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Hi-Fi Riff Festive Fun - Part 1 

Hi-Fi Riff
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In this special end-of-year episode of Hi-Fi Riff, Mike and David take a break from Christmas holiday partying to talk about their own hi-fi systems, and play a couple of silly games.
Join the guys for this not-completely-serious session of friendly banter and random comments, all done in the cosy confines of Mike's home studio while the wind and rain batters the outside!
Each episode of Hi-Fi Riff features the guys' unedited, unexpurgated views about all manner of weird and wonderful hi-fi designs.
Business executive Mike has a wealth of knowledge from his earlier hi-fi retail years, and David has written about hi-fi for thirty years. Now Editor-in-Chief of StereoNET, he's picked up a few things along the way.
So brew up a cuppa or crack open a can, and relax and enjoy some one-take hi-fi riffing - and please leave your comments below. Oh, and don’t forget to hit the Subscribe button, this one goes up to eleven!
The eighties-tastic title tune is called ‘UFO/Mike’s Jumper’, and used with the express permission of our old pal and rights holder Simon Lythe.
Follow us on Instagram for sneak previews on what is coming up on Hi-Fi Riff.
/ hifiriff

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17 окт 2024

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Комментарии : 59   
@hybriddevice
@hybriddevice Год назад
As “Gotham61” points out, the 33.3 LP was launched in June 1948 at a presentation at the Waldorf Astoria hotel in NYC, and the first RCA 45 “X-changer” players launched in March 1949, as a radio attachment costing just under $40 (using the “phono” plug to connect to a radio set, a connection we are all rather familiar with these days! But this is where the phono plug actually comes from, RCA record player attachments plugging in to radio sets, and it’s pre WW2) . The reason all the early 45 discs and machines had the larger centre was all part of the super quick record change, you can load the little player up with ten discs, and leave it to it. Columbia actually took a prototype of the 33.3 player, (again sold as a radio attachment and made by Philco) to David Sarnoff of RCA, but he was so convinced of the superiority of the 45 system, convinced people would prefer to pick their own sequence of records, rather than listing to one for 20 minutes, and he didn’t want to cooperate with ‘little’ Columbia. Interestingly, the 45 system was going to be launched earlier. But two things. One, the British Decca FFRR, full frequency range recording, the worlds first high fidelity system was launched in 1946, and also Harry Olson had steered the late RCA development down more high fidelity lines, delaying the project quite considerably. Olson was reportedly quite disgusted at the use of the 33.3 speed! The so called battle of the speeds wasn’t a battle at all. RCA manufacturing their first 33.3 player within a year or so. But of course the 45 format took off for Jukeboxes, an absolute natural coupling. And of course in 1956, RCAs star player, 21 year old Elvis Aaron Presley sold a staggering 10,000,000 7” 45s! It doesn’t need to be pointed out just how successful both formats ended up.
@Soundapple
@Soundapple Год назад
Your show is so soothing to the nerves, an antidote to audiophelia nervosa, despite of the topic. Thank you and keep up the good work! Much appreciated.
@gotham61
@gotham61 Год назад
RCA introduced the 7 inch 45 RPM record in March 1949, about nine months after Columbia had launched the LP. This kicked off the "battle of the speeds" one of the first media format wars. RCA also sold a range of record changers which would play only that format. The first RCA singles were pressed on coloured vinyl, coded by genre. Red for classical, green for country and western, yellow for children's etc.
@MrVinylista
@MrVinylista Год назад
How fascinating! I guess it took another 5 or 6 years for the format to catch on with teenagers. And thus began the Rock and Roll era...
@gotham61
@gotham61 Год назад
What they heck happened @ 26.36. Changed from the echoey across the room mic to a lavalier?
@mikeyevs
@mikeyevs Год назад
You're not supposed to notice that bit! I think my coughing disconnected the mic input!
@Mark-cx2sl
@Mark-cx2sl Год назад
As an old fart myself, I really do like this pair, who may be old, but aren’t farts…😂
@auditeacoustics1139
@auditeacoustics1139 Год назад
Mike soldiered on through that chesty cough . . . he suffers for his art! I'm guessing we're all about the same age as everything you mention brings back so many great memories. My boyish good looks belie my age of course , , , im often referred to as 'young un' up here in't North.
