Debussy - Six Épigraphes Antiques, Sarabande, La Boîte à Joujoux (reference record.: Armin Jordan) 

Claude DEBUSSY (1862-1918) - Orchestral Works. Click to activate the English subtitles for the presentation (00:00​-03:23) SIX EPIGRAPHES ANTIQUES (Orchestration: Ernest Ansermet) 00:00 I - Pour invoquer Pan, dieu du vent d'été 02:36 II - Pour un tombeau sans nom 06:14 III - Pour que la nuit soit propice 08:29 IV - Pour la danseuse aux crotales 10:58 V - Pour l'Egyptienne 14:06 VI - Pour remercier la pluie au matin 16:27 SARABANDE (Orchestration: Maurice Ravel) LA BOITE A JOUJOUX Ballet pour Enfants Argument : André Hellé (Orchestration achevée par André Caplet) 21:26 I. Prélude le Sommeil de la Boîte 23:55 II. Premier tableau : La Maison des Jouets 35:13 III. Deuxième tableau : Le Champ de Bataille 44:23 IV. Troisième tableau : La Bergerie à vendre 50:17 V. Quatrième tableau : Après Fortune faite 52:31 VI. Epilogue Basler Sinfonie Orchester Direction: Armin Jordan Recorded in 1981, at Bâle (Switzerland) New mastering in 2021 by AB for CM//RR 🔊Find CMRR's recordings on Spotify : spoti.fi/3016eVr 🔊Download CMRR's recordings in High fidelity audio : bit.ly/2M1Eop2 In 1900, Debussy had written some incidental music for his friend Pierre Louys' Chansons de Bilitis (from which he had set three poems a couple of years earlier), for the unusual combination of two flutes, two harps and a celesta. This remained unpublished till recently. Nor was it known until 1932 that it had any links with the Six Epigraphes antiques, which Debussy :omposed in 1914, reshaping the musical natter of his earlier score for piano four hands, and bringing it up to the level of his supreme stylistic maturity. These six short pieces, the two longest of which only reach some sixty bars, were certainly conceived as a cyclic whole, as shown by the succession of tempi and tonalities, and by the return of the theme of the first piece to round off the last. In a letter to his publisher Jacques Durand, dated July 11th, 1914, Debussy explains : « Some time ago, I intended to turn it into an orchestral Suite, but the times are hard, and life harder still for me. » In 1932, Ernest Ansermet fulfilled the composer's wish, and this beautiful and far too seldom heard orchestral version is recorded here. *Click to activate the English subtitles for the complete presentation* (00:00-03:23) Debussy - Pelléas et Mélisande (reference recording: Hebert Von Karajan, Frederica Von Stade ..): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-LUK6qSmu8o0.html Claude Debussy PLAYLIST (references recordings): ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-LUK6qSmu8o0.html

The greatness of and originality of debussy can not overestimated

In 1900, Debussy had written some incidental music for his friend Pierre Louys' Chansons de Bilitis (from which he had set three poems a couple of years earlier), for the unusual combination of two flutes, two harps and a celesta. This remained unpublished till recently. Nor was it known until 1932 that it had any links with the Six Epigraphes antiques, which Debussy :omposed in 1914, reshaping the musical natter of his earlier score for piano four hands, and bringing it up to the level of his supreme stylistic maturity. These six short pieces, the two longest of which only reach some sixty bars, were certainly conceived as a cyclic whole, as shown by the succession of tempi and tonalities, and by the return of the theme of the first piece to round off the last. In a letter to his publisher Jacques Durand, dated July 11th, 1914, Debussy explains : « Some time ago, I intended to turn it into an orchestral Suite, but the times are hard, and life harder still for me. » In 1932, Ernest Ansermet fulfilled the composer's wish, and this beautiful and far too seldom heard orchestral version is recorded here. Click to activate the English subtitles for the complete presentation (00:00-03:23)

What an utter genius Debussy was, I so Love his music. Greetings from Albion.......

EXTRAORDINAIRE, SUPERBE ,ENVOÛTANT , CHEF -D'ŒUVRE MERCI

Perfetto per questo sabato pomeriggio. Grazie🌺

PERFECTION...Beyond Measure!!!

Orchestration bien réussie d'Ernest Ansermet.

He despertado con esta música ...hoy 12 de Julio de 2021... Fantástico!

This is one of my favorites.

Unless I miss my guess, Ralph Vaughan-Williams had heard and admired these pieces. And. Enjamin Britte, too. Listen again and think of some of their works. Debussy broke a lot of musical ground. Brilliant, and far, far ahead of his time.

Without Debussy's various works , the music world would have been very lonely ,

Multi dimensional gorgeousness. 😊

Wunderschöne Interpretation dieser sechs perfekt komponierten und fein arrangierten Meisterwerke mit farbenreichen und perfekt entsprechenden Tönen aller Instrumente. Der intelligente und geniale Dirigent leitet das perfekt trainierte Orchester in verschiedenen Tempi und mit künstlerisch kontrollierter Dynamik. Alles ist wundervoll!

Thank you.

Wonderful music-"paintings" :-)

Just realized how influential he is on modern movie music.

TY

🇹🇷😍🤗 TÜRKIYE'DEN SEVGİLER 💖💖💖

el gran maestro deln impresionismo es don GABRIEL FAURE.

علب نسائكم التي كان يصلح فيها الموساد أثناء حملكم الخزي و العار لنعش اليهود فوق ظهوركم...

The orchestrated version of Pour l'Egyptienne at 10:58 is incredible, it captures the warmth and mistery of the original piano version but it adds a sort of very windy and sandy texture to it through the use of strings and woodwinds, unbelievably good