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Canon EOS M - SLOG 3 MLV Workflow 

Reel Filmmaking
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In this episode of Reel Filmmaking, Corey shares about his SLOG workflow using the Canon EOS, Magic Lantern, Davinci Resolve and MLV App.
My RU-vid Setup:
Camera:
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My Other Favorite Camera
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Lens:
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Tripod:
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Keylight:
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Softbox:
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Backlight:
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Find out more about Reel Filmmaking: reel-filmmaking.webnode.com/

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8 дек 2023

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Комментарии : 27   
@lyleeewang
@lyleeewang 6 месяцев назад
This is the video that I am looking for! Thanks for this my good sir! Please do more videos like this in the future!!! 🤩
@SourceAwareness
@SourceAwareness 6 месяцев назад
Thanks Corey, very awesome. Bless you.
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
Thanks!
@arnauldbordes
@arnauldbordes 6 месяцев назад
Thank you! Very useful for me, a beginner with the Eos-M...
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
Glad it was helpful!!
@kalaniondabeat811
@kalaniondabeat811 6 месяцев назад
Thank you!
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
You’re welcome!
@vloggingpractice8077
@vloggingpractice8077 18 дней назад
Golden😊
@pastyves
@pastyves 3 месяца назад
Thanks!!!
@reelfilmmaking101
@reelfilmmaking101 3 месяца назад
You're welcome!
@DethronerX
@DethronerX 6 месяцев назад
Cool! Thanks
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
You're welcome! I hope it was helpful!
@DethronerX
@DethronerX 6 месяцев назад
@@reelfilmmaking101 Yes, I have the DaVinci from BM 6k Pro, but I haven't been able to learn it and will only when I get a new desktop, so I'm coming back here when I do.
@beatprocess
@beatprocess 4 месяца назад
help. i use to have ML on 70d and Mark III. loved the auto focus of course on the 7d. i have a fuji xt3 right not and im trying to think if i want to go back to ML. maybe get a couple 700d. xt3 has great 4k. 120 slow mo in 1080. dont know if i want to go through workflow. i think the file sie would be smaller on ML system.
@RhythmicEye
@RhythmicEye 6 месяцев назад
Sorry to be a know it all but you must be begin in Davinci with pure RAW data because the camera is using the Canon algorithm to capture the RAW data not Sony SLOG. You’re essentially applying a LUT to the captured RAW data before trying to get your CST node correct. Completely defeats the purpose of precise CST because you’ve transformed it before you start. To get 100% accurate CST you must start with completely pure RAW data then you can do a CST to SLOG if that’s what you want. The problem will only become noticeable when you export your final edit to the different exhibition formats.
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
Thanks for your comment, I appreciate it. I have never heard about how transcoding the RAW data from the EOS M to SLOG before moving it to Davinci can negatively affect the image. I've seen many other Magic Lantern users use this workflow process, and it has worked well for me. Thanks for the tip! I'm curious now to do some testing and see it can better help my footage. Again, thanks for the comment!
@RhythmicEye
@RhythmicEye 6 месяцев назад
@@reelfilmmaking101 I highly recommend learning from Cullen Kelly regarding this process. He talks extensively about CST nodes and how critical it is to get this process 100% right. He has YT channel
@exploshi1
@exploshi1 6 месяцев назад
Awesome video thanks for the tutorials. Your EOS M footage always looks super clean. In what situation would it be better to use SLOG 3?
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
Thanks so much!! I think it's more of a preference decision if you want to convert to SLOG 3 rather than CDNG. For most casual to easy level work, I'll convert it to SLOG 3. But if I'm doing a bigger project that requires the most color information flexibility for color grading/vfx I tend to shoot CDNG. Hope this helps!
@khaleelkhaleel8561
@khaleelkhaleel8561 5 месяцев назад
How to get green dot when you film with Magic lantern to get green dot i had to darkness the image very much and at that point not usable and to get orange its bit darker than should be how to fix this thank you very much
@Greacher
@Greacher 2 месяца назад
is it normal on m1 macbook air that mlv app loads very often? plus my exported files are flickering in strange way completely unuseable
@drmayne
@drmayne 6 месяцев назад
How did you duplicate that first node into three? Thank you.
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
To duplicate a node is Resolve press the option key + s. That will create a new serial node attached to the previous one. Hope this helps!
@user-vm8ex9mm4d
@user-vm8ex9mm4d 6 месяцев назад
can you share to us the export settings in davinci for this kind of workflow ?)
@reelfilmmaking101
@reelfilmmaking101 6 месяцев назад
Yeah! Out of MLV App I convert my files to the SLOG 3 profile then export them to Pro Res 442 LT. I find it to be a good middle ground in terms of the file sizes on my computer and giving me good results for editing/grading. Hope this helps!
@user-vm8ex9mm4d
@user-vm8ex9mm4d 6 месяцев назад
@@reelfilmmaking101 i get it, but i was wondering about export settings after finishing work in davinci resolve, not in MLV App)))
@vd9795
@vd9795 6 месяцев назад
Kind of ridiculous shooting with canon, canon colorsience and exporting in sony s-log...😂😅😮😂 just saying...
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