@MrVinylista
@MrVinylista Год назад
Thanks. It was a real fight to get this one out. It was blowing a gale outside with wind and rain lashing the windows, and we had a power outage, a faulty microphone preamp, and our main centre light went down! Oh, and Mike was ill, with me just hungover. Still, we got there in the end... We're just two old friends doing this for the love of our hobby, so please keep this in mind!
@auditeacoustics1139
@auditeacoustics1139 Год назад
@@MrVinylista and thats why i watch David, a refreshing change from the run of the mill youtube rubbish. Keep you the good work gents!
@christopherrigby2798
@christopherrigby2798 Год назад
Love SME headshells here. As you say it's easier for reviewing and certain specialty uses where different stylus profiles and the like are needed to get the best from any particular record.
@gaetancharbonneau3902
@gaetancharbonneau3902 Год назад
OMG... David, you got one of these amazingly beautiful Marantz TT! If it sounds as good as it looks.... wow, what a piece of HI-FI that is!
@stephenharding428
@stephenharding428 Год назад
Happy New Year guys, and thanks for the highly enjoyable recordings last year. Funny how you both start with your speakers and not the source. Cheers
@JosefTreiber
@JosefTreiber Год назад
cheers & best for 2023!
@gr328
@gr328 Год назад
Home Taping Is Killing Music, Mike 🙂
@robdent6787
@robdent6787 Год назад
Excellent. Really enjoyed your vid. Thank you
@TheNorliss
@TheNorliss Год назад
Great stuff, guys. This was especially entertaining and nice to see photos of some of your gear. I notice David also has a rather tasty Sony PS-8750 turntable which went unmentioned!
@MrVinylista
@MrVinylista Год назад
Yes, it's nice isn't it? It's my hack 'daily' deck, currently with a well worn Lyra Dorian. Sounds very decent, even more so considering it's 45 years old!
@TheNorliss
@TheNorliss Год назад
@@MrVinylista Your daily 'hack' is better than most people's main (or only) deck! I could be quite happy living off your HiFi crumbs, Mr Price 😄
@hybriddevice
@hybriddevice Год назад
Now just in case that last diatribe on 45s and LPs didn’t fully cure your insomnia, here is another! 8 Track Tapes! Back in the 1950s, the “bulk” of Hollywood’s film output was actually not the big 35 and 70mm blockbusters, but of advertisement films, educational films, and even pornography! These productions where also distributed on a different format, they shipped on an endless loop film cartridge. Endless loop projectors had been introduced in the 1930s for advertising, promotion and continual exhibition. One of the firms making a film cartridge (Television Associates) used an 8mm film in a plastic endless loop cartridge. A chap called Bernard Cousino modded the film cartridge to take 8mm audio tape, and created the ‘Audio Vendor’ a tape cartridge for continuous playback. The Audio Vendor wasn’t compact, and fit on to a conventional tape recorder. This was further modified by one of Cousinos associates, a chap called George Eash, he created an actual format called the ‘Fidelipac’ system off the back of it, for inexpensive back ground music systems, that required minimal operation, just push the cart in, it plays, and starts again once it’s finished. This system was licensed out to company called Viking Corporation, who made a further refinement with a machine that could automatically detect the begging of the loop and stop itself ready for next play. Of course this system was picked up by radio stations for adverts and jingles, and was pretty much in use till the 1990s when minidisc ‘cart’ players wiped them out. However, this is where it gets interesting, I promise! It was an entrepreneur and celebrity Earl ‘madman’ Muntz who took the Fidelipac system and marketed it for consumer use in cars and home c1962. By 1964, the system had proved to be a minor hit. It gained the attention of William P Lear, of the Learjet Aircraft Company. He was impressed with the system, and thought it might be useful as a source of entertainment in his planes. He decided to reengineer it. The Muntz system used four tracks, two stereo programs, the Lear system, actually called “Stereo 8”, of course used 8 tracks. Lear made 100 prototypes, and sent them to various executives in the car industry. Ford bit, and in 1965 offered the ‘Stereo 8’ system on some of its cars, the player machines being made by Motorola. Lear negotiated with RCA, and they created an initial library of 175 music tapes for the format. Sales of the 8 track players surprised even Ford. By 1967 2.4 million tape players had been supplied in Ford vehicles. And in 1968, the rest of Detroit started installing them in cars too. Lear designed a simple domestic machine to complement, and by 1974, 8 track accounted for 1/3rd of the recorded music market in the USA. Longest answer ever to say the 8 track was introduced in 1965 ever!
