Don Giovanni: ‘Deh, vieni alla finestra’ (‘Oh, come to the window’) - Glyndebourne

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Gerald Finley performs ‘Deh, vieni alla finestra’ from Mozart's Don Giovanni.
For more information visit www.glyndebourne.com/
Conducted by Vladimir Jurowski and directed by Jonathan Kent, this acclaimed production was captured live at Festival 2010 and stars Gerald Finley as Don Giovanni.
Cast includes: Kate Royal, Gerald Finley, Luca Pisaroni, Anna Samuil, William Burden.
Conductor: Vladimir Jurowski
Director: Jonathan Kent
Orchestra: Orchestra of the Age of Enlightenment

Опубликовано:

20 сен 2016

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Комментарии : 82

@francette19380 3 года назад

Prodigious. The best rendition I've ever heard. This is the only time Don Giovanni's been sincere, not sincere to the girl he's singing for, but genuine to himself. The only time he dares to confess what he dreams of deeply, secretly : being loved, simply, totally, for ever by a woman who accepts him as a human being, and not to be the seducer. Maybe he's talking to the first woman, the one who never gave him the love he so badly needed: his mother?

@PleiadesNebula 2 года назад

How gently he is expressing it, too many are shouting this piece at the top of their lungs turning it from an agony of love to the loudest guy in a pub contest.

@JLeeGraham 5 лет назад

Stunning. The acting is particularly fine in this production as well. At first one sees in the Don his trademark swagger and bravado, but as the second verse goes on, one sees more and more pain in his visage, until at last there is nothing left but the agony of an empty life squandered in endless pursuit of sexual addiction. The lady never appears, and he's left alone on his knees in the darkness below. At least that's how I interpret it. Truly remarkable.

@mariachacon7028 2 года назад

One of the most sublime love songs in the history of music. Written in the 18th century 😍

@lintrovabile6969

esasperatamente lento!

@hollyhughes5294 4 года назад

His Italian pronunciation is superb, and the diction is wonderfully articulated: the words are so clear and are easily understandable (which often in opera they are not). It is so perfect that (at least in this rendition) he does not even have a hint of the accent I would expect to hear from an English-speaking person. Truly, what a performance!

@cynthiachase3427 6 лет назад

Wonderful diction, perfect choice of emphases. Thanks, Glyndebourne.

@rosemaryallen2128 2 года назад

This aria should suggest what a female response might be - it is, after all, one of the loveliest tunes ever penned. And most women are unlikely to respond to being bawled at ff. So this interpretation works very well on that level, as well as on the purely musical.