Home Free - Vincent featuring Don McLean 

Bravo!

Rob your voice is perfect on this song. I mean even more than usual! ❤

Well done everyone. Rob you really are unmatched! Beautifully done sir!

Rob, your voice was magical❤

Beautiful job Rob!

Agreed, on all points. 😀

@@GrandmasGotGraceLW Same here, Don and Home Free singing and Vincent's beautiful art in the background.. nothing better.

What about this: It's A Business Doing Pleasure With You by Tim Mcgraw, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with controlled of robust and gusto Tennessee Whiskey smooth with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

this 60 year old man was brought to tears as well 🙂

Me, too. Absolutely beautiful.

She's not alone, and I'm in my 40's

Me too

Very sweet ! My favorite group .... one of my favorite Don McLean songs ( *Empty Chairs is best ) GBjj

There is a question mark over if it was suicide or an accidental shooting by another.

What about this: Loving You On My Mind by Chris Stapleton, we want Adam Chance to take full lead, will used very controlled rasp and grit with undertone of rustic with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of subterranean chest and growl that we didn’t hear it but we feel it for the bassline.

I am so glad your grandson didn't get a chance to go through with it. My friend wasn't as lucky. We need to do away with the stigma of mental illness & save lives. I hope your grandson is doing better now. ❤

❤❤❤❤❤

@@jaimezimmerman1670 I'm so sorry for you and your friend. Yes, there definitely needs to be better access and affordability for people and their families as well as getting rid of the stigma surrounding mental health or any health problems.

I can totally understand what you said. Problem is… a person could just have one day - one bad incident - to make them feel like they messed up so bad that they feel suicide is the only answer. I speak as the mother of a son who tried that route because he decided to go out with a fellow student one night and they were throwing rocks. My son had just turned 18, was weeks away from graduating and going into the Service. The kids got into trouble, when my son came home, he took a shotgun and shot himself - I was in the room…. I couldn’t figure out what he was doing in the closet until I heard the first “click”. I remember yelling at him to not do it, but it was too late. I couldn’t open the closet to get to him & when I called 911, he spoke saying he was alive. The surgeons worked on him for hours that night. He spent a couple of months in the hospital. I remember one “doctor” who kept trying to tell us he was depressed and needed to be sent away. He fought with her and kept saying it was that one time because he felt he totally messed up and wouldn’t be able to get in the Service as he had planned for years (my husband is retired military & our son wanted to do his part). His Recruiter told me he would not have had any problems - he knew my son very well, but…… Today….. over 20 years later, he is totally blind, has no nose (tried a prosthetic, but he was allergic to the glue), he has no upper palate, and relies on a trache. When he was first released, the docs had a feeding tube inserted & he was on a liquid diet. The tube kept coming out because he was moving around too much. Drs thought he’d never be able to eat solid food again, he fooled them there, too! He takes boxing lessons from a great trainer (he is a professional in FL), and he is about a year away from finishing Law School. That night over 20 years, he told me he felt an angel with him and it was the angel who helped move the shotgun. So…… DEPRESSION IS REAL, but there ARE those, like my son, who just had ONE THING, ONE DAY cause the depression which no one was prepared for. Believe me when I say, my other children were quite traumatized, and one had the hardest time visiting my mom in the hospital when she was dying a year later. They others are married and have children of their own now - they know what happened and love spending time and talking with their Uncle (oh, yes - the doctors all thought he’d never be able to talk again - like eating FOOD, he fooled them all - something they admitted surprised them but really made them rethink everything they thought they knew). It only takes one thing to make a person snap. I am grateful that he did not succeed all those years ago……. J

@@joniaq6372 That is quite a story, very sad, but amazing too. I hope your son keeps doing well & that angel keeps watching over him. ❤️

@KayOhio pure magic ❤

What about this: What Am I Gonna Do (With the Rest of My Life) by Merle Haggard, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with Tennessee Whiskey smooth but little of sandpaper smooth undertone with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

Thank you so much. This is one of my all time favorites. Rob, your voice paired with Don's is perfect. Austin, you just meld beautifully with Don and Rob. I have been used to hearing Don singing solo all these years, but what a gorgeous addition of Chance, Adam and Tim. Adam, I marvel at your beat boxing, but it is always a wonderful treat when you are part of backing vocals. I don't know how these collaborations occurred, but what a wonderful, wonderful surprise. Don, thank you for entrusting your beautiful song with the guys. You created such a gorgeous song and their addition was perfect. Thank you all again.

