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Gone In 60 Seconds Intro Motion Control Remake Using Kessler - Behind The Scenes 

Scott Balkum
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THIS EPISODE - I take a deep dive into the making of the remake of the intro to Gone in 60 Seconds. This was an absolute blast to recreate. I used the power of Kessler CineShooter and its 8 axis ability to create this motion control monster!
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21 мар 2023

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Комментарии : 14   
@davidalanmedia
@davidalanmedia 26 дней назад
Awesome. Can't wait to see the BTS of the rig build!
@ReachFilms
@ReachFilms Год назад
Love the remake!
@NextWaveDV
@NextWaveDV Год назад
Nice setup! I might have to try this out myself.
@ScottBalkum
@ScottBalkum Год назад
Its a ton of fun!
@TheLensCuff
@TheLensCuff Год назад
This FrankenRig is insane! As a VFX artist I can attest to the value of curves that can change a simple keyframe to a work of art! Speaks tonnes for KOS! The song tied it all together👏👏👏 I’m particularly interested in how you motorised the jib!
@Justin_Allen
@Justin_Allen Год назад
Great work and certainly shows the potential of Kessler Crane. Now...why don't they make a motorized Jib???
@ScottBalkum
@ScottBalkum Год назад
Its a good question..
@mierimageaerials
@mierimageaerials Год назад
Well done, Scott! Very informative and inspiring!! You obviously put a lot of work into this and it shows!! I use the Second Shooter Pro and although not as feature laden as the 8 axis, it has nonetheless proven quite useful in creating some very dynamic shots!
@ScottBalkum
@ScottBalkum Год назад
Thank you! There's a lot of life left in the Second Shooter!
@robertruffo2134
@robertruffo2134 Год назад
Great stuff! Would love to know more about how you clamp things and how you did the swing arm - details about the actual rig construction.
@ScottBalkum
@ScottBalkum Год назад
I’ll do a deeper dive in another video.
@thaibugholar5699
@thaibugholar5699 Год назад
Condolences (founding father)
@nebukadnezzar3578
@nebukadnezzar3578 Год назад
The question remains, how did they shoot the original? 🙈
@ScottBalkum
@ScottBalkum Год назад
Fisher dolly and sliders.
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