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How to Grade DRONE Footage with a PRO Colorist!

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Why is my drone footage so saturated and has too much contrast ? DJI Mini Pro 3 (and DJI Mini Pro 4) and Mavic Classic all covered here. Learn how to avoid the most common mistakes and make your drone footage look great with DaVinci Resolve. Ive been a professional colourist for over 17 years now, clients include BBC, C4, C5, Sky, Amazon Music and many more.
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Опубликовано:

20 авг 2024

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Комментарии : 429

@talltaleradio 10 месяцев назад

"....so I bought a drone and drove to Italy" is like the coolest sentence I have ever heard. Great tutorial!

@DarrenMostyn 10 месяцев назад

I don't mess around when I want to get something done right!

@skyracer7 5 месяцев назад

agreeeeeee!!!

@paulchernotsky6827 4 месяца назад

That was already a sign I’d be lost in the rest of the video 🙄

@nemesis9410 3 месяца назад

Average day for a European, the North American mind cannot comprehend ☹️

@DennisSchmitz 10 месяцев назад

One important thing to mention: To get a less digital and crunchy looking image on the Mini 3 Pro, just adjust sharpness and noise reduction both to -2. The image will also look much cleaner in low light situations then.

@DarrenMostyn 10 месяцев назад

thanks for the tip

@crossfithammerschmiede 5 месяцев назад

Great tip, thanks.

@elbanzo8110 10 месяцев назад

One thing I always do on consumer drone footage, is taking of the sharp edges with „edge detect“ and put out the alpha to a gauss blur. Works great to match with cinema cameras. Secondary masks or depth map can also help to make the shot look more interesting

@DarrenMostyn 10 месяцев назад

Thats a great tip - Thank you!

@DennisSchmitz 10 месяцев назад

Even better, adjusting sharpness and noise reduction on the mini 3 pro in camera to -2. The image doesn't need any filtering then anymore and matches perfectly well with professional cameras then.

@RoyGregorio 8 месяцев назад

Can you provide some steps on how this is accomplished? I'm in color page and add a node with edge detect. The colors become inverted to show the edges. Then I add a second node with gauss blur and connect the nodes with alpha. But I'm not getting the intended effect.

@elbanzo8110 8 месяцев назад

@@RoyGregorio I use the "Edge Detect" on a parallel node. Then I feed the video out signal of the node to the alpha of a node further back in the node tree. I set a strong blur in that node to see the effect. Then adjust the edge detect and blur, depending on the footage. With this method, you only blur the edges, not the whole image.

@AllThingsFilm1 10 месяцев назад

Fantastic tutorial. Not only for drone footage, but you included tools that help with exposure and color in any shot. Well done!!

@DarrenMostyn 10 месяцев назад

glad you appreciated.

@hadirazmi 9 месяцев назад

Expecting a sit down tutorial but this man also suddenly gave me an amazing and refreshing travel vlog.

@DarrenMostyn 9 месяцев назад

ha! glad you enjoyed that - not my specialist area but enjoy delivering every now and again. There's a few more vlog style here - Thanks ru-vid.com/group/PL6VNHhfsVYJZZFJPCAgEc_BJ0lut_Qdbf&feature=shared

@laniakeasupercluster4606 6 месяцев назад

D-Log is different to M-Log which is now common in the newer DJI drones. AFIK M-Log is not yet available for use in a CST. You’ll have to use a LUT which may not bode well depending on how you use CST’s in your workflow.

@JoshConnectMedia Час назад

Another non hustle way to keep consistency for your exposure when flying from a lighter environment to a darker shade is to lock your exposure on the drone. 1. long press on the RC controller to lock the exposure or 2. set your C1 or C2 button to lock exposure . and viola , you are done. I have to sit down hard to get my hands dirty on Davinci. I see it as trying to understand the physics behind a space rocket's engine .

@yorkunt 10 месяцев назад

Darren is just buying a drone for a tutorial, I remembered the keyboard hoarding episode! Cheers, always nice to see you on platform!

@DarrenMostyn 10 месяцев назад

I like buying tech tbh! Glad you appreciate it.

@joeymorelli2511 10 месяцев назад

Just when I thought you couldn't get any cooler...shooting your own drone footage to show how you grade it...and driving to Italy to do it. Man, you rock!

