Don’t Think Chord Substitutions! It limits your understanding of harmony

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To me, this is one of those things that can really open up how you work with chords and help you create some beautiful-sounding progressions beyond chord substitutions.
😎 How The Pros Think About Chord Progressions (and you probably don't)🧨
• How The Pros Think Abo...
How Chord Melody Will Help You Master Important Skills
• How Chord Melody Will ...
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Intro
Content:
00:00 Intro
00:36 Chord Substitutions 101 - Tritone Substitution
02:37 Chord Substitution 102 - Major and Minor + Tritone 2.0
04:26 Beyond Chord Substitution
07:52 The Easiest Way To Make It Work
09:09 Everything Is Allowed
11:20 How To Think About Chords Is What Is Important
11:23 How The Pros Think About Chord Progressions (and you probably don't)
11:30 Like the video? Check out my Patreon page!
My name is Jens Larsen, Danish Jazz Guitarist, and Educator. The videos on this channel will help you explore and enjoy Jazz. Some of it is how to play jazz guitar, but other videos are more on Music Theory like Jazz Chords or advice on how to practice and learn Jazz, on guitar or any other instrument.
The videos are mostly jazz guitar lessons, but also music theory, analysis of songs and videos on jazz guitars.
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Опубликовано:

9 июл 2024

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Комментарии : 136

@JensLarsen Год назад

How The Pros Think About Chord Progressions (and you probably don't)🧨 ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-msmdbxsjmvI.html

@SamBellGuitar Год назад

You're such a legend, what you're giving the guitar community, we're all very very lucky.

@JensLarsen Год назад

Thank you, Sam! Glad that you think so 🙂

@cbolt4492 Год назад

I've a way to go before I understand this Jens

@JensLarsen Год назад

Some of it is tricky stuff!

@elf2278 Год назад

I don't understand a thing Jens said , I wish I could, but still I love his style of jazz

@paulgibby6932 Год назад

Your stuff is getting richer and richer. Thanks

@JensLarsen Год назад

Glad you like it Paul! 🙂

@thetrombonehub6254 Год назад

Great video, Jens - Short and very Concise! You are making a very good point when recommending the basic harmony as a starting point, so that there is an element of surprise! Thank you so much for posting! 🙏🏽

@JensLarsen Год назад

Glad you like it! 🙂

@fredfloyd34 3 месяца назад

Jens at his best...awesome teacher... Fabulous jammer...

@JensLarsen 3 месяца назад

🙏

@DrJoshGuitar Год назад

Those 2 reharms on You Don't Know What Love Is sound really great Jens.

@JensLarsen Год назад

Thank you! :)

@PresenceWithPurpose Год назад

This is so good and well explained. Can hardly wait to work on this. Thanks, Jens!

@JensLarsen Год назад

Glad it was helpful! Go for it!

@jumemowery1050 Год назад

Love ya Jens!! Over my head but I'm hoping to absorb a little with each video!

@JensLarsen Год назад

Go for it Jume!

@dandiacal Год назад

You have one of the best music instructional videos out there, full of wisdom about the music and it's history. Thanks for doing these.

@JensLarsen Год назад

Glad you like them 🙂 that is really motivating to hear

@dandiacal Год назад

@@JensLarsen When I had the great fortune to not only study with George Russell but also play in his ensemble back in the 80s he said a lot of jazz history could be divided into vertical versus horizontal players, emphasizing that one was not better than the other - just different. He used the name Lester Young for the horizontal and Coleman Hawkins for the vertical. Just his theory. It reminds me a little of some of what you discuss here.

@paulpmanhowland7818 Год назад

Great stuff! I'm gonna re-visit this later when I'm fully awake.

@JensLarsen Год назад

Sorry if it is a bit dense 🙂

@paulpmanhowland7818 Год назад

@@JensLarsen It's fine, it's me that's a bit dense at this time of day. I caught the general gist of it, I'm looking forward to digging in more later.

@robertbalogh1656 Год назад

This is a great video. Also there is a difference between chord substitution and reharmonization which you show very well.

@JensLarsen Год назад

Glad it was helpful! Exactly!

@rothloaf1980 Год назад

New subscriber won... I've perused many harmony vids but many go into some system I think is superfluous to harmony. Your instruction makes sense to my mind which, briefly, revolves more around leading tones... perhaps the "kind of suspensions" you mention. Still, I must digest. Thanks.

@derekdodson5623 Год назад

Fantastic, Jens. Thanks!

