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Erwin Panofsky lecturing at UCLA 11/19/1967 

UCLA Communication Archive
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Subject: "The Value of Error in the History of Art"
From the archives of the UCLA Communications Studies Department. Digitized 2013.
The views and ideas expressed in these videos are not necessarily shared by the University of California, or by the UCLA Communication Studies Department.

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11 май 2014

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Комментарии : 5   
@francescobibesco7638
@francescobibesco7638 7 лет назад
Thank you very much for this treasure!
@toluwaakinbola92
@toluwaakinbola92 3 года назад
Thankful for this resource. I am an art history student in Nigeria and this is very useful to me.
@UCLACommStudies
@UCLACommStudies 3 года назад
Glad it was helpful!
@rayuzwyshyn2010
@rayuzwyshyn2010 6 лет назад
This is a very good lecture but really you now need a graduate art history student to add the exact painting Panofsky describes over his compelling dialogue. This wouldn't be difficult. The Three Graces, Leonardo, etc. This would bring this to life in a much more visual way. This is not doing presently UCLA Communications Studies Department a service. Digitize with the images and some visual literacy.
@mylesjordan9970
@mylesjordan9970 Год назад
Panofsky makes a brilliant point about an apparent “problem paying the bill” in Leonardo’s Last Supper that today has strong musical analogies as well. For example, Beethoven’s Ninth Symphony’s finale, the “Ode to Joy,” includes a “Turkish March” variation, which I have personally witnessed well-trained, professional musicians routinely refer to as “the nightclub scene” because they are innocent of exactly the same foundational knowledge of linguistics informing music, as artists are who don’t understand visual iconology.
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