Hasselblad 907x & CFV 100c - A journey with Ian Atkinson on location with Technical cameras

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Hasselblad 907X 100C review
Hasselblad 907X 100C test
The Hasselblad 907X & CFV 100C is a stand-alone camera but its CFV 100C digital back can be used with other cameras and various lenses. Ian Atkinson took the 907X 100C on location and put it to the test using a Linhof Techno, Linhof Technikardan and an assortment of Schneider, Rodenstock and Hasselblad XCD lenses. Using various camera movements to photograph both architecture and portraiture, this journey is an overview of Hasselblad's new camera, from creating an image on location to reviewing the Final Print.
Time codes for Segments -
Introduction: 00:00
Shoot day 1 (Architecture): 03:10
Shoot day 2 (Portraiture): 05:35
Shoot day 3 (Portraiture): 13:06
Roundup of day 1: 16:21
Roundup and full image review: 17:27
Follow us on Instagram: / linhofstudio
Visit our website: www.linhofstudio.com/
Credits:
A special thanks to Ian Atkinson and to the Swimmers: Dee Watt, Linda Marriot and Diana Herve who endured some pretty Baltic temperatures! Thanks to Katie Ray, the Essex Yacht club and Rapid Eye Darkrooms up in London who greatly helped in the making of the film!
Filming by Keplr studios
Song Credits - thank you to the following artists: Ziv Grinberg // Amos Ever Hadani // DaniHaDani // Diamonds And Ice // Kyle Preston // Petula Clark // Easy Life // Feeder - all music licences obtained through Artlist & Lickd.
🎵 Music licensed from Lickd. The biggest mainstream and stock music platform for content creators
Downtown by Petula Clark License ID: ZLXnveJKXPk
nightmares (Instrumental) by easy life, License ID: N1G3jkPweKk
Buck Rogers by Feeder License ID: qVRmozGW3yb

Опубликовано:

25 июн 2024

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Комментарии : 58

@patrickwatt1903 3 месяца назад

My mum is one of those swimming ladies, she's so proud of this. Thanks so much for capturing this part of her life man, what an incredible gift.

@ianatkinson2255 3 месяца назад

They were absolutely amazing and they look amazing too.

@rawarchitecture Месяц назад

This is just wonderful, even if you’re not interested in niche camera equipment. Far more engaging than most telly. Magical!

@allanroney 2 месяца назад

It’s a crying shame you don’t get to make more videos with Ian - the combo of his personality/photography, with the wonderful filmmaking & editing by the team represents something that’s very rare on RU-vid. Between this & Alan Schaller’s new channel, we’re definitely seeing a step up in what one can expect from photography RU-vid. Wonderful.

@andriivaskovets5438 Месяц назад

The best review! Very pro made from a pro perspective and not like all these bloggers who don’t know how to create image but just create bla bla bla

@tylero8595 3 месяца назад

That last video was 3 years ago??? What the hell. I love your videos.

@rafibenatar2519 3 месяца назад

I love what you did with 907x 50c and this one with 100c it’s even more interesting 🙏🏻🙌👏👏👏👏

@benhay2317 3 месяца назад

South end turning the lights off is a classic move. I’ve been on two shoots where they’ve done the same unless you grease their palms

@NickGuttridge 3 месяца назад

Wonderful job, best video and camera test I have seen in ages. Congrats to Paula, Ian and your team of drone pilots and cameramen/women. Also those lovely swimmers!

@ianatkinson2255 3 месяца назад

Thanks Nick, Hope you are well. It's been a long long time. Best Ian

@lostinspacestudio Месяц назад

Fascinating BTS very well short video. And amazing results, I'm gonna have to watch at least 10 × to compare with the lenses, backs and film.

@stuartshook3614 3 месяца назад

Thank you so much for such a wonderfully, entertaining, and informative video. Your production value is unmatched compared to anything I see on RU-vid. Halfway through, I felt like I was watching a Netflix documentary. From the beautiful cinematography, to the seamless editing, to the perfect music selections, to the beautiful drone shot at the end of the portraituré scene, bravo!