@JensLarsen Год назад

Glad you like it 🙂

@EricMartinPercussion Год назад

Excellent explanation of what can be an overwhelming subject. Well done!

@JensLarsen Год назад

Glad you enjoyed it!

@seattlevegas66 Год назад

Great jazz music is all about the details!

@derrylgabel Год назад

Fantastic Jens! I love this type of thing.

@JensLarsen Год назад

Thank you Derryl! Makes my day 🙂

@derrylgabel Год назад

@@JensLarsen 🙂

@dann1966 Год назад

Extraordinary Professor Jens.

@JensLarsen Год назад

Glad you like it 🙂

@jf1jf1jf Год назад

Great job thank you Jens 5:25

@ronc1231 Год назад

When you listen to a trio or quartet many times they sound much bigger. That's because they're all playing different note. They're not planning on triads. If you account for bass and faithful melody, the rest of the notes are up for grabs. And each note changs the color and weight of the passage. It's a journey over the fretboard thing your ear to recognize the specific tools you want to use. The names are intimidating if you don't understand how chords get their names. In reality, most players are seeking the tones. For me is fascinating to find something on the fingerboard for 600 years, but it's new to me. I have an advantage, I'm playing only to please myself, if I'm happy most of the audience will enjoy the performance.

@co7013 Год назад

Wow this is actually a video that explains some stuff that I never understood and that I can sort of make sense of now. In most of your videos I quickly get lost, either because your going to fast for me or I just lack the knowledge or the stamina. I am going to watch this a few more times and take notes of all these examples.

@JensLarsen Год назад

Glad to hear it! Remember that you can get a PDF on my website, and maybe the article there is more useful than the video?

@kevindonnelly761 Год назад

You can slow the video down if you like by clicking on the 'cog' icon on the bottom right hand corner of the page. I always pause and rewind if necessary. If there's something you don't understand, it may be covered in one or more of Jens' other videos, or just Google it

@feratgoogle Год назад

Great, Jens!

@JensLarsen Год назад

Glad you like it!

@Yodaddyandmommagreen Год назад

Thanks for this awesome lesson

@JensLarsen Год назад

Glad you liked it!

@bilanggoboy Год назад

Best lesson on chord substitution I have seen! Thank you!

@JensLarsen Год назад

Thank you 🙂

@bozakarlin9034 Год назад

Excellent theme, animations are great.

@JensLarsen Год назад

Thank you! :)

@tomcripps7229 Год назад

Great video Jens. I find using substitutions easier than what to call them. I got into trouble last night with this, looked into Chord Chemistry and was even more confused. What I thought was a diminished could be a 7th, flat 9. Or a half diminished could be a 9th. It still sounds good.

@JensLarsen Год назад

Ok, That is not really what I would consider a substitution since it will sound like the same chord in the context.

@rdpatterson2682 Год назад

great lesson!

@JensLarsen Год назад

Glad you liked it!

@StevenRosenberg Год назад

Great lesson!

@JensLarsen Год назад

Thank you 🙂

@Juanma4033 Год назад

What s beautiful video. Thanks

@JensLarsen Год назад

Glad you like it! 🙂

@kirkp_nextguitar Год назад

This is excellent.

@JensLarsen Год назад

Glad you like it!

@binface9 Год назад

3:08 like the Bb7 in Beautiful Love 😃

@binface9 Год назад

Beautiful examples. Thank you for another excellent tutorial

@JensLarsen Год назад

Thanks! Actually it isn't a reharmonization there, Eø with E in the melody is not that great :)

@benkatof5852 Год назад

Perfect timing for me Jens - I've been wondering how to shift my playing from chords to chord moves. I finally picked up my Joe Pass chord book to get some ideas. This video helps!

@JensLarsen Год назад

Great, Ben! 🙂

@PresenceWithPurpose Год назад

Thanks for the reminder in regards to the Joe Pass chord book. I've got one stored away. Gotta go pull it out. 😊

@jamescopeland5358 Год назад

Good video Jens thank you

@JensLarsen Год назад

Glad you like it 🙂

@andywebster25 Год назад

I’m a huge fan of your videos- I have watched and studied almost all of them. Question: When you play a song like Blue Moon, and then you reharmonize the second time around, are you making choices in the moment, or did you plan it out ahead of time? I understand the concept of reharmonization, but it takes so much concentration for me. Any idea for how to make it flow? You’re a great teacher - this channel is awesome!