@MrVinylista
@MrVinylista Год назад
Thanks Haden - your huge hi-fi knowledge is as appreciated now as it ever was. Bring back Olde Worlde!
@hybriddevice
@hybriddevice Год назад
@@MrVinylista that’s very kind of you to say. Thank you.
@klik64
@klik64 Год назад
Definitely need a Riff on your pointless pieces of equipment (It's fine, I know a good lawyer). Thanks btw, I love hearing you guys chatting about hi-fi.
@MrVinylista
@MrVinylista Год назад
Thanks. We've been talking about doing more in-depth features on our systems, so it's good to know that people are interested. I've got 4 systems running and could bore anyone off their barstool talking about any of them! Mike's got several systems on the go too.
@klaushollinetz7494
@klaushollinetz7494 Год назад
Funny enough, the circuit of the NVA amps is quite a bit more complex than the Naims are, actually. I am talking about the old ones, of course...
@vladimirdorta6692
@vladimirdorta6692 Год назад
Happy New Year to both of you, I enjoy your reviews and I'm always on the lookout for the next one.
@arichison
@arichison Год назад
I like the Yamaha speakers paired with the Sony, who would have thought, wow. I bet the synergy is perfect! I agree that old equipment can compete and still sound very good. I hear a difference when old amps and preamps are refurbished, recapped, etc. A nice sound and used much cheaper.
@bigblueocean
@bigblueocean Год назад
Neither system was quite what I thought. Didn't think the exposure amps, would be such early models and didn't expect the Sony amplifiers either. Interesting! Thanks for sharing. Happy New year to you both. Thanks for taking the time.
@secretsquirel5306
@secretsquirel5306 Год назад
Happy new year to you both. What a hilarious trip down the memory format lane. When you brought out the 8-track it brought back memories of me being in taxi and listening to one. Taxi drivers back-in-the-day seemed to love them. Imagine today trying to explain to a gen-noughtie that it was that big and could only play 8 songs.
@TheNorliss
@TheNorliss Год назад
The reason the format was so named was because the tape contained 4 'programmes' ie 4 pairs of stereo tracks = 8 track not because it was restricted to 8 music tracks. That said it was very restrictive and some songs did end up being split between programmes.
@secretsquirel5306
@secretsquirel5306 Год назад
@@TheNorliss oh thanks clearing that up. I'm going to have to find out more because you've peaked my interest
@attrktmarketing4582
@attrktmarketing4582 Год назад
Love this one. Nice to see the set ups. Whatever you did in the second half of this recording the sound was so much better.
@attrktmarketing4582
@attrktmarketing4582 Год назад
@@MrVinylista you aced it in the second half
@roryyoung6192
@roryyoung6192 Год назад
Happy New Year guys and another great show. It's so refreshing to hear about quality vintage gear rather than just the 'newest and greatest'! Keep up the great work in 2023!
@bigblueocean
@bigblueocean Год назад
Can I please ask how the audio technica tonearm was mounted. It it compatible with a Rega or linn tonearm board?
@steventromans9005
@steventromans9005 Год назад
Wow just noticed in David's rig a lovely JBE turntable I have one and absolutely love it 👌
@MrVinylista
@MrVinylista Год назад
Aren't they great? Mine has been super-reliable (unsurprising, considering it's a Technics at heart), and it sounds very good. I mostly use it to review moving magnet cartridges, which is why I have a SME III fitted.
