How to Solo On Fast Chord Changes (For Jazz Guitar)

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TIMESTAMPS
Intro: 0:00
What is a Tadd Dameron Turnaround? 2:20
How To Use This Video 3:16
ex. 1 (Four Bars per Chord, 100bpm) 4:52
ex. 1 (Play-Along) 6:27
ex. 2 (Four Bars per Chord, 120bpm) 9:36
ex. 2 (Play-Along) 9:53
ex. 3 (2 Bars per Chord) 12:13
ex. 3 (Play-Along) 13:02
ex. 4 (One Bar Per Chord) 15:18
ex. 4 (Play-Along) 16:26
ex. 5 (1/2 Bar Per Chord) 18:50
ex. 5 (Play-Along) 20:10
Outro and Thank You 22:18
A few weeks ago we published a lesson titled "Soloing on Static Chords", all about what to do when you have to solo over long one-chord sections. But what happens in the opposite case - when you have a flurry of difficult chords to solo on in just 2-4 bars? ⏳
I'm sure we've all been surprised by progressions like this at a jam or while sight-reading a tune. This post will provide a step-by-step method to help you master those tough fast changes. Let's dive in!
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14 июл 2024

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Комментарии : 87

@iggykarpov Год назад

02:20 Tadd Dameron Turnaround 04:49 exercise 1 06:27 he solos 07:07 I solo

@kemikalsound902 3 года назад

So so thankful...by far my FAVORITE instructor on RU-vid!!!

@CrossBonesAlex Год назад

Excellent lesson concept👌

@chief4615 4 года назад

Thank you so much!! I never thought about just breaking the chords down into longer sections. Very helpful!

@jazzguitar 4 года назад

Glad you enjoyed it!

@samuelreyes4547 3 года назад

Good lesson thanks !!!

@seattlevegas66 3 года назад

Also, your comping in itself is great to learn from. Merci!

@michaelruggiero17 4 года назад

Very nice lesson, perfectly addresses what I needed to work on and easy to understand/ listen to!

@jazzguitar 4 года назад

So glad it helped! :)

@reanimator9 4 года назад

great lesson Marc ! your work really stand out

@jazzguitar 4 года назад

Thank you :)

@dkwvt13 4 года назад

Great lesson, I've been working on Lady Bird, love the turnaround and you have opened a door for me, Thank You...! 😎

@jazzguitar 4 года назад

Amazing... perfect timing!! - Marc

@voodoochili12 4 года назад

great playing and presentation of concepts

@jazzguitar 4 года назад

Thanks so much! :)

@Michael_Dominic 4 года назад

I did choose to watch this and I am glad you appreciate it thanks

@jazzguitar 4 года назад

You're the best! :)

@Katalysaattori 4 года назад

Thanks a lot! To me this video was perfect 👍

@jazzguitar 4 года назад

Thanks so much! :)

@brunoguitarodrigues 4 года назад

thanks for your time!!!!

@jazzguitar 4 года назад

You're very welcome Bruno! :) -Marc

@KimMelvilleMusic 3 года назад

yeeheeeee 😍 thanks!!!

@Manuelucci2 4 года назад

What a great explanation!

@jazzguitar 4 года назад

Thank you :)

@eternalrainbow-cj3iu 4 года назад

I learned now from you mainly the 7ths and the 9ths are nice as guide notes this technique I knew already, I subscribed to your channel, you play very meaningful!!

@jazzguitar 4 года назад

Thanks for the subscription! We've got more content on the way :)

@gabinodelpasado 4 года назад

glad i found this. very well done

@jazzguitar 4 года назад

Thanks so much! :)

@davidoliveira4202 4 года назад

Nice exercise :o I will start doing it everyday... thanks 🙏

@jazzguitar 4 года назад

You're very welcome! :)

@kamaismusic 4 года назад

great as always.

@jazzguitar 4 года назад

Thank you! :)

@peterdewit7638 Год назад

Nice.