@JensLarsen Год назад

The examples in this video were done ahead of time, but I do reharmonize while I play, It is a matter of getting used to it just like soloing over chords.

@mikkelhenrichsen9459 Год назад

Again love you videos. You just helped my solved a Tim Christensen number☺️

@mikkelhenrichsen9459 Год назад

Do you know some good videos or books about, how to read notes and rythme?

@JensLarsen Год назад

That's great! :)

@brucebouton2527 Год назад

Thanks!

@JensLarsen Год назад

Thank you for supporting the channel Bruce! 🙂

@KennyKoller Год назад

@Jens Larsen Your video "Three Bebop Licks You Need to Know" was incredibly helpful to me. I took your advice and have been "composing" bebop lines all week. My playing has suddenly transformed from sounding like "aimless" jazz to having a point. Will you consider publishing a video where you discuss how to incorporate the upper extension intervals? For example I might be looking at a progression that has say an Am7 and I'm wondering if I should play a 9 or b9 or 6 or b6. I can deduce the "correct" note by listening or a little theory but I am curious how you work with the intervals that are not explicitly spelled out by the quality of the chord.

@JensLarsen Год назад

That is great to hear Kenny :) Actually the intervals that are not in the chord are usually a consequence of the context, so the progression and the key. I never read a chord as just Am7, it is always Am7 in some key and in some progression.

@KennyKoller Год назад

@@JensLarsen It looks like you address this in "Jazz Theory 5 Chord Progressions You Need To Recognize and Be Able To Play" in the functional harmony playlist (should others be interested).

@claudelussier1678 Год назад

La musique qui parle! Quel beau cours! Merci!

@JensLarsen Год назад

Glad you like it 🙂

@user-yx1dr9ff4w Год назад

いつも拝見しております。コードの流れを知る事で曲が抜群にきらびやかになりますね!

@PCKPockyi Год назад

Wonderful

@JensLarsen Год назад

Thank you

@billyzoom1 Год назад

Hello, Jens. Thank you for all your videos..they are very helpful. I’m having a hard time getting a jazz tone similar to yours, which is what a I hear in my head. Are you using anything other than reverb? I can’t tell if there is delay or chorus. Thank you. Hope you can respond.

@JensLarsen Год назад

Sometimes I use a delay as well, but not always. That is actually it 🙂

@bonacera3 Год назад

I love bill evans.

@jaroslavmencl9543 Год назад

Very nice dissonant chords! Here I can hear bits of Ted Greene and Tim Lerch :)

@seheyt Год назад

Surely that’s the RC in The Hague at 5:01. They moved to a new location in January 2022

@JensLarsen Год назад

Yes, but this is the building where I studied and later worked. Seemed more appropriate

@djmileski Год назад

Do you not have a jazz album or album your involved in per si? I searched Apple Music and couldn’t find

@infinite-guitar Год назад

Thank you Jens, great lesson as always. Is a Tritone substitution ALWAYS used to make a descending bass line ? (F, E, Eb) It seems to be its main function from what I can tell.

@JensLarsen Год назад

I think it is as much a way to create a surprising sound on the dominant with notes from outside the key that resolves smoothly

@infinite-guitar Год назад

@@JensLarsen thank you 😊

@savagetofu1 Год назад

Jens, what program do you use for video editing? and... do you have a video about it? It's very well done. And... the content is solid gold.

@JensLarsen Год назад

Thank you Joseph! I work together with a very talented editor and we work with Premiere Pro. There are entire channels dedicated to Adobe Premiere 🙂

@savagetofu1 Год назад

Thank you. I appreciate you taking the time to respond.

@JensLarsen Год назад

@@savagetofu1 If you are looking for an editor then Luciano's email is in the video description, but I don't know if he has time.

@cmingus26 Год назад

Thank you Jens! Great video. But I still wonder how to use it in a band context. Start with the „original“ chords in the first A section, then reharmonise the second one. Ok so far. Does the whole band play these chords in every chorus? Or do you vary them from chorus to chorus and everybody needs to react (difficult for a non- pro)?

@JensLarsen Год назад

There is not one answer for that, it will vary on how much you expect people to hear, to react and also how much you want to clash. I am also not saying that you should always do this on the fly (or that you should never do that)

@cmingus26 Год назад

Thanks! Ok creativity seems to be key 🙃

@fabiomattiuzzo8130 Год назад

ciao Jens posso chiederti un consiglio per una chitarra sui 1000 euro? grazie e complimenti per i tuoi video

@Chilajuana Год назад

Great tutorial!!! The only question I have is why are Abmaj7 and Dbmaj7 minor subdominant chords in C major? They look like maj7 chords...

