Learn everything about the Behringer 2600 here: ru-vid.com/group/PLlJvIUzIwQ79naxyNxNQnNEj_KcmHp5D5 Get started with the Behringer 2500 Eurorack System: ru-vid.com/group/PLlJvIUzIwQ7-c3uoCt82TRo2a_IZmYjCJ ARP 2600 and Behringer 2600 Videos: ru-vid.com/group/PLlJvIUzIwQ7-i8ycRAQNnYcPmADP9quhE Happy patching! Ralph
Well, Ralph, you just inspired me to whip out my Behringer Model D and get some deep bass sounds from it. Not the same thing, I know, but here goes for maximum naughtiness...
Gray Meanie!!! Epic patch, I remember the original video from when I first got the Behringer 2600. Sounds great, fun to follow along and see how much just a few millimeter difference on the faders has such a drastically different outcome! I think after this video I might need a chorus pedal.. Tried to recreate this on the Moog Matriarch too, the attenuverters on that synth were key to making it happen. I ended up multing the wave output from Osc1 into both Osc2 and Osc4, and set Osc4 to sync to Osc3, leaving the first 3 oscillators un-synced so that only 4 was tracking 3. I set Osc4 two octaves above Osc3, tuned the sync sound by ear for a nice subtle formant effect, and inverted the ADSR envelope so it would rise to the filter cutoff. Added the triangle LFO to Osc4's PWM input and added some glide for portamento to round it off. Still sounded hot on bass but wow what a nice lead sound to accompany the 2600! If you have any other Signature Patches it would make a great series, thanks so much for posting. Cheers Ralph and thanks for helping everyone get more comfortable with modular synthesis. The Behringer 2600 is really something special
Hello there and thank you for sharing your experience on the Martriach. That's exactly why I mentioned in the video that you should try on your system. The "workarounds" sometimes lead to amazing results which are unique in their own way. Thanks for watching, Ralph
Thank you 🙏 Glad you like my video. I own all three Behringer 2600 versions, but I found the Gray Meanie front panel the most suitable for shooting tutorials. Greetings, Ralph
@@RalphBaumgartl Ja, das Timeline hängt mir auch schon ein bisserl raus. Der Martin Stürtzer verwendet das Teil auch sehr gerne - hatte es in seinem Live Setup in Heidelberg. Übrigens noch vielen Dank für die tollen Videos: ich habe mir auch einen 2600 zugelegt und viel Spass damit - auch aufgrund der prima Tips von Dir! Grüsse aus HD
PPS: ich verwende am 2600 den Virtualizer FX 2000 3D (auch vom Uli ...) und finde ihn eigentlich auch ganz nett für den Hobbygebrauch - echt solide verarbeitet und passt halt prima ins Rack unter dem 2600
@@THR-zf6ti Ja, ich kann das nur bestaetigen, das Timeline Delay ist ein super Teil. Auf jeden Fall genauso nuetzlich wie der B2600 Synth ;-) Mann hat lange Freude daran. Cheers, Ralph
Thanks Ralph for the patch. Your tutorials are making me sound better than I really am. Your tutorials are great, easy to follow and easy to see how each section of the 2600 is working with the other sections. Please please keep them coming!
great ideas for me, especially the modulation ideas. I have been playing with osc 1&3 saw and #2 sine to get a mean bass drone for something i am working on. I am still a bit confused by the LFO section. it seems to affect all the oscillators when i only want it on 1 osc. I watched your 2600 tutorials when i fist got mine last fall. they were a big help so i subbed. I like S&H on the filter and the pulse widths. i was also able to run 2 oscillators from a keystep and added a beatstep CV into one osc with the keyboard turned off so i could jam over a sequence. the momentary button on the portamento is also a lot of fun when jamming.
@@PaulPomeroy So the vibe depth is for all3 osc. and if i want to put LFO on only 1 osc, i could patch that like in the video. Is this correct?, and also, thx for your help
@@jjrusy7438 Yes. The VIB (vibrato) depth is hardwired to affect the pitch of all 3 oscillators. The only ways to stop it from doing so is to set the DEPTH slider *all* the way down or plug a dummy cable into the EXT VIB IN. (And you're welcome!)