@steventromans9005
@steventromans9005 Год назад
@@MrVinylista mine came with a audio technica AT100 tonearm which fouls the lid from shutting and also it needed low mass cartridges which I couldn't afford and mainly are vintage I swapped out to a rega 300 tonearm Absolutely love mine poor man's SP10 👍
@MrVinylista
@MrVinylista Год назад
@@steventromans9005 Nice. It's odd that hi-fi history has largely forgotten this deck, and prices aren't higher. When it was on sale, it was widely regarded as being as good as or better than the LP12. I know someone who ran a large London dealership at that time, and he said that he would dem it against the Linn and people would walk out with the JBE! But it didn't charm enough hi-fi reviewers to really take off, I guess - and the UK was very anti-direct drive back then. Check out our Riff on it here: ru-vid.com/video/%D0%B2%D0%B8%D0%B4%D0%B5%D0%BE--KPLehsnKPc.html
@steventromans9005
@steventromans9005 Год назад
@@MrVinylista yes David that was the story I was told they did a blind AB test and the JBE was the chosen one over the LP12 I think your right DD was frowned upon over the bouncy belt drive linn at the time Thanks im just watching that video you linked 👌
@chrissyman77
@chrissyman77 Год назад
Excellent quiz, happy new year to you both.
@johnkritikos3247
@johnkritikos3247 Год назад
Hi David. I have some ns 1000 they are in great shape and play well. Have you ever considered verifying the health of your ns 1000 crossovers? I have always wondered if it’s possible to do this and wonder if I am listening to these speakers at their best. Thanks
@MrVinylista
@MrVinylista Год назад
Hi John - I once asked Ken Ishiwata about NS-1000M crossovers, and enquired about upgrading the passive components in them. His answer was that they already have extremely high quality components in them, and so unless there's an obvious fault with the sound, you're probably hearing them as good as they can be... Except, he said the best ones he'd ever heard were active, tri-wired with custom made active crossovers, driven from Marantz Class A amps! So I think there's no need to tamper if you're keeping them passive. Active is an entirely different kettle of fish of course, and is real hardcore stuff. My only tweak I've done to mine is simply to tighten the screws of the drive units in the front baffles. With age they work loose. A quick tighten with a Philips screwdriver pays dividends - as it does with practically all loudspeakers providing of course you can access the screws!
@johnkritikos3247
@johnkritikos3247 Год назад
@@MrVinylista Hi David, Thank you for your response. Good advice. I have also done the “tighten the screws” tweak and they required it. Especially the pots. I have also changed the speaker terminals to accept banana plugs. That’s it. Enjoy your channel! Very entertaining. John
@classicrock7890
@classicrock7890 Год назад
First 7 inch single was 1949.
@1jhnpennington
@1jhnpennington Год назад
Great stuff as usual. Could you please direct me to a link to the title music? I can't find it anywhere.
@MrVinylista
@MrVinylista Год назад
Sorry John, there isn't one online. It's a recording of a band that Mike and I used to know in the late 1980s called 'One on One', lead by the very talented Simon Lythe - a good friend of Mike's. Mike does have an original reel-to-reel copy straight from the studio mixing desk, circa 1988, which I think is where this came from. We'll have to ask Simon if he wants to release it!
@1jhnpennington
@1jhnpennington Год назад
That's a pity, it's fantastic!
@arichison
@arichison Год назад
This is fun! Showing us in America what you have, wow. Linn turntable is out of reach now, too much money and those amps I have never heard off, can you comment? I have old stuff, rebuilt Apt Holman pre, Hafler amp so redone and recapped, amazing sound, restored tower ADS speakers, am in way too deep. Always have been. Sold off my very high end Nakamichi but still have a three head machine, is amazing sound as expected.
@zjzozn
@zjzozn Год назад
🎉
@razisn
@razisn Год назад
Isn't all this stuff laying a bit too low for a man your age, Dave mate?
@gotham61
@gotham61 Год назад
I couldn't deal with playing records down at ankle level.
@MrVinylista
@MrVinylista Год назад
Works fine for me - and this layout means that I don't have to bend over multi-tier equipment racks to plug and unplug things. And less of the "a man your age" talk - I'm only 29, it's just that I've let myself go! ;-)
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