Color Grade D-LOG M in DaVinci Resolve with NO LUT NEEDED

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Grading D-Log M in DaVinci Resolve without a LUT. How to color grade DLOG-M footage in Resolve.
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8 сен 2024

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Комментарии : 30

@frankinblackpool 2 месяца назад

Yep Dlog-M is a REC 709 colour profile. And what's worse, its awful to colour match Dlog-M with any footage filmed in another camera's colour profile either a REC 709 or LOG colour profile. May I suggest that you consider using Gamma 2.2 rather than Gamma 2.4? Gamma 2.4 is designed for people grading on very expensive Reference Monitors, and if you have an expensive Reference Monitor around £30k then Gamma 2.4 is the way to go. This is probably why people keep talking about Gamma 2.4, because they keep hearing about this Gamma Curve from professional colourists. However Gamma 2.2 is for domestic computer monitors, Tablets, phones and TV's because people view them in brighter locations that Colourists who grade in dark environments. What's more when publishing content to places like RU-vid then RU-vid requires Gamma 2.2. So if you are working on a desktop monitor and publishing to Social Media like RU-vid then Gamma 2.2 is the way to go. You can test this theory out by viewing the waveform of a clip in gamma 2.2 and 2.4 and see the difference in the waveforms.

@huubdegroot Месяц назад

Thank you sooooo much !!!! Had realy terrible colors with the DJI LUT on my Pocket 3. I''m soooo happy with your tutorial. Big bow !!!

@JasonRobertsVideo Месяц назад

Wow thanks so much - glad to help and big bow back haha :) :)

@ZorgFS Месяц назад

Jason your narration style is amazing along with all the details you provide. Thank you truly. Please keep it up. Cheers from Russia. I'm actually now more facing HLG space, I dunno for me it gives better results even when you finally convert it to rec709, BUT it looks absolutely amazing on HDR monitor, like these vibrant bright live colors, not so much when you convert it to SDR youtube content :) I'm on Pocket 3 btw, but also I have Air3 drone as well, where the same is true

@JasonRobertsVideo Месяц назад

Thanks so much for your kind words, I'm just working on an HLG to HDR color grading video so stay tuned! :) :)

@ZorgFS Месяц назад

@@JasonRobertsVideo Super will wait for the bell to ring :) actually for HLG I'm now using primary wheels as a basic exposure correction, then LOG wheels and finally HDR wheels as well for fine tuning. that provides more flexibility for me personally. From what I know it has different math behind it and it gives slightly different results for each of them which gives you that flexibility.

@JasonRobertsVideo Месяц назад

Cool - yes there's usually a million different ways to do things in Resolve haha :) :) That's what makes it so powerful I guess! :)

@Daniel.GC_ Месяц назад

Hey, i really would like to thank you. I was looking for this exact settings.

@JasonRobertsVideo Месяц назад

Glad I could help Daniel :) :)

@jaedworks 7 дней назад

Thank you for producing the video. What I was curious about was that I didn't use the lut provided by dji I wanted the idt and odt method using davinci's wide gamut I wonder if idt doesn't use dji d-log for input color and gamma values!? idt value input color : dji d-log input gamma : dji d-log output color : davinci output gamma : davinci odt value input color : davinci input gamma : davinci output color : rec709 / rec709a / gamma 2.4 output gamma : rec709 / rec709a / gamma 2.4 I thought like this.

@JasonRobertsVideo 7 дней назад

D-LOG M is not the same as D-LOG which is a true log format

@jaedworks 7 дней назад

@@JasonRobertsVideo D-log, d-log m is different There's a bit of color in the blog I'll try to do what you uploaded I was worried because the color kept changing. To put lut for pocket3 provided by dji here Should I set idtodt and put it in the back as you told me in the video!?

@ericchen1205 13 дней назад

Great video. Question - why you choose to use color transform and various color grading to color grade D-LOG M footage instead of using the DJI DLOG M LUT published by DJI? Is it just a personal alternative or you feel gets better results than using the LUT? Thanks!

@JasonRobertsVideo 13 дней назад

More control when not using the LUT :) :)

@smbishop63 3 месяца назад

Thanks for this video. If I wanted to add the DJI D-LOG M conversion LUT, can I add it after the 'to Rec 709' CST?

@JasonRobertsVideo 3 месяца назад

No. You would use it in a different node tree pipeline instead of the process I am showing in this video.

@Shikaradin66 2 месяца назад

Thanks!

@JasonRobertsVideo Месяц назад

No problem! :) :)

@thedevleon 2 месяца назад

Im so confused about DJIs D-Log M. In case for the Osmo Action 4, it says it records in 10 bits, but afaik Rec.709 is only 8 bits, right? Shouldn't it be recording Rec.2020 then?

@Teemzsaerialmedia 28 дней назад

Thank you so much ! I would like to ask you what kind of setting's do you recommend when working with mini 4 pro's hlg 10 bit footage ?

@JasonRobertsVideo 28 дней назад

You're welcome - these 2 vids are what you want: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-0KgFKD_GzAw.html ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-DPYopzaAn4k.html

@Teemzsaerialmedia 28 дней назад

@@JasonRobertsVideoThank you so much ! 👍🏽

@JasonRobertsVideo 28 дней назад

No worries :) :)

@whoisjusti.n5881 2 месяца назад

Would changing the CST from the node (Rec709) to Rec709-A instead of Gamma 2.4 would help for Mac users to remove the washed out images after exporting? Would that do the trick? Or are there any other settings so I can keep the Gamma 2.4 in the CST output gamma?

@JasonRobertsVideo 2 месяца назад

Hi as a PC user of Resolve I can't comment but I believe that the -A approach is the correct way to make sure 709 is tagged properly for mac.