@seattlevegas66 3 года назад

This is very good. Glad I circled back to your channel again. Do you have other 'play along' videos? I am finally able to get a jazz sound to my liking by imitation on these!

@jazzguitar 3 года назад

Hi Jef, thank you! Yes, there are a bunch more videos where you can play along with me throughout the webpage, I don't have them categorized as play alongs though :s so it might take a bit of digging around to find them.

@MAC78 4 года назад

always a pleasure to jam with virtual you!

@jazzguitar 4 года назад

Likewise! :)

@Jeari 4 года назад

Once you get past the Turn Around with the Solo,.. that's where Flat Five Substitutions and Tri-Tone Substitutes can enter,.. and once you get to that Stage it gets Really Fun,.. Plus,.. once you get into the Actual Tune you can also imply all of those Substitutions over the Chord Changes inside the Tune,.. Finaly,.. those Dameron Changes fit Very Nicely in other Tunes in the same key,.. Learn how to Solo over them and then just Imply those Chord Changes over a simple 'C Major' Chord,.. Great Job and Beautiful Blue Colour Guitar.

@jazzguitar 4 года назад

Thank you so much! Yes, sparkly blue... that's the one for me :) -Marc

@franciscomazzieri6817 4 года назад

What is flat five substitution ?

@Jeari 4 года назад

@@franciscomazzieri6817 The flat five substitution is Generally a Dominant Chord that you can use as a substitute for any dominant chord. It applies very nicely to the 12 Bar Blues, because of the use of Dominant 7th chords, and given that most Jazz Songs are Based in the Blues Form it works nicely. I Hope this Helps,..

@angelestrada5678 4 года назад

Amazing! I like playing and listening to fusion, so this extended time is really gonna help find those notes that my I am hearing. I am finding that playing with a diatonic 3rds, ascending and descending helps my ear find anticipation notes, also leaving out the 4th degree unless it is a #4 for the raised Lydian sound (because all chords in these examples are major).

@jazzguitar 4 года назад

I'm glad you found the lesson helpful! Anticipating is the name of the game after all. If you like fusion, you might enjoy this resource as well: www.jazzguitarlessons.net/blog/the-post-holdsworth-jazz-vocabulary. Keep up the good practice :-)

@Mastering-online 4 года назад

Thank you very much. I liked it and I found it very helpful and sympathetic and I had fun to play it. I just missed the information that Ab j7 and Db lydian uses exact the same notes. So it was up to me to discover this (but this is ok.) I think this is helpful to know for the last exercise.

@jazzguitar 4 года назад

Yes, great thing to notice! I forgot to mention it in the video but we put that on the blog. Glad you enjoyed the lesson!

@julianloef202 4 года назад

Good video. Thanks for the lesson.

@jazzguitar 4 года назад

Thank you! :)

@julianloef202 4 года назад

@@jazzguitar Im currently practicing the same stuff with Herbie Hancocks' Cantaloupe A Fm7, Db7 and Dm7 progression and Sunny's Progression. I am just getting used to apply different scales (without switching to the root on 6) within the same fret range. What would be the next step? Improve the timing, applying specific concepts in this practice you outlined in the video, applying outside pentatonics with the same color note that is present in the Dm7/7/maj7 etc or inlolve arpeggio's? After a while playing this Cmja7 Ebmaj7 Ab Maj7 Dbmaj7 within the same range it feels im still repeating to much of the same bunch of notes. any tips? thanks in advance

@cidjipissetout5708 4 года назад

A song for Nicholas ahah yes!

@gregleroy1 4 года назад

👍🏼

@jurustv8066 2 года назад

Tab guitar👍

@TheRickJF 4 года назад

Really nice video, and awesome guitar tone! How do you get it? What EQ do you have?

@jazzguitar 4 года назад

Hi there - I actually wrote a blog post on this question a while back: www.jazzguitarlessons.net/blog/how-do-i-get-the-jazz-sound Thanks for asking! :)

@z0mbyz624 4 года назад

Clairement du quebec, bonjour a vous!!

