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Hamlet’s Book Revisited: The Identity of the ‘Satiric Rogue’ Revealed with Earl Showerman 

Shakespeare Oxford Fellowship
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The commonly held view among Oxfordians is that Hamlet was holding a copy of Cardanus Comforte when confronted by Polonius in Hamlet Act 2. Cardanus Comforte was translated into English by Thomas Bedingfield in 1573, and published by “commandment of the right honorable the Earl of Oxenford,” Edward de Vere. Professor Hardin Craig, founder of the Philological Quarterly, published his article “Hamlet’s Book” in the Huntington Library Quarterly in 1934, reviewing and supporting the theory that Hamlet was holding a copy of Cardano. Sky Gilbert critiques this theory in his Oxfordian 24 article “What is Hamlet’s Book?” and argues for the Greek Sophist philosopher Gorgias’ book, On Nature, or the Non-existent. “The witty satirical tone of the scene in which Hamlet and Polonius discuss Hamlet’s book is remarkably similar to the tone of Gorgias’ essay.”
In The Classical Element in the Shakespeare Plays (1909), Baconian William Theobold proposed that Decius Junius Juvenal (60-140 CE), a much admired satirist, was the “satiric rogue” author of “Hamlet’s Book”. The credibility of the theory that Shakespeare was familiar with Juvenal’s Tenth Satire is confirmed by several additional previously unrecognized intertextual parallels in Hamlet.
In Shakespeare’s Books (2001) Stewart Gillespie acknowledges that there are “passing resemblances to Juvenalian lines in Hamlet, where most possible echoes of him have been found in Shakespeare; they are insufficient to establish direct acquaintance.” (270) The fact that there were no English translations of Juvenal’s satires during Shakespeare’s lifetime, that editions were only available from Continental publishers, may explain the reluctance to accepting the Roman satirist as a credible source.
For Oxfordians, however, this would not be an impediment as the inventory of William Cecil’s library from that era includes item 238, Juvenalis & Persii Satyr. Given the attention of early Shakespeare scholars, but largely neglected over the past century, Decius Junius Juvenal’s satires as potential Shakespeare sources merits further investigation. “Hamlet’s Book” is every bit as likely to be an edition of the satires of Juvenal as it is to be an edition of Cardano or the upstart Gorgias.
Bio: Dr. Earl Showerman, president of the SOF, graduated from Harvard College and the University of Michigan Medical School, and practiced emergency medicine in southern Oregon for 30 years. After retiring in 2003, he enrolled at Southern Oregon University (SOU) to study Shakespeare. Over the past two decades he has presented and published scholarly papers on a variety of topics, including the Greek dramatic sources of Hamlet, Macbeth, The Winter’s Tale, Pericles, Much Ado about Nothing, Timon of Athens, and A Midsummer Night’s Dream. In 2012, he presented the keynote address on the playwright’s medical knowledge at the Shakespearean Authorship Trust Conference in London. Over the past decade he has taught a series of courses on Shakespeare and the authorship question at the Osher Lifelong Learning Institute at SOU, and is the author of a chapter on Shakespeare’s medical knowledge in Shakespeare Beyond Doubt? (2013), and contributed three topics to Know-It-All Shakespeare (2017), edited by Ros Barber. He is the executive producer of the first collection of songs related to Edward de Vere, My Lord of Oxenford’s Mask, by the lute duet Mignarda (2006).
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4 окт 2024

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Комментарии : 8   
@Nope.Unknown
@Nope.Unknown 8 месяцев назад
Brilliant!! Left me wanting more. Thank you!
@duncanmckeown1292
@duncanmckeown1292 8 месяцев назад
Interesting new information. I still think Cardanus is more likely though....but there is no reason that Hamlet could not be combining both influences in "his" book?
@francisjudge
@francisjudge 8 месяцев назад
The play right had a muse of divine fire
@anonymous-rj6ok
@anonymous-rj6ok 8 месяцев назад
I'm very intrigued by the oxfordian thesis and a lot of it sounds very plausible. But as long as Oxfordians do not tackle the topic of "Heminges and Condell" the Stratfordians will always have the upper hand in this debate.
@vetstadiumastroturf5756
@vetstadiumastroturf5756 3 месяца назад
If I'm not mistaken, you are referring to Shakspere's Will, and the First Folio. Heminges and Condell are mentioned in Shakspere's Will. First, the Will does not mention Heminges and Condell in connection with WRITING (or acting). It does indicate that Shakspere had a business relationship with Heminges and Condell, but the nature of the relationship is not detailed, just that the are "fellowes." Second, the mention of Heminges and Condell in the Will is suspect, because it was added AFTER the Will was signed, and perhaps even after Shakspere was dead - there appears to be some funny business going on. The Stratfordians don't mention that. The First Folio is a Work of FICTION. Everything in it is either a Play or a Poem. The entire Stratfordian Belief System is built on the assumption that the poem that is credited to Heminges and Condell is actually by Heminges and Condell (probably by Ben Jonson) and that the poem should be considered a source of historical fact despite it being a poem from a work of fiction. But without the Heminges and Condell poem there is NO Stratfordian Theory, so they cling to it with everything they have. In my experience, the quickest way to make a Stratfordian run away is to point out that everything they believe is based on a poem.
@geraldvanwilgen
@geraldvanwilgen 7 месяцев назад
Polonius was modeled after the Polish ambassador Paul Dzialynski who was at fault with Queen Elisabeth.
@brooke1496
@brooke1496 8 месяцев назад
shakepeare stole every plot
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