to go to the museum...
@NDRKlassik
@NDRKlassik 2 года назад
:)))
@hayerwhophtow6700
@hayerwhophtow6700 2 года назад
Commentaire bête…
@user-gz7qe8ls9j
@user-gz7qe8ls9j Год назад
Karajan does not understand Mozart either Bruckner
@himmerod9117
@himmerod9117 Месяц назад
🤣
@kuliimjulischreiben
@kuliimjulischreiben 2 года назад
I guess I’m extremely used to the Karajan recording I have, and the tempo my choir is taking for our concert on May 1st, but this is VERY fast for Te Deum, I feel. The entire piece is being performed so fast. You blink and you miss the intricacies of each movement. It’s lovely but I feel a lot of the point of the piece was missed at this tempo.
@xoknight8166
@xoknight8166 Год назад
I agree while also disagreeing with your comment, of course a slower tempo really brings out everything about this piece, but at the same time, this faster tempo shown here reflects the historical tempo that Bruckner probably intended it to be played at. As shown by historical records and recordings of late romantic conductors and early 20th century performances, the tempo of pieces such as Beethoven 5th or 3rd illustrate a perplexingly fast tempo, and of course shown in numerous other romantic era composers such as Tchaikovsky and Brahms. There are also historical records of Mahler who conducted his own piece at a very fast tempo that is very unusual at todays standards, his adagietto from his 5th symphony for example was apparently conducted in 7 minutes, while modern recording stretch it out to 9 or even up to 12 minutes. There even exists a recording of Rachmaninoff, playing the Piano solo part of his 3rd Piano concerto at an incomprehensible fast tempo (3rd movement to be exact), of course he is playing his own piece so its really hard to say "he's playing it too fast". But anyways, the tempo that Gardiner takes Bruckner's Te Deum, and in fact his recordings of Bach's pieces I find way too fast as you also said. But at the same time, I believe this is the tempo the composer himself would have envisioned it to be played at.
@samitobribiesca6320
@samitobribiesca6320 2 года назад
NDR ELBPHILARMONIE ORCHESTER , MERVEILLEUSEMENT PRODIGUX, SIR ELLIOT GARDINER, SUPERBE , BRUCKNER À GÉNIE , TE DEUM CHEF -D'ŒUVRE , MERCI DU FOND D'CŒUR !!!
@NDRKlassik
@NDRKlassik 2 года назад
Merci beaucoup à vous😁💕
@francisfournier3177
@francisfournier3177 2 года назад
Marvellous ! !
@maxfochtmann
@maxfochtmann Год назад
Спасибо огромное за запись.
@NDRKlassik
@NDRKlassik Год назад
Thank you, спасибо!
@niklassimms
@niklassimms 3 месяца назад
Glorious Finale - 20:05
@emilianocorradi4079
@emilianocorradi4079 2 года назад
Absolutely awesome
@NDRKlassik
@NDRKlassik 2 года назад
Thank you so much!!
@dmntuba
@dmntuba Год назад
I love the tempo! Biggest problem with Bruckner is generally performed to slow...got to keep the forward movement 👍
@NDRKlassik
@NDRKlassik Год назад
Thank you! :)
@gabitunschel690
@gabitunschel690 3 месяца назад
So, wie heute fast alles in der Klassischen Musik , vorgetragen nach dem Motto "höher, schneller, weiter".
@nikollmerdhoci2018
@nikollmerdhoci2018 2 года назад
Wanderful
@tedgangersongs
@tedgangersongs Месяц назад
Gosh, so light and frothy - I had no idea Bruckner, let alone this devout prayer to God, could be made to sound like this. Just look at Sir John's affable smile as he switches from 4 to 2 (at 0:20) after just a few bars of the 1st movement ("Allegro moderato 4/4") - he sure knows how to get it over with quickly... Bruckner Lite, yeah!
@NDRKlassik
@NDRKlassik Месяц назад
Happy you enjoyed it!
@tedgangersongs
@tedgangersongs Месяц назад
@@NDRKlassik Hahaha, right...
@hayerwhophtow6700
@hayerwhophtow6700 2 года назад
Ces chefs qui veulent « dégraisser » Bruckner se trompent de compositeur. Le pathos de son écriture, la densité des timbres dans cette harmonie si verticale, le « mur de son » brucknerien ne peut pas être allégé sans que la musique en perde de sa substance musicale, de son jus et de sa couleur. Et ce n’est pas un tempo à tout va qui améliore les choses… La vidéo est intéressante surtout pour voir l’intérieur de la merveilleuse église de Sainte Marie à Lübeck
@captaincatchy
@captaincatchy Год назад
I much prefer this tempo!
@littoy
@littoy 2 года назад
WOW
@gwalaus
@gwalaus Год назад
There must have been free beer afterwards at the local hofbrau! I would rush it too, or maybe they they just want to get away from the famously rude Mr Eliot-whatever.
@user-ul6hq8qp9m
@user-ul6hq8qp9m 8 месяцев назад
Vielen Dank aus Moskau
@NDRKlassik
@NDRKlassik 8 месяцев назад
Viele Grüße nach Moskau!
@Fleurop68-qu5ir
@Fleurop68-qu5ir 21 день назад
Mir war es auch ein bisschen schnell und vom Chorklang, wie man es bei Gardiner zumindest damals gewohnt war, zu muskulär-athletisch. Aber die Wucht und Strahlkraft sind natürlich beeindruckend und gehen unter die Haut. Die beiden Solistinnen gefallen mir auch ganz ausgezeichnet, die Männer etwas weniger! Leider als recht geschmacklos empfinde ich, wenn mitten in der großen Schlusssteigerung der Abspann schon eingeblendet wird, da verliere ich die Lust hinzuschauen. Sehr schade und für mich unverständlich...
@juangarzon1247
@juangarzon1247 Год назад
I’m so sorry but this is terrible tempo …. We are not in a race mr Gardiner
@user-gz7qe8ls9j
@user-gz7qe8ls9j 11 месяцев назад
No it was not, in score partuture; allegro moderato
@takuro5891
@takuro5891 Год назад
too fast
@markfurnell6748
@markfurnell6748 Год назад
Most 19th century music is played too fast!
@Daniel_Dufferin
@Daniel_Dufferin 5 месяцев назад
With all due respect, a Te Deum is a prayer, here in a church, not a performance or a show. Someone should have advised Ms. Susan Graham to dress appropriately.
@mdlouie
@mdlouie 2 месяца назад
lmao if only you'd been there to tell everyone how things ought to be
@chriscross4004
@chriscross4004 2 года назад
Gardiner ist einer von den Dirigenten, die leider immer nur mit ihrer "eigenen" Freiberuflertruppe ein gutes Ergebnis erzielen. Das hat einen Grund. Man muss nur die Musiker fragen, die unter ihm musiziert haben, wobei das "unter" wirklich wörtlich zu nehmen ist. Ich habe in 35 Jahren als Konzertsänger mit ca. 50 Dirigenten selten ein ähnlich respektloses und rücksichtsloses Verhalten gegenüber den Musikern erlebt.
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