@DarrenMostyn 10 месяцев назад

Was a fun trip! Thanks Joey!

@joeymorelli2511 10 месяцев назад

Really wish I could relocate my fam to a region (UK / Euro) where we could take such epic trips spontaneously!! Were there any issues with authorities or people giving you a hard time about drone shooting? Do you have to carry license papers or anything like that? @@DarrenMostyn

@DarrenMostyn 10 месяцев назад

I did my research - each country has its own laws on drones. Please make sure you check before flying!

@fadah_fpv 10 месяцев назад

Finally! The tutorial I was looking for 🔥 I'm wondering if you can do the same tutorial for Action Cameras such as the Gopro?

@teejaysimon 6 месяцев назад

Two things: 1) love the story leading up to the "how to". Mostly because I just love Europe and am jealous of how all of that is so close compared to the the US (which everything is so far apart here). 2) Very jealous of the California and wish we had those over here in the states!

@DarrenMostyn 6 месяцев назад

thanks. Its not a California, its a VW T6 regular van converted and lowered and extras added of course, but works out cheaper than a Cali. Lots of fun driving it!

@theoldgitwatgames4640 10 месяцев назад

Excellent video, and couldn't have come at a better time for me, as someone's just dropped a job on me at he last minute with a ton of drone footage. Also using the colour stabiliser to even out the exposure of the footage was a "bloody hell" moment. Much appreciated

@MegaFr33dom 10 месяцев назад

Darren, thank you for this! I have the Mavic 3 and this is helpful as an apples to apples color grade. I am right now working on some D-log footage. I have always struggled with whether I am setting it up correctly from the beginning. Now I know. Also was unaware of the color stabilizer and what it did. Great video!

@DarrenMostyn 10 месяцев назад

Glad it was helpful!

@Lloydbar 10 месяцев назад

Been waiting for this! Don't know how much time I have wasted treating D Cinelike as log footage and getting nowhere. Thanks for putting me on the right path.

@DarrenMostyn 10 месяцев назад

Glad to hear your future grades will be improved ! Enjoy.

@NaturalBornQuerdenker 4 дня назад

FANTASTIC tutorial! I've learned a lot. Thank you very much! 😃👍

@DarrenMostyn 4 дня назад

Glad to hear that!

@2calzinifilms 4 дня назад

Saved my day with the cinelike thing. 🙏

@Stigcrafter 10 месяцев назад

That colour stabilizer tool is a game changer

@movietrailer4113 10 месяцев назад

💥Thanks for the clarification with the DJI material. There was a lot of confusion about the development of the material in REC 709. It was displayed incorrectly and with distortions. Now you have clarified the situation, how to properly evaluate such personnel.

@DarrenMostyn 10 месяцев назад

very welcome

@DrBobMedia 10 месяцев назад

You're a lifesaver. Just got a bunch of drone footage in for a feature I am doing post production on, and this pops up.

@DarrenMostyn 10 месяцев назад

hope it helps you. all the best,

@FoolWithACamera0 3 месяца назад

THANK YOU for this video. It has addressed many issues I've experienced while working with DJI drone footage.

@DarrenMostyn 3 месяца назад

Glad it was helpful!

@mohammad.hammal 7 месяцев назад

This is literally the best channel fir color grading on RU-vid! you deliver the information like a true master, grateful for that! Can you please show us how to color grade the new iphone Log footage ? whether shot natively through apple prores log or through blackmagic app! would be interesting and am sure will benefit lots of people !

@chrisbogart687 10 месяцев назад

You made a couple of very useful points that were very helpful and key to understanding Drone footage issues and causes. Thanks. ❤

@DarrenMostyn 10 месяцев назад

Glad it was helpful!

@tarask9971 10 месяцев назад

Great lesson Darren! As always. Thank you very much for finding a time to teach others.

@DarrenMostyn 10 месяцев назад

Glad you enjoyed it!

@tarask9971 10 месяцев назад

@@DarrenMostyn no big deal, but you didn't put the link to the DJI luts in the description

@DarrenMostyn 10 месяцев назад

@@tarask9971 ah! thank you. adding it now!!!

@worldwidewayman 3 месяца назад

Perfect. Just what I was looking for as a Mini-3 Pro & Mavic 3 Classic flyer. Brilliant... thanks.