@ianatkinson2255 3 месяца назад

Wow. Thank you. So pleased you liked it.

@Aci-de8zm 3 месяца назад

Awesome! Great to see a modern camera be so modular in its design...

@josephschimmer302 3 месяца назад

I don’t have words. So enjoyable to watch. Congratulations to all of you. This is the first video I’ve seen, that illuminates the digital back side of the Hasselblad!

@ianatkinson2255 3 месяца назад

Very Good, chuckle chuckle.

@nelsonclub7722 3 месяца назад

I use the CFV100c with the HC HTS 1.5x giving myself a mini ArcBody - Hass are the bomb right now with flexibility

@trevhill952 3 месяца назад

2 thumbs up! best use of the 907X back I've seen. Loved it.

@andrewrichards576 3 месяца назад

What a superb video. I really enjoyed it. Just 6.7K views in 9 days. Lots of people are missing this.

@ToucanSamPhoto 3 месяца назад

Great video. Gutted I wasn’t in Southend and Leigh when you were filming this.

@JensABraun 3 месяца назад

What an great amusement your video. I love it from the drone shots within wonderful Petula Clark "Downtown", till you drop it ;) - and yeah, the hassy is amazing too.

@haroldrobinson4849 3 месяца назад

Thank you so much for putting this video together. It is clear from your video that the camera is a joy to use, and that the end results, at least in your expert hands, are really quite remarkable.

@markcrick2 3 месяца назад

Thank you. I've been a photographer pretty much all my life, but so much to learn from a photographer with Ian's knowledge and talents.

@ianatkinson2255 3 месяца назад

Wow, thanks. Glad you enjoyed the film.

@damookie 3 месяца назад

Top notch content for professionals, plus the production is alway so enjoyable, love your videos, thanks for sharing this.

@caneestudio 2 месяца назад

Brilliant review

@PaulB-gl1ix 2 месяца назад

Superb review!!! Best I've seen on the new Blad!!

@jonathanbush1936 3 месяца назад

A thoroughly enjoyable and informative real-world video. Thank you!

@jaimeduncan6167 3 месяца назад

Great video. I enjoyed it as I learned.

@andyvan5692 3 месяца назад

hey, one tip, for the day one shoot, when changing lens {on the linhofs} take the 100C back off! as the lens rear element protrusion is different, better to see an "incursion" into the back mount, than to hear a crunch!!, so the bellows distance can be adjusted beforehand, to the correct distance, then CHECKED first 🙂 so no damage done!

@ianatkinson2255 3 месяца назад

I'm not sure which lenses this would be an issue. None of the rear elements of the Rodenstock's that I use fit through the aperture of the adapter plate. I also use a stitching back which adds a bit more depth at the rear. It's a good point if you have lenses that have a rear element that is smaller than the aperture of the adapter plate.

@ianatkinson2255 3 месяца назад

You made me check. Interestingly the rear plate from a different digital back manufacturer has a smaller aperture than the Hasselblad adapter and the rear element does fit through these. Although I always set the camera to the infinity stops before mounting anything. The rear element is highly unlikely to come into contact with the sensor unless the camera is in its packed state and even then the rear element is larger than the sensor (smallest rear element I have is 48mm, 70mm Rodenstock HRW) so would hit the body of back and not the sensor. It would also only be the wider angle lenses this could happen to and they have even larger rear elements. Not sure about other manufacturers so worth checking. You may have a valid point and it may well be best practice.

@andyvan5692 3 месяца назад

@@ianatkinson2255 yes, but I said it because I have a 150 f9 which has a rear ~58 mm or less, it is very thin, about the size of the locking ring of the shutter, but it is still smaller; and the fact the linhof technikardan like most monorails has a thin profile, so therefore can get really close to the film plane, and May, not definitely, have a chance of touching, esp. if rise/fall and shift are used.