@jazzguitar 4 года назад

Bonjour! :) Oui -- un Québécois ici ... avec beaucoup d'affinités avec le jazz américain!

@lesliengo 4 года назад

praise the sun tho

@lourossi2070 4 года назад

Really nice playing. I hear a good bit of Pat Metheny in your soloing.

@benzo880 4 года назад

Lou Rossi I concur. I felt the Metheny-ism in some of those phrases.

@jazzguitar 4 года назад

He's an influence for sure! :) Marc

@guitarranaveiagomes7408 4 года назад

Conteúdo ótimo mais fala de mais

@paldenno1 4 года назад

When you solo over chords and select notes over the individual chords, how do you know on the fly, if you are going to use f.ex. the major scale or the lydian scale? When I play this, I'm thinking: I'm in the key of C. On the C I use the major scale. On the Eb I'm in C minor (and since Ab is coming) I'll use C aolian scale (and not dorian) On the Ab I'm in C aolian and on the Db I'm in C phrygian. So I'm in C the whole time, but mode of C is modulating with the changes. Don't you think this way in jazz? If not, how do you know which of the major or minor scales that fits any given chord?

@jazzguitar 4 года назад

Hi there! I think we're actually thinking in similar ways, you're just looking at it from another angle. But it's totally valid! For myself, I've internalized the fingerings of the major scales more deeply than say, the phrygian scale, so I prefer to think that way. more info here: www.jazzguitarlessons.net/blog/soloing-on-fast-chord-changes All the best, Marc

@larryyouguessame6078 4 года назад

Did you have that painted blue?

@jazzguitar 4 года назад

Bought it like this actually! I wrote a little blurb about it here: www.jazzguitarlessons.net/blog/marc-jazz-guitar-gear - Marc

@moreorlesslikeso 4 года назад

The last chord shouldn't (IMHO) have the major 7th (being a C) because so it already has the root of the chord it's supposed to resolve to. Almost no more tension here (to my ears at least). BTW: That sequence (though with a G7#5 at the end) is backing that iconic steel guitar intro (I think played by Buddy Emmons) to the classic "Night Life".

@mysterybotts 4 года назад

moreorlesslikeso the tad dameron turnaround specifically is supposed to use all major 7 chords though, that was the sound he was going for, as opposed to a more typical turnaround. The parallel/open sound is what distinguishes it from say a 1 6 2 5 which sounds much mor diatonic. I guess he wasn’t really going for that strong tension of 5 to 1.

@moreorlesslikeso 4 года назад

@@mysterybotts Yeah, possibly so. It's a bit harder, though, for the ear to really get the transition (or resolution) from the Dbmaj7 to the tonic (at least for me), as there's no tritone interval begging to be resolved in that maj7 chord. But I guess you generally have quite some options to choose from when doing tritone substitutions (as this sequence is of a straight 1625) - it seems like it's a bit more about tonal colour than straight ahead diatonic function.

@ggauche3465 4 года назад

Got a 404 when I clicked on the blog post card at 1:10

@jazzguitar 4 года назад

Should be fixed now! Thanks: www.jazzguitarlessons.net/blog/soloing-on-fast-chord-changes

@Olysterz 2 года назад

You're definitely a Quebecer !

@jazzguitar 2 года назад

You got that right! On peut rien vous cacher :)

@Olysterz 2 года назад

@@jazzguitar Merci pour cette leçon. Il y a toujours a apprendre et certaines personnes comme vous m'aident à coller les morceaux du puzzle! Prévenez-moi si vous préférez que je commente en anglais. Merci !

@joshuamarks1129 4 года назад

The jazz police will pull you over for this sort of musical violation: The "Tadd Dameron Turnaround" from the classic "Lady Bird" and Miles Davis "Half Nelson" is Cmaj7 Eb7 Abmaj7 Db7 Your dreamy-latin-modal-style Vamp using the constant structure of all major 7th chords is not the typical jazz turnaround.

@jazzguitar 4 года назад

[sirens in the background]