@shredingerscat6180 7 месяцев назад

Hey. Hope you are still reading comments on this one 😅 When not having proper color management for dlog m: Would you prefer setting the drone to HLG and use color management or use DLOG M with the DJI lut? Thanks for teaching us a ton 🤙 Cheers

@DarrenMostyn 7 месяцев назад

Of course RCM would be great but Im very happy with the DJI Lut with a bit of fine tuning in the grade! I can only work with what i have.

@acaiv1797 3 месяца назад

Going above and beyond to get the content! Keep up the excellent work. Would have loved to take your color grade course, but I was swamped.

@DarrenMostyn 2 месяца назад

thanks. I'll run it again in 2025. It sold out

@acaiv1797 2 месяца назад

@@DarrenMostyn I will be looking forward to it.

@through_the_lens_art 2 месяца назад

Brilliant work as always! Davinci is such an amazing tool when used correctly.

@Coatsey007 10 месяцев назад

How spooky, I don't know when you were there Darren, but I've just literally returned from a five week motorbike tour around places nearby. As always love the video and hope you and yours are well.

@DarrenMostyn 10 месяцев назад

Hi - I did the same trip on a motorbike back in 1994 - no mobile phones or trip advisor then to ruin the magic!! Hope you had fun! Was quite nostalgic seeing some of the old places again, albeit this time in a van!

@B-Moye 10 месяцев назад

I don’t even have studio resolve yet but this was great to watch.

@DarrenMostyn 10 месяцев назад

use the free version for now.

@ChristiaanRoest79 10 месяцев назад

Very useful video Darren! Thanks for sharing your drone video grading method. My workflow is similar. Good to know that i am doing it right 👍

@DarrenMostyn 10 месяцев назад

Great to hear!

@geoffreymee7671 5 месяцев назад

You're really great at this but I wish u would slow down a bit sometimes such as when you change a setting in the grading section or wherever. The title of the change is over in a split second - two would be easier to recognise rather that rewinding n trying to stop precicely on the wording that makes the change. Great info as always though. Thk u Darren

@TinkerVisionMedia 10 месяцев назад

This was great! So much packed in here, so well explained!

@DarrenMostyn 10 месяцев назад

Glad you enjoyed it. Lots of good advice in here for you.

@RonClifford 10 месяцев назад

This solved my white balance shfit going up and over fall colours in the trees. I forgot to lock exposure and white balance.

@DarrenMostyn 10 месяцев назад

glad it helped. thanks Ron

@sergiobasilioli384 10 месяцев назад

First of all i'm glad you come to Italy and that you also helped me how to colorize Dji cinelike video and with the exposure tip too! Great video!

@timsnider336 6 месяцев назад

Great tips, Darren. The Texture Pop effect is now one of my new favs. Thank you!

@DavidWinstead 10 месяцев назад

Wow, thanks for that man, I've never found a use for Color Stabilizer and I color grade a lot of drone footage. I've always had to use keyframes which takes a bunch of time to get right! You Rock!!!!

@DarrenMostyn 10 месяцев назад

Glad I could help!

@petermclennan6781 10 месяцев назад

Excellent, Darren. My Mini 3 will love you. My Sprinter is envious of your VW's interior. He wishes he could drive to Italy, too, but he has to be content with North America. Please consider a tutorial on of grading log footage from the new iPhone 15 Pro. Lots of us will be shooting this seemingly ground breaking camera.

@DarrenMostyn 10 месяцев назад

Thank you. Yes, just need an iphone 15 now!

@shan8274 7 месяцев назад

Great introduction for color stabilizer tool, gonna try it in one shot that was taken in a cloudy day. Thank you! Really helpful.

@frenchiecolorgrading 10 месяцев назад

Superb tutorial ! Hope you had a lot of fun in Italy and in the French Alpes ! The color stabilizer will be a life changing tool for me ahah, thanks a bunch !!!

@DarrenMostyn 10 месяцев назад

you Arte welcome Chloe. I had a fab trip!!

@kevin-haggerty 10 месяцев назад

Dude you are the man. I’m battling color on the drone footage. This will help heaps!!

