Film Emulation Workflows in Resolve

Подписаться 3,1 тыс.

Просмотров 14 тыс.

50% 1

In this video, we finally take a look at the popular film emulation plugin, Dehancer. Let's compare it to CinePrint 16 and FilmUnlimited to find out where each workflow shines.
---
Dehancer: www.dehancer.com/
CinePrint 16: www.tombolles.net/cineprint16
FilmUnlimited: juanmelara.com.au/products/fi...
---
Connect with me:
- Instagram: / c.knopik
- TikTok: / c.knopik
---
Equipment I Use:
Nanlite PavoTube II 6C: rb.gy/i0fsu
Aputure MC: rb.gy/pxgt1
Amaran F22C: rb.gy/aghtx
Aputure 600D: rb.gy/42tma
My SmallHD Monitor: rb.gy/inqpy
Client Monitor: rb.gy/x5qkq
Lightweight Mattebox: rb.gy/6dz78
Full-Sized Mattebox: rb.gy/ujd1a
Favorite budget filters: rb.gy/lwh1h
(I may receive a commission if you use the links above. This helps me run the channel at no additional cost to you. So thank you for your support!)
---
#colorgrading #cinematography #filmmaking #dehancer #cineprint16 #filmunlimited

Кино

Опубликовано:

3 окт 2023

Ссылка:

Скачать:

Готовим ссылку...

Добавить в:

Мой плейлист

Посмотреть позже

Комментарии : 32

@dzlfiqar 6 месяцев назад

one thing that I love about cineprint is the distinct characteristic on handling green. It gives a feels of pastel and painting look.

@jerry.cray.. 9 месяцев назад

Wow, this made me more aware of the film emulation offerings that are available and how they could be used in a real workflow. Thank you!

@cknopik 9 месяцев назад

That’s the idea! Thanks for watching :)

@baffefilms 9 месяцев назад

Great video Carter! We sprinkle Dehancer on all our footage and learned something new from your workflow. Thank you for sharing your craft with the world.

@cknopik 9 месяцев назад

Glad to hear that! Thanks for checking it out

@Dehancer 9 месяцев назад

Carter, thanks for such a comprehensive review! Awesome results 😃

@tyvanharen 8 месяцев назад

Hey Carter, just a head up...if you select "custom" under the film grain dropdown you can manually adjust the parameters (including "amount"). Saves you adding another parallel node just for grain again :-)

@cknopik 8 месяцев назад

@@tyvanharenI just realized this as well, thanks for letting me know!!

@wearetrackclub 8 месяцев назад

Nice, informative stuff! Really interesting to see the comparisons! 🔥

@Colorado4x4 9 месяцев назад

Whoa! He’s back! With a comparison to boot!!!!

@Colorado4x4 9 месяцев назад

I sent you an email to see if I can pay you to help me with a color grading session! - Geoff

@ZaoStrength 9 месяцев назад

Cool thanks for this!

@bbrunorocha 3 месяца назад

awesome video ! I would love to hear your take on film unlimited , i've been using for tha past couple years on a lot of projects, and I also share the same feeling about the grain and halation, so i got interested on seeing your point of view in the whole powergrade !

@teodor_b_g Месяц назад

Amazing video, really thorough and consise! Question, would you be willing to share your footage for testing purposes? I would love to try out some looks and come back to the video to compare them all uniformly. Once again, great job, full speed ahead! :)

@ro8144 5 месяцев назад

good video thank you for making it

@yannisgears 9 месяцев назад

Really Nice ! Which Lut did you use for your face-cam shot please ? Keep it up !

@davidmultimedia2024 9 месяцев назад

Film Unlimited is taylored to the Alexa. If you don’t use original LogC footage, you need a precise color conversion made for your specific camera, like the ones made by Juan himself or Emotive Color. If you’re using the Komodo, you should get Juan’s Komodo2Alexa powergrade and insert it at the beginning of the FilmUnlimited powergrade. Using the CST to convert to LogC won’t give you the proper colors (and there’s a BIG difference in accuracy, trust me).

@cknopik 9 месяцев назад

Thanks for the advice. I do recognize that using Jaun's Komodo2Alexa Powergrade is the preferred method. But to quote directly from the Film Unlimited video guide, "“The Powergrade includes a CST as the first node. This can be used to do the camera conversion. In the CST match the input gamma to your camera’s gamma, leave the output gamma as is… whether you also convert color space depends on the camera.” For my purposes, this workflow has worked well, but I do plan to test the workflow you suggested here in the future. Cheers!

@davidmultimedia2024 8 месяцев назад

@@cknopik Yes, Juan say that you "can" use it with a CST if you can’t precisely convert the input, but he strongly recommend using a proper conversion when possible. I’m personnaly using Emotive Color, and it makes a huge difference compared to CST. Give it a try, you won’t regret it ;)

@GlennUpgraded 8 месяцев назад

why do you prefer the emotive compared to Juan's? @@davidmultimedia2024

@JacobStickel 9 месяцев назад

Great Video! How do you like the fellow opus? I'm looking into getting one for pour overs!

@cknopik 9 месяцев назад

Yah it’s been great! I was holding out for the white one haha

@walkeredelmannn 9 месяцев назад

this guy fuckin rips!!

@cknopik 9 месяцев назад

!!!

@Shah_creates 5 месяцев назад

Come on, Carter. Tell us your favorite. We know you have one.

@Mozgokrut13de 8 месяцев назад

Thank you for the video! However, I clearly see that Dehanсer simply kills the color green! All plants, grass, tree foliage turn yellow. And this ruins the entire video processing.