Grieg Piano Concerto Cadenza - Lesson with Jon Kimura Parker

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Equipped with an arsenal of technical advice and practice tips for every passage, tricks for memorization, and a rich understanding of the work's history, Jon Kimura Parker delivers a detailed workshop on Grieg's monumental first movement cadenza from the Piano Concerto, Op. 16.
Parker shares special insights he's gained from his four decades of experience performing the concerto with countless different conductors and orchestras around the world. Part of a comprehensive three-hour lesson on the entire work, available on tonebase.
To view the full lesson: www.tonebase.co/tonebase-pian...
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3 сен 2021

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Комментарии : 31

@nicreveles 2 года назад

Dear maestro, you made me love this concerto all over again when you played it with the San Diego Symphony some (many??) years back. Your performance of it was a delightful surprise and I realized through your music-making that this is truly a great piece. In my childhood it was overplayed and I tired of it. Not so much anymore so it's now quite refreshing to hear! (And wonderful lesson, by the way!)

@m.a.3322 Год назад

watching a professional masterclass on one of my favorite concerto cadenzas of all time - what a time to be alive! :)

@enricoagudo6388 2 года назад

man what a teacher so brilliant and yet so humble very accomodating😇😇😇

@Peterjon1114 2 года назад

Saw him with the Minnesota Orchestra recently!! Glad I found this video!

@annsalty5615 2 года назад

I had the pleasure once of having Jon rehearse on my piano, 20 years ago. Amazing artist.

@Dodecatone Год назад

Just heard Jon play this with the Sarasota Orchestra as a last-minute replacement for an injured soloist, and he was absolutely fabulous!

@zenonorth1193 2 года назад

[shocked gasp] You suggested playing a note the composer didn't write! I'm tellin'! Seriously, it's nice to hear a professional classical musician address some of the questions of sheer pragmatism that arise in music-making.

@pianomi7596 2 года назад

The grand piano is so flat and yet... he makes it sing too, love it

@elef50 2 года назад

Some of the best explanation and teaching on RU-vid. Thanks.

@elik1246 Год назад

Can I just say I love his outfit

@apug296 Год назад

Agreed

@angelob.1089 2 года назад

Love that this channel is also exploring more unconventional approaches to classical music. Really opens my eyes to new sounds and ways of playing. 7:32 - Absolutely amazing innovation there. Proof that classical music still has so much to say.

@MyPianoArchives 2 года назад

Bravo 👏🏻 one of my favorite concertos of all time. 🔥

@manyirons 2 года назад

One of my favourite pianists!

@orlandocfi 2 года назад

Great tutorial! Thanks for sharing!

@gmnotyet 2 года назад

This was tremendous. Thank you.

@j.vonhogen9650 2 года назад

7:33 - Percy Grainger played this concerto way too loud to my taste, but Grieg really liked the power and energy in Grainger's playing when they rehearsed the piece in Troldhaugen in 1907, shortly before Grieg's death.

@lucjanocastro 2 года назад

Great class!!! Thank you!

@TonyBernardiWriter Год назад

Love this!

@cryptonitasaliencomments2171 2 года назад

First comment! 👽👽 Hello there Tonebase Piano!! 🛸🛸🛸🌏alien says: Awesome lesson as always!! I enjoyed this a lot! 👽👍+1👈🚀🚀🚀🚀 Stay in touch! Your friend, Alien

@MrWhiteKeys1 2 года назад

I love your suggestion about the alternate hand arpeggios! I'm going to have to rework this now... LOL

@graveurgraveur2691 2 года назад

thanks!

@wolfgangk1 2 года назад

Thank you, I'm going to apply that to a guitar piece.

@TheGreatPerahia 9 месяцев назад

Some says The Grieg Concerto doesn't have the same technical challenges of let's say The Rach 3. That's true to a certain degree but not entirely. This piece isn't all about phenomenal technique. There are other challenges in this piece that require tremendous touch, sensitivity and subtle pedalling too, it's not all about grand virtuoso gestures. It's definitely one of my favourite Concertos and Cadenzas.

@antoniobritto5736 Год назад

nicholas cage is that you? lol i really like this tutorial. i'm learning this piece as part of my second year repertoire. I'm studying a bachelor of music at Stellenbosch in South Africa

@dernettep 2 года назад

Fantastic tutorial, maestro! Thank you, helps a lot. One question, though: Why do you deem it a matter 'of course' to 8va the penultimate A? Don't get me wrong, I am totally on board with that and understand about the "effect" of it. However, when Grieg wrote this, pianos already had that low A, yet he didn't write it. Why is it a matter of course to you, and would you recommend viewing it as a matter of course in a piano competition?