@BruceMoyle 10 месяцев назад

Excellent tutorial. The D CineLike definetly got me first time I tried to grade it. I suspect this will be a very popular video for you mate.

@NickinNashville 7 месяцев назад

This was the most helpful video, very well done sir, you’re a great teacher , no fluff

@DarrenMostyn 7 месяцев назад

Glad it was helpful!

@IoRisparmio 10 месяцев назад

I hope you enjoyed my beautiful country! I hope you are coming out one day or another with a full "color grading course!" Love your videos

@DarrenMostyn 10 месяцев назад

A full colour grading course is coming! Sign up to my free email list here bit.ly/2RrjvpN - announcement this week as a YT live so you need to subscribe and hit notify so you don't miss it - My first one last April sold out very quick !

@IoRisparmio 10 месяцев назад

@@DarrenMostyn done it already! Looking forward to it

@muledogrecords 4 месяца назад

Just what I needed! Working on a clip from Google Earth Studio, and needed help with the color. Great tutorial. Thanks!

@DarrenMostyn 4 месяца назад

Glad it helped!

@muledogrecords 4 месяца назад

@@DarrenMostyn You da man!

@epicbucketlist 10 месяцев назад

Thank you, Darren! I really appreciate you taking the time to make this useful video. :)

@DarrenMostyn 10 месяцев назад

Glad it was helpful!

@foaly8 8 месяцев назад

There are actually some d-cinelike luts from dji as well. Works quite well for me.

@DarrenMostyn 8 месяцев назад

correct.

@exploring_thailand 8 месяцев назад

Could you say where they are? On their LUTS page I can find only LUTS for d-log.

@DarrenMostyn 8 месяцев назад

@@exploring_thailand I can see some in their forum but they not officially from DJI. Just grade as I explained in this video for best results.

@exploring_thailand 8 месяцев назад

@@DarrenMostyn Thanks for that, Darren. Would a viable alternative be to use a CST to go from Rec709 to a genuine LOG colour space and then use a LUT or CST on that LOG colour space?

@user-lf1pz1fq3f 2 месяца назад

As always, thanks for clarifying. What a Boss !

@graemetowner7257 10 месяцев назад

Another great ep Darren, thank you....... loved the extra techniques of exposure and texture pop. Next ep...how to explain to tax inspector you had to drive 3200KM in order to test a drone rather than 32ft from you office to Brighton beach !!

@DarrenMostyn 10 месяцев назад

Thanks Graeme. I did actually consult my accountant before I left so Im safe!!

@JoshConnectMedia 10 месяцев назад

Okay , let's roll with it

@IsaacBaboki 10 месяцев назад

This has popped up at the right time. Thank you Darreen

@sodhicreativefilms 8 месяцев назад

You got my subscription for being so knowledgeable and concise 👏🏽

@DarrenMostyn 8 месяцев назад

I appreciate that! welcome.

@jacksonfilm 5 месяцев назад

Very handy. Thank you Sir!

@DarrenMostyn 5 месяцев назад

Glad it was helpful!

@-PiP- 10 месяцев назад

Loved the vlog bit of course! Saw the short as well, loved it! Great drone footage! You get the clap 👏👏👏

@markramer 10 месяцев назад

Thank you so much for these pro tips! I can learn so much from your videos.

@AlanzFPV 10 месяцев назад

Great tips! I’d love to see you do a video on using CST on D-LOG-M footage. This is key because with the Mavic 3 Pro, it’s the only Log-type color space that’s consistent across the 3 cameras. (The 7x zoom is the weak link, the other 2 have D-Log). Apparently DJI will not publish the details of the ‘M’ color space… so it’s a mystery to solve

@DarrenMostyn 10 месяцев назад

There is not a cst setting for d log M. Use a Lut from dji or build from rec709.

@AlanzFPV 10 месяцев назад

@@DarrenMostyn thanks. Now I believe it after hearing it from you. Keep up the great work!

@ianjmcdonnell 9 месяцев назад

@@DarrenMostyn Switched to Color Managed after watching your videos on that, where previously was using a combo of CST and LUTs on the timeline - I shoot with 3 camera types pretty regularly, sometimes more. After reading some forums I tried out HLG on my Log-M footage and really do prefer it to the LUT. I flagged the Log-M footage as Rec. 2020 HLG ARIB STD-B67 and love the result but am not sure that's the correct choice.