@andyvan5692 12 дней назад

@@ianatkinson2255 yes, I am realy carefull of this now, I got a sinar F2 with a 65mm 5.6 Fujinon SWD and that infinity focuses at ~ 3 fingers between the standard carriers!! and I have the sinar vario 120 back on it, and yes, pulling the ground glass back with the bails does reveal a 5cm approx. distance between the gg plate and the rear element, so I am fine with film holders, but would be even more anxious if it was a 47 or 38mm lens.

@myphoenix 3 месяца назад

Great content. Thank you.

@rsrsrs93 3 месяца назад

What a fantastic video! Thanks for sharing.

@MrEstcourt123 3 месяца назад

Great video. As you were setting up down the seafront I was worried that the arcade owner would have a moan. He is famous for being confrontational with photographers.

@martinfredriksson1544 3 месяца назад

What a fantastic video. Thank you!

@costelloandsilke7321 3 месяца назад

Wonderful portraits and a great video - thanks.

@paulwilliams4804 3 месяца назад

Great video Ian!

@ianatkinson2255 3 месяца назад

Thanks Paul.

@petera1033 3 месяца назад

Thank you for your trouble and information.

@jasongold6751 3 месяца назад

Really impressed! Great wonderful portraits, incl. the 'candids' .I would never have done that! Too much gear, logistics out of reach. Bravo.

@salvatoreventura8667 2 месяца назад

Fantastic video! Beautifully done and a pleasure to watch. I would love to use my X2D-100 on my Linhof 45S Technikardan. Does Linhof have any plans to make adapter for X2D body to Graflok back?

@jsc3417 3 месяца назад

20:39 The Kodak film is more saturated and looks better than the digital back.

@snappyft 2 месяца назад

Loved these videos with Ian. I noticed he was using the Profoto Connect (guessing Nikon) with the Hasselblad. Just wondered how it performed as a trigger on the Hasselblad? Any issues? Cheers

@ianatkinson2255 2 месяца назад

works perfectly.

@DeepestValue 3 месяца назад

Excellent video.. what kind of adapter you have to fit CFV on the 4x5?

@ianatkinson2255 3 месяца назад

If you contact Linhof and Studio they can get you the correct adapter for your camera.

@linhofstudio7104 3 месяца назад

Thank you very much for your comment, the adapter used is a Linhof V adapter for the Technikardan. You can find it on our website in the Technikardan section. do contact us if you have any questions!

@PatrickHphoto 3 месяца назад

what adaptor were you using to attach the digital back to the Linhof? and do you know if this would translate to a cambo 4x5?

@ianatkinson2255 3 месяца назад

If you contact Linhof and Studio they can get you the correct adapter for your camera.

@rafibenatar2519 3 месяца назад

would interesting using it with Hasselblad arc body with 35mm and 45mm Lenses compering to XCD lens 45mm and 38mm V lens

@ianatkinson2255 3 месяца назад

I think someone in the comments is doing exactly that, might be worth reaching out.

@andyvan5692 3 месяца назад

day 2, the 'analogue' lens you wonder about, Should do the 100C justice, as it is designed for 4x5", which has a ~1,000MP resolution when converted (lines/sq mm-->pixels); But Don't do large enlargements, as for LF film, they can go big, but some softness, CA, etc. is visible, if you view it up close (this big enlargement is only meant to be viewed from 1-2 meters away, where none of this artifact is visible, and the true resolution comes to the fore).

@standchannelstan3092 25 дней назад

I want to know how to remove vignetting caused by a camera back

@ianatkinson2255 8 дней назад

I'm guessing you are talking about vignetting caused when using a technical camera and movements. If it is a fixed lens the use the Lens calibration tool in Phocus or Lightroom. You need to do a lens correction, like I did at the beginning of the video. This should help along with watching what I demonstrated. ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE-b7iggTakk-M.html

@MarkMetternichPhotographyLLC 3 месяца назад

With cameras like the Panasonic Lumix S1R and the Leica SL2 achieving 187 true megapixels with its superior auto pixel shift. Kind of makes this Hasselblad irrelevant.