Hey Fellas! I would love to see a side by side comparison between this and the JHS Colour Box? Sort of a console channel/Bass Channel kinda thing? Keep up the great work!- Brent, VT
@@Suthrnfried Honestly, it depends on what you're looking to achieve and how you want to go about doing it. If you're using your GEB-7 as a final EQ to shape a little before your amp, the DCX may sit better in front of it. If you're using the GEB-7 as an effect, or to boost and drive. The DCX may be nice behind it, offering an additional clipping stage for you to hit.
The only problem I notice with this pedal is that it's hard to decide between EQ and OD mode. So I need 2 of them lol. Will you consider one with a footswitch between modes?
@@sparella The frequencies they're centered around have been chosen specifically for bass, with wide Qs for natural sounding boosting/cutting. Ours has more swing on the cut and boost to give people more control, but the building blocks and style of the EQ bands follow on from the 610 yes.
didnt hear the pedal kinda do something til 2:26 ... but again you should really start testing the equipment "live" on video and not just run old clips wav files thru pedals cuz must times it doesn't do justice to that piece of gear
Since the 'old clips' are recorded right at the output of the instruments while they are being played live, though, the only difference between that and 'live' is time. Using consistent clips helps people hear differences between gear sometimes though as well -- plus, if a reviewer is always 'playing to the pedal', they might not hit on a great sound (or a weird sound) that a specific clip digs up.
Bass channel I saw the comment - it's all good xd. So to elaborate and reply to Davie at the same time - there's a way bigger difference than time: The gear you have really has a "mental effect" on the way you play it... so reamping clips is a great and fast way to test gear for sure... but the best will always be to have a player consciously pushing the unit to its limits and consciously trying to find its sweet spots... Let me give you a "similar" example: you won't push a Ford Escort like you would push a Porsche Carrera... there's differences between them and you will instinctively approach/drive them differently... anyways I know you won't change that, and I'll still watch the videos as they come 😂 keep representing bass lml
My initial reply came on a bad day and unfortunately my tone reflected that. But I will add that a considerable amount of time goes into selecting the audio samples for each pedal. Sometimes certain playing examples suit one effect quite well but sound horrendous on another. That’s all taken into consideration. Then once the appropriate examples have been chosen, the pedal is dialed in to (what I feel is) the best it can be for that given example.
I have the Origin Cali 76 Super Vintage blue label Compact Bass and the Origin Super Vintage blue label Bass Rig. Would you place this after the compressor and how do you feel it would interact with the Bass Rig? 99% of the time I go DI out of the Bass Rig to the FOH so the Bass Rig is my amp if you will