@DarrenMostyn 9 месяцев назад

@@ianjmcdonnell if you prefer it it is perfectly acceptable to do that! I use array cat on footage sometimes that is not arri

@AlanzFPV 9 месяцев назад

@@ianjmcdonnell I am going to try your settings and see if I like them. Seems better to me to at least pick something in cst than to work in the limited Rec 709 space. Thanks for posting!

@UraFlight 10 месяцев назад

Amazing tutorial Darren ! I did learn new things today 😊

@DarrenMostyn 10 месяцев назад

Makes me happy!

@londonztoa6359 10 месяцев назад

Thanks Darren. You covered a lot of detail there as always. Great stuff..

@DarrenMostyn 10 месяцев назад

My pleasure!

@thecalloftheroad 9 месяцев назад

Excellent tutorial Darren! I took your original color grading course, but grading this kind of footage is much more the reality of my everyday work. (and kudos for using the mouse [well, really your Wacom tablet] vs the your color panel, I know that takes time)

@DarrenMostyn 9 месяцев назад

Glad it was helpful and pleased to hear you were on my first course!!

@robhurley5258 6 месяцев назад

nice effect with the windshield wiper :)

@ayeeeck4512 10 месяцев назад

Wow! What a tut. Need a video on how to grade Iphone 15 Pro Res Footage correctly please!

@DarrenMostyn 10 месяцев назад

I have a 14 Pro, sorry.

@Fuffuloo 8 месяцев назад

Definitely run into these problems myself. Thank you for the solutions! Also love the vlog bits!

@subbbass 10 месяцев назад

thank you Darren ! I needed this tutorial so much ! great work as usual!

@DarrenMostyn 10 месяцев назад

Glad it was helpful!

@howzchannel9843 10 месяцев назад

Love the new style Darren!! Great tutorial, btw ;)

@DarrenMostyn 10 месяцев назад

Glad you like it!

@casperfranz9787 10 месяцев назад

Thank you Darren. This answers my question regards to grading protocol when CST is not available and only have a manufacturer Log to Rec.709 LUT to work with. I do both stills and video and thinking about getting the OM-1 for its weather sealing, but want to perform my grading professionally by the book.

@martinekwall4671 10 месяцев назад

Thanks for a very helpful video! Your tips makes me get more professional videos.

@DarrenMostyn 10 месяцев назад

thanks

@BransBowler 10 месяцев назад

Love videos like these!! Would be awesome to see a similar type of video for GoPro footage!

@kcaokim 10 месяцев назад

that's grand, great information, thank you for your precious work, Darren

@DarrenMostyn 10 месяцев назад

My pleasure!

@fabimesizae 10 месяцев назад

Greatest! You came to Florence, my home, if I had known I would have gladly greeted you.

@DarrenMostyn 10 месяцев назад

ah, I loved Florence!! I only scheduled 2 days and stayed for 4 I loved it so much! Would have happily met up! Next time!!

@FrancescoPaggiaro 9 месяцев назад

Cool the color stabilizer, I never use it, cool to know. And thanks too for the link about official DJI LUTS 💪💪

@DarrenMostyn 8 месяцев назад

No problem 👍

@itsjohnrice 6 месяцев назад

I'm embarrassed to say I had no idea DJI had LUTS available for M-Log.... Thank You!

@robd2467 10 месяцев назад

"...so I bought a drone and drove to Italy'🤣🤣🤣 Excellent video. Thanks a million.

@DarrenMostyn 10 месяцев назад

Glad you enjoyed it! I certainly had fun making it!!

@timsnider336 10 месяцев назад

Always great insight, Darren. Thank you!

@DarrenMostyn 10 месяцев назад

Thanks Tim!

@sashazephiria3869 10 месяцев назад

Wow I didn't know about the color stabilizer, seems super powerful and time saving ! Definitly have to implement that in my process :D

@DarrenMostyn 10 месяцев назад

Been there for years!

@ErikWerlin 10 месяцев назад

Great video! I never knew about color stabilizer tool. Thats something I'll be using in the future for sure.

