I would love your book but unfortunately by the time it gets to Australia and with our exchange rate it could cost me close to $80AUD 😒....so I'll just have to make do with your wonderful videos! Thank you for doing them...I appreciate your generosity in sharing your work this way.
I love Old Wall, but I think I need more practice. I can't always get the old paint to pull up, trial and error. I also love the Venetian Plaster technique and have had good success with that. Thanks for working through the book with us here on RU-vid, it's so helpful to watch you demonstrate these techniques. Being on Patreon is a great value too, you are so generous with what you share each month. Thanks Robyn!
Hi Robyn, I’ve been following you for quite a while, but I just recently purchased your book, and I am beginning to watch the videos that correspond to the chapters. I just wanted to say, You are the Queen of the Gelli plate! That last print you pulled was to die for!!!! Are you going to be having any workshops in the near future in the US? California?
Hi Robyn, I have just discovered you. Love your art. Are you going to release a kindle version of your book any time soon? I would love it! I am in Melbourne, Australia.
Just discovered you on RU-vid so thanks for all your easy to follow videos! I love your work, it's really beautiful (and I also love your jewellery!) 😁
I am wondering if you can fly with a gell plate without having a problem with security? Thank you for all the lessons you share! They are very inspiring!
Hi, I did purchase the paper for the journal, but would like to know how to put the papers together to make the journal you are using. Is it possible for you to demi how to make the journal? Thanks!
I am from Australia and have been watching you for for some time. I am waiting on your book from Amazon. I find your work inspirational! One question, how do you keep your brayers clean? I find the paint builds up and dries before I can get it off. Any ideas? Thank you for your wonderful videos!
Great video Robyn! Love this technique. Does anyone know where I might find a Gelli plate of this large size? The largest one I have been able to find so far is about half this size, from Gelli Arts
23:53 time zone the light on the plate gave a really good person that you might of inked then pulled since you could use both sides of the plate. Sometimes I see things in peoples work that they might not but I know you like working with quick inks might be a new way for you. Ck it out to see what I’m saying