If you are working in Davinci Wide Gamut / Davinci Intermediate as timeline colour space, you need a CST at the beginning of your node tree to take the footage from Vlog to Davinci wide gamut, then grade, and another CST at the end of the node tree to take it from Davinci Wide Gamut to Rec 709 Gamma 2.4 as deliverable.
@@jbbantz5432 you can render anything you want. In fact, if you export for youtube you need to cst at the end and export as rec 709A instead of gamma 2.4 as g2.4 will give you a file that is 1:2:1, rec709A will give you 1:1:1 which is what youtube wants.
I was about to say the same thing. This video is missing a big portion of true color grading. You need two CST in your color grading. Sure can you do the method in the video but you're losing out on full color grading colors spectrum available.
Is the "Dangyou" LUTS that you are adding on top of CST or Phantom are V-Log to Rec.709 or Rec.709 to Rec.709 since the color transform has already taken place with previous LUT?
Depends I renamed the luts so if you are looking at my store I have vlog luts that are designed to be used as a rec709 with a look baked in. Then i have added look luts that you just add directly onto the luts themself after the rec709
You do realize that when you are doing a CST, internally Resolve is still applying a LUT. The S5 to Rec709 LUT. Whether you do it manually or let Resolve do it for you in a transformation you will get the exact same result.
Same here, 6 years user of PP, pretty fussed with software stability and errors, just working with ProRes files out my iphone 15 pro is a headache in PP. Looking forward to buy a perpetual license in the coming months for Davinci Resolve 19 Studio
for some reason in DaVinci, when I try to lower the key output on the 30% lut it turns down the opacity for the entire image. But it didn't used to do this, so I'm confused to why it's happening now. Do you have any idea of what that could be?