@DarrenMostyn 10 месяцев назад

thanks Erik

@markwarren3743 10 месяцев назад

Hey Darren welcome back, looks like you had a great time... Toscana is amazing, we loved living out there, just come back from Rimini my old town, loved every second, weather is still amazing, anyway as always fantastic content and learnt alot, I have the dji mini 2 that doesn't have loge unfortunately but there is an app called Litchi For DJI Drones that gives you more wiggle room (bringing it to the centre) for colour correction and getting a better start, need to play with it more but it indeed helps when there is no Log, not sure if let's will work the same... will have to give it a go. Anyway thanks again, glad your back safe and sound, the night I got back there was a fire at Luton Airport.... eeeesh, just missed it

@DarrenMostyn 10 месяцев назад

hope this episode helps anyway. Yes had a great trip thanks. Love Tuscany! Thanks Mark.

@markwarren3743 10 месяцев назад

@@DarrenMostyn Thank you Darren, for sure any video, with your content, for me is always a great help with a learning curve straightened out and much appreciated by me and I am sure the DR Community. Like I have said before, its like learning from a friend... the best way👍🏼 All the best Darren and have a great week.

@andreacolletto9843 4 месяца назад

Beautiful video! What about Dlog-m , what would you change? I'm struggling to get a decent color from dlog-m

@WaddleAero 10 месяцев назад

Good stuff! It is going to take several watch throughs to work this all out!

@DarrenMostyn 10 месяцев назад

This covers the usual stuff I have to deal with when working on drone footage for broadcast.

@masterof 10 месяцев назад

Thank you - I have always wanted to know how to grade the D-Cine-like! I have DJI Pocket 2, probably very similar camera as like on the drones.

@DarrenMostyn 10 месяцев назад

yes, treat it as REC 709 like this episode and you'll be good

@RasMarty_ 7 месяцев назад

great tutorial Darren this helps greatly because I live by the beach and get a lot of tonal ranges; from intense blues/cyans to beautiful warm hues on the setting sun reflecting off the clouds, do you have any set ups for go pro cams maybe I've them on your tutorials-Thanks cheers!

@DarrenMostyn 7 месяцев назад

No i dont have anything that specific.

@mranderson978 6 месяцев назад

Thanks for the interesting and useful tutorial. One thing I don't understand is why you'd shoot in 10bit D-Log M, and output in Rec.709. Wouldn't you lose your HDR when you do that? What if we wanted to stay in 10bit? would we still want to apply DJI's supplied Rec.709 LUT?

@TEWE-Mountain-Adventures 10 месяцев назад

Wonderful! Welcome to Italy! Ciao.

@IvanToman 10 месяцев назад

You were in Croatia (first shot, Starigrad Paklenica), but mentioned only Italy, I'm bit dissapointed with that :) Good tutorial though, thanks! And come back here again :)

@DarrenMostyn 10 месяцев назад

I never went to Croatia. Why are you disappointed ? I went to France, Switzerland, Italy and back to England through France. I was in Croatia on holiday last year with my daughter - beautiful country!

@IvanToman 10 месяцев назад

@@DarrenMostyn I'm dissapointed that you mentioned only Italy, but your first shot with Mavic is made in Starigrad Paklenica (Croatia), the white building is "Hotel Alan".

@DarrenMostyn 10 месяцев назад

@@IvanToman WOW! so you so still want to argue that I went to Croatia with my drone and filmed Hotel Alan and Im saying I went to Italy instead ? OK - I need to pause here before typing....holds breath...and relax...and press save.

@IvanToman 10 месяцев назад

@@DarrenMostynI can't argue that you have been here, but the footage you show is where I live lol. Check these points I marked, I know every single part of the image ... my apartment is little bit to the right out of the frame :) pasteboard.co/Iiye0xvqGCTK.png

@explorewithgeoff 10 месяцев назад

I could have sworn that H.264 couldn't be 10-bit but clearly I got that wrong. I THOUGHT my Mini 3 Pro only recorded 10-bit in H.265 , but I see you've used the same drone and it's H,264. Very strange! I'll check that later. :) I have lots of trouble grading drone footage, and I'm working on a clip right now as I watch this. No matter what I try, the colours never look right, particularly the greens. I know it's not log so I use HDR or the standard colour wheels. I don't have a fancy node setup like this, but I'll give it a go and see if it helps. Thanks Darren.