What about this: Hangover Due by Blake Shelton, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with Tennessee Whiskey smooth singing with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

Broken-hearted to hear Austin's leaving. I adore the mix. They need a skyscraper tenor. 🎶♥️

Such a wonderful memory for you. Welcome home!

And Thank You for your service.

I too returned from Vietnam in early December 1971, I love this song!

@@Antique.Gamer2 Welcome Home

@@johnrstanclift1656 Thank you

What about this: Better I Drink by Matt Stell, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with undertone of thicker sounding but maintain little setback of thinner sounding but still have thicker sounding with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

What about this: Everything I Love by Morgan Wallen, we want Adam Chance to take full lead, will used raspy and grit but maintain clear with dominant of chest with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

@loveloochay, that's the trick, you're supposed to cry. It's a timeless bardic masterpiece.

What about this: Something to Cry About by Clint Black, collaborate with Home Free by Austin Brown to take full lead, will used dominant of chest throughout whole song with flamboyant controlled gusto and robust overall performance with some lower and mostly higher register, high harmony by: Adam Chance, Rob Lundquit, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

If Dolly and Home Free sang I will always love you, I would sob like a baby! 😭😭🫂🫂

@@angelamason9840 But with the wistful intimacy of Dolly's original, not the anthemic power of Whitney Houston's version.

@@angelamason9840: that will be a great idea for Home Free with Dolly Parton, what about this: A Little Bit Of Love (Is A Dangerous Thing) by Ricochet, collaborate with Ricochet to take full lead, matching Home Free humor, high harmony by: Adam Chance, Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

@@deanmarion5477 Ricochet?

@@asitraining7664 : yup. 🤯

What about this: I Wonder Where You Are Tonight by Keith Whitley, we want Rob Lundquit to take full lead, will used whatever of arrangement he wanted, high harmony by: Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust will used subterranean chest and growl that we didn’t hear it but feel it for the bassline.

What about this: Why Does Somebody Always Have to Die by John Rich, we want Rob Lundquit to take full lead, will used dominant of chest throughout whole song but trying to struggle to sing but choppy by sandpaper smooth and little of haunting vibe but cherry spin but somber vibe with some lower and mostly higher register, high harmony by: Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust will used surround sound effect just used chest with different depth for the bassline.

What about this: Light Of The World by Chris Ledoux, we want Adam Chance to take full lead, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline

What about this: Where Forever Begins by Neal Mccoy, we want Adam Rupp to take full lead, will used smooth and clear and clean with much emotion with some lower and higher register, high harmony by: Rob Lundquit, Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust just used chest with different depth for the bassline.

What about this: Love Will Turn You Around by Kenny Rogers, we want Rob Lundquit to take full lead, will used controlled pace of breath like singing with much of less nasal cavities but lingering frailty not so noticeable with some lower and mostly higher register, vital high harmony by Adam Chance and collaborate with Home Free by Austin Brown will change the chords progression with the bassline by Tim Foust whatever bass register he used.

What about this: She Treats Her Body Like A Temple by Confederate Railroad, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with whatever the extremities technique of his vocal type with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

What about this: Standing Right In Front Of You by Keith Urban, we want Rob Lundquit to take full lead, will used thinner vocal folds and the vocal passages collided fuller sounding and maintaining little thicker sounding with some lower and mostly higher register, high harmony by: Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust will used perfectly pace chest and chest fry for the bassline.

So many talented people of all genres are tormented. They feel what most cannot. They see what most cannot.

What about this: I Know You're Gonna Be There by Luke Bryan, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with thicker sounding like Luke Bryan but Tennessee Whiskey smooth with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used subterranean chest and growl that we didn’t hear by it we feel it for the bassline.

