When it is done right, it’s invisible. Simone, what a thoughtful implementation of UX/UI in this complex physical product. A fantastic project, you are lucky and skilled! Great video too!
This has to be one of the most detailed videos on UI/UX Design specifically for midi-controllers. I've never imagined what goes into the process of designing and to be honest, my knowledge of UI/UX methodologies were only limited to software products. Loved the video and excited to learn more.
UX for musical instruments it's a journey we have started trying to cross different disciplines and best practices learned from other fields. for example, if you design a software or hardware instruments for live performance, you will find similarities with automotive / car UX, because when you play live, you main focus is on another task with an higher priority, just like when you interact with the AC system while driving... We can say it's an ongoing process for us, learning from failure and success.
@@AudioModeling Thanks for giving some insights, it's really great to hear from someone as skilled as you. I hope we'll get to see some more products designed by you in the future.
Love this interview and interaction. Very informative and educational for me- I’ve played this model on a few occasions. Time to move up to a Numa X GT. 👋🏼 grazie mille
Really cool/informative video. Very impressed by Studiologic products. Love my Numa Compact 2x, look forward to getting an XPiano 73 someday on my wishlist. The whole Studiologic team are great examples of how to interact on social media/listening to feedback/not engaging in negative talk, always nuanced in their responsed. Learned much from this vid! Thank you Simone & Dr. Mix!
Simone has done a fantastic job with Camelot Pro, I use it a lot when touring and producing on the studio as well. Audio Modeling products are so great and sounds amazing. Looking forward to get the Numa X .
A full orchestra is made by individual sections, each playing a different melody and expressivity. If you search for a polyphonic “pad” orchestra, that’s not our aim