@DarrenMostyn 10 месяцев назад

Follow these steps and work in DaVinvci Wide Gamut as timeline setting. Should help if you are using the HDR tools particularly. Hope that helps.

@explorewithgeoff 10 месяцев назад

@@DarrenMostyn I appreciate that Darren, thank you. I'm working on that now and I'll see how it goes. Thanks for the help.

@DarrenMostyn 10 месяцев назад

H264 is not restricted to 8 bit. it can be higher. Also mini pro 3 records H264 OR H265. You can choose.

@explorewithgeoff 10 месяцев назад

@@DarrenMostyn Yep I know I can choose, and I always chose H.265 because I thought that was the only way to get 10-bit. I've just done some testing with it though and can see I was wrong. I'm amazed! I'll use H.264 in future to make editing a little faster. Thanks again.

@DarrenMostyn 10 месяцев назад

both are bad for editing TBH! Use prores if you can.

@WiseCityLife 3 месяца назад

What about working with the newer DJI format D-Log M, which DaVinci can't detect correctly, so far. What is the best work around? I'm looking for a complete answer: App Settings>General for Mac users, Project Settings>Color Management, And then your Color tools approach. I can't find any video that is this specific for users like me. Thanks in advance, super helpful clear videos!

@Jaconiel 2 месяца назад

I think D-Log M is just another flavour a'la D-Cinelike and by far not a real Log format - and should be treated as Rec709. Or try a CST with @shayrealestatephotography's advice: Input color space RED> DRAGONcolor/REDgamma3. It actually works really well!

@WiseCityLife 2 месяца назад

@@Jaconiel Yeah DR labels it as Rec709 and DJI seems like they will never release any spec for it. So I now shoot in HLG and manually change input format in DR as *HLG (Scene)* instead of what DR id's it as just HLG.

@MIHAO 7 месяцев назад

Thanks for this, Darren. Mini 3 Pro owner here :)

@DarrenMostyn 7 месяцев назад

Nice one!

@IdRatherBeHiking 10 месяцев назад

Wow didn't know about that texture pop or color stabilizer. Thanks mans good stuff.

@DarrenMostyn 10 месяцев назад

great tools beyond just drone too!

@IdRatherBeHiking 10 месяцев назад

@@DarrenMostynI use dji pocket 2 for some of my hiking films and this is just want I've been looking for to take the edge off that clinically sharp footage

@hhlame9394 Месяц назад

Very cool video!

@DarrenMostyn Месяц назад

was fun to make!

@danimac2028 5 месяцев назад

Hi Darren, I really appreciate your professionalism and the way you explain everything..however I just started to learn Da Vinci and I really struggle to understand some steps...do you mind tell me from which of your videos I should start to be able to learn clearly all in the right way? Thanks!!

@QualityAntics 10 месяцев назад

Another banger video mate!

@TheSangjy 10 месяцев назад

I brought Audiio lifetime :) Annddd I am happy :)

@DarrenMostyn 10 месяцев назад

good choice! Im still discovering the library but Im enjoying so far!

@charles3256 Месяц назад

that flex in the beginning. lol

@DarrenMostyn Месяц назад

I have to make my content the best for you!! Glad you appreciated!!

@SimonSimonology 2 месяца назад

Thanks so much for this tutorial! It helped sooo much 👍🏻 However I’m stuck with D-Log M … any idea what input colour space & gamma to use?

@bauriedlmarkus 10 месяцев назад

Thank you, great tips!

@brh_rms 10 месяцев назад

I’m yet to find a decent fix for aliasing/moire in drone footage, ie: on brick walls, wires and house roofs. As you mentioned it, I’m quite sure it’s the over sharpening in the drone mixed with not such great sensors/debayering. Texture pop rarely helps much, gaussian blur neither. Temporal effects are a lottery, 50-50 it’ll work or not. I’ve been developing other “fixes” for it for nearly a decade now and, while I can get it decent enough, it’s just never 100% and costs quite a bit of sharpness or brings in motion artifacts. Sometimes it goes away on my calibrated screen but shows up on Resolve’s UI (due to downscaling) or other screens and viewing setups and even on the broadcast. It’s unpredictable and every shot seems to have a different outcome. I’m surprised there’s not a lot of talk about this out there.