Frank Martin: Concerto per pianoforte e orchestra n.1 (1933/1934)

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Frank Martin (1890-1974): Concerto per pianoforte e orchestra n.1 (1933/1934).
I. Lento - Allegro tranquillo - Più mosso - A Tempo (mosso) - Lento
II. Largo [10:35]
III. Allegretto molto - Andante - Allegro molto - Presto con fuoco [16:25]
Jean-François Antonioli, pianoforte
I Filarmonici di Torino diretti da Marcello Viotti.
Cover image: painting by Odilon Redon.
***
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to RU-vid, and it will be our care to remove immediately the video accordingly.

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Опубликовано:

11 июл 2015

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Комментарии : 21

@philipchance5454 7 лет назад

So good that much of Frank Martin's music available on youTube

@ronaldbwoodall2628 6 лет назад

After this concerto's beautiful extended lyrical opening, the piano's entrance is disquieting, bringing us into a gentle though incisive reality, the movement then ending in an enigmatic sigh. The 'largo' returns us to the dreamlike state into which we were first lulled. The finale begins with a playful fanfare and a passage of Shostakovich-like good humor, only to be interrupted by a doleful interlude introduced by the soloist. The return to a more optimistic but also more sober atmosphere brings this distinctive concerto to its conclusion.

@gerardbegni2806 7 лет назад

A work in the very personal neoclassical style of Frank Martin. We are far away from Stravinski here, whose influence marked some prominent scores of Frank Martin. The mood is lyric and even sometimes elegiac. More ryhmic sections may appear, but they keep this general mood. The form is firmly handled, as always in Martin's works. The piano starts after a long introduction of the orchestra (about 4 minutes).

@MichaelConwayBaker 4 года назад

The wonderful aspect of Frank Martin's music is its undeniable style. A rare characteristic. Thanks for posting.

@MREmusique 2 года назад

by the way, it's a shame there isn't a RU-vid video of your piano concerto. I love that work very much and it deserves to be heard more.

@adolfodorantes4791 5 лет назад

Extraordinario y maravilloso.

@marcellodantedealmeidanune9445 Год назад

Um concerto tonal de rítmica complexa e envolto numa atmosfera contemporânea.

@kuang-licheng402 Год назад

good

@galas062 9 лет назад

danke!!

@erikfurudi975 7 лет назад

13.10 wow

@darrylschultz6479 4 года назад

I'm glad you didn't add "Just wow!",like I see in various comments sections from so many of the current generation these days.

@Alix777. 3 года назад

Just wow !

@darrylschultz6479 3 года назад

@@Alix777. Exactly my point! Writing "Just wow!" on its own is fine. As is Erik's "wow". My comment was referring to when someone writes "Wow. Just wow!". One use of the word "wow" is enough to let everyone know you're gobsmacked. Twice is overkill and superfluous.(Besides, a comment is not JUST "Wow", if you add "just wow" after the "Wow" is it. Its been changed from "Wow" to become "Wow. Just wow!".). A bit like saying "In this sentence there's one picture of a banana-🍌,just one🍌!". When as anyone can see, there's actually 2 pictures of a banana in the sentence.

@darrylschultz9395 Год назад

@@Alix777. That's okay-as long as it wasn't Erik.

@martinletelier 5 лет назад

18:45 The X-files with detectives Mulder und Scully

@vayasaberlo8 5 лет назад

Such exalted music, so overwhelming...beyond Wagner. . .

@darrylschultz6479 4 года назад

Wagner you say? Pfft! A mere trifle my good man!

@PeterLunowPL 25 дней назад

@@darrylschultz6479 LOL

@briefeausmarokko502 5 лет назад

Almost 4 minutes until the piano starts 😊 maybe Brahms was still longer?

@darrylschultz6479 4 года назад

Yes,I have little doubt Brahms always considered himself a much finer exemplar of the introductory phase of matters compositional than some young upstart like Frank Martin would probably have been thought to be if he'd been born early enough for Brahms to become aware of him.