@JensLarsen Год назад

A minor subdominant is a chord that has a subdominant function and is borrowed from the minor key. It is not a minor chord 🙂 I talk about them here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-RTRo0omubRQ.html

@davidkahan Год назад

@3:05 I did not get what is ment by 'tritone substitute resolving to the V' and that becomes a Db7. Db7 i suppose here is substitute of G7, so who is V of who ? sorry if stupid question

@JensLarsen Год назад

It is in the context of that II V so in this case the V is C7 in Gø C7 Fm6. Does that help?

@davidkahan Год назад

@@JensLarsen yes I got it now. Many thanks for replying and all your videos !

@lawrenrich6419 Год назад

The dutch Mack truck of jazz guitar. Just keeps going. And going. Hauling truckloads of stuff week after week, month after month .. for years now .. I’m a Prius

@peanutpeanut123 Год назад

Almost as if you read my mind Jens :) Was about to message you but then noticed this upload discussing almost exactly what it was I was intending to ask. I say almost coz I was gonna ask about subs on a minor 1625. A common sub on a major 1625 is the 1 for a min3. I am not familiar with anything similar in a min1625. You do mention in this vid the tritine sub on the 2, the min7b5, which is something I hadn't considered, so that's new! So broadly my question is now to mix up a minor 1625? I'm in Emin, so have Emin9, Dbø, Gbø, B7alt Was wondering how I could spice this up. In the context of walking bass!

@JensLarsen Год назад

Em6 C#ø F#ø B7 Em6 G7 F#ø B7 Em6 G7 C7 B7 Em6 D7 C7 B7 Em6 G7 Cmaj7 F7 Em6 G7 Cm7 F7 Em6 Fdim F#m7 B7 Em6 G7 Amaj7 F7 Maybe one of these?

@watermelon1147 Год назад

I noticed pat methany b sections will be all majors go from a flat major to c major. Are we getting there because a flat has c g in it?

@JensLarsen Год назад

I don't know. Which song are you referring to?

@atzgoblastbotzo Год назад

I did not have enough time to understand anything but it sounded beautiful 😁 This is way too dense and too fast for beginners. It would be more usable if you made one video for each type of chord substitution, spending more time on how it works and how to apply the trick in some simple exercise. But thank you for bringing so much value and beautiful sounds !

@JensLarsen Год назад

Thanks! Reharmonization is anyway not a beginner topic. You need to know some songs before that even begins to become relevant 🙂

@adamstewart247 Год назад

My hands hurt just looking at some of those changes... Any advice for people who don't have huge hands?

@JensLarsen Год назад

It is most likely not about the size of your hand, and more you posture and how you position the hand on the neck.

@zenon652 Год назад

All about tastefulness, the hardest thing to learn in music

@unsatura Год назад

keep the song in there ! ! 😅😅... great vid, thatks 🙏🙏

@JensLarsen Год назад

Exactly! 🙂

@djmileski Год назад

Actually lol’d @ 8:07

@sergeybogdanovich7019 Год назад

Love ❤️ ❤️🙏🎵🎶🎼🎸✌️👌🍀🇮🇱

@MichelleHell Год назад

I found I can take 1 chord and replace it with a 251 of that chord-scale.

@mtndewandrew Год назад

holy crap. this whole time, I thought I was a musician! silly me.

@thijs199 Год назад

aaaaaaaaaaaaaaaaaaaaa..... WWWW YEA!!???

@rockstarjazzcat Год назад

Apropos Bird… I’m hep. It’s hep. 😂

@rockstarjazzcat Год назад

Lovely moves, Jens!

@JensLarsen Год назад

Thanks Daniel! I don't follow the reference 😁

@rockstarjazzcat Год назад

@@JensLarsen Back in the day there were “hepcats” and as late as the seventies I heard folks in my neighborhood say “I’m hep.” It evolved and with hipsters and hippies we got “I’m hip.” There was a joke in the TV show Madmen where the elder partner corrects someone, “Hep. It’s hep.” You hip?

@rockstarjazzcat Год назад

I of course can’t claim to know which form Parker would have used. Both words have been around a long time. I just have my experience in Pittsburgh back in the day to draw upon, so I found “I am hip,” extra funny. Cheers, D