Connecting Bop Scales over Lazy Bird (Jazz Guitar Lesson 59) 

Great lesson! I remember I saw you play at a gig in Toronto on Ossington Ave. You played Autumn Leaves and a few other standards and sounded great.

Thank you. I love the way you appoach teaching, very clear and concise. Appreciate your sharing. Fine playing as well!

Mikko, you are such a good guitar player. I love listening to you play and your videos are informative, helpful and encouraging. Thanks a bunch

Great channel about jazz! Thanks! 👍

Good lesson! Thank you.

Cool lesson! I think you're doing a great job with these lessons.

this is great!! it's the way to put bebop scale to work for really,,once in a seminar in Bologna Barry Harris said about the need to know how to run chords/scales one in another, it made perfectly sense at that time even, it's just that i wasn't able to figure out how to practice that. Thank you for this🙏

Made my way here via the random highway...but...was pleasantly surprised with some good playing and some notation/changes to see onscreen. Hopefully, I'll remember & have time to check out some of your other videos!

You seem to pick subjects that most other teacher's ignore. This lesson covers exactly what I've been looking for. I'm working thru Bergonzi vol 3 right now. Thanks.

Great vídeo

"Somehow we all do mostly descending" Check out "Tumbling Strains" in "Wellsprings of Music" by ethnomusicologist Kurt Sachs)

Glad I found your channel. Very well presented

okay I see you are ansereing my question now you mention the same I thought more chromaticism to resolve it question answered! Thank YOu!

Great Lessons! Curious on lydian bop scale, would you run some kind of lydian bop scale on Inner Urge?

thank you. You could make a video about "Autumn leaves" and "Someday my Prince Will" using the bop scales on the chord changes. Help me with those two standards please!

I am very gklad with the On Green Dolphin street lesson I wrote it out(you used alos a coltrane format: on Bb7 Bb A Ab C or so or maybe just bebop scale aspect..)

while studying a bebop charlie parker orientated book they tough there that the chromatic tones are every possible if you attend certain rules I guess what you mentioned that;s why I have a question Eb D DbC is what you would avoid I understand but what about B Bb A G resolving nicely to on strong beta F# E D in my ears 9 on am7 or D7 sound static already and don't have to resolve....maybe I am mistaken....I understand your safe pit to teach this matter and you do a terrific fine job your drill I am getting ...I see that when I try to do what you say because of that earlier study I tend to put the chromatic tiones every where and that sometimes gives liitle probles I am later resolving becasue than a few beats more chromatic sound is actually what also happends..I understnd that your way i to be abkle to line out the octave Maj7(bebop tine on Domianant so do you know where I am getting at?? I guess you are way further in jazz than me I am a Jazz traveller not yet arrived where I want to be...(stray cat miauw!)

Uow!!