Just heard this song on the radio yesterday. Told hubby how much I’ve always loved it as a tear ran down my cheek! Beautifully written, fantastically sung, perfect collaboration, Rob’s vocals. And can we talk about the ending? Goose bumps!!

What about this: It Could've Been So Good by Collin Raye, we want Adam Rupp to take full lead, will used clear and clean and smooth beyond smooth like a opera singer without vibrato with some lower and mostly higher register, high harmony by: Adam Chance, Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used surround sound effects of just used chest with different depth for the bassline.

This was absolutely gorgeous! I've been wishing I could hear HF sing Babylon for years. That would be awesome :)

AMEN!!!!!

❤ You'll love it.. It's absolutely beautiful.💕😊🏠🍟🤠

@@kathypeck326 Thank you. ♥️

I love the Home Free group.

One of my all time favorite songs!!!!

Beautiful and lovely video 🎉❤

What about this: Hungover In A Hotel by Jason Aldean, we want Rob Lundquit to take full lead, will used dominant of chest throughout whole song with mixture of thinner and little undertone of thicker sounding but maintain thinner and way less of whiner like tone of Jason Aldean with some lower and mostly higher register, high harmony by: Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of subterranean chest and growl that we didn’t hear it but we feel it for the bassline.

but his hair?

What about this: Some Memories Just Won't Die by Marty Robbins, we want Tim Foust to take full lead, will used thick dominant of chest will used of thicker vocals folds and the lower vocal passages with matching the vocal folds and less of thinner sounding with some lingering lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Adam Chance will used low baritone low notes for the bassline.

What about this: Lovin' Her Was Easier (Than Anything I'll Ever Do Again) by Waylon Jennings, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with maintaining thicker but clear and clean tone with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

What about this: Sittin' and Thinkin' by Charlie Rich, we want Rob Lundquit to take full lead, will used chest dominant throughout whole song with different thicker and thinner soundings that we see different tone from Rob Lundquit to try Charlie Rich’s tone with some lower and mostly higher register, high harmony blend with the lead so prominent by: Adam Chance and collaborate with Home Free by Austin Brown, Tim Foust whatever he pick any bass register he will used and the time signature for the bassline.

What about this: The Least That You Can Do by Darryl Worley, collaborate with Home Free by Austin Brown to take full lead, whatever his arrangements, high harmony by: Adam Chance, Rob Lundquit, Tim Foust will used mixed of chest and perfectly pace chest fry for the bassline.

Me too, except I’m officially an old man.

What about this: Love Never Broke Anyone's Heart by Vince Gill, collaborate with Home Free by Austin Brown to take full lead, will used clean and clear and eliminate his rustic and grit undertone with full of passion of emotion into it with some lower and mostly higher register, high harmony by: Rob Lundquit and Adam Chance, Tim Foust just used chest with different depth for the bassline.

You were perfect for this! So much emotion in your voice. You've been keeping this one from us for a *long* time. I don't know how you stayed mum about it so long!

So beautifully done, Rob. ❤

Rob, your solo destroyed me, you NAILED IT!! You should've taken over Don's part too

Rob the way this song suits you is crazy, your voice was perfect for this!

The painter said it all which is the artistry of Home Free and the author is Don McLean.

What about this: That's All I Know byJohn Michael Carroll, we want Adam Chance to take full lead, will used thicker sounding but maintaining controlled light tone of vocal mainly thick and blend of light together, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

@@deanmarion5477 Okay.

@@ColtonRMagby : like it for Home Free for their future covers?

@@deanmarion5477 Definitely. I'd love to see them cover the songs of the various US Armed Forced branches.

@@ColtonRMagby : definitely

What about this: All In the Line of Love Little Texas, collaborate with Little Texas to take full lead, just their vocals, high harmony by: Adam Chance, Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used just used chest with different depth for the bassline.

What about this: Little More Sugar In The Coffee by Fiddlin' John Carson, we want Adam Chance to take full lead, will used time warp radio effect, whatever arrangement he want to do with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used time warp radio effects of panning the drivers whatever bass register he used for the bassline.

Truly exquisite, breathless, rarified. Precious stuff.

@@SandraPaulsenPhD their talent along with Don, this is incomparable. I must have played it well over 100 times the last few days.

What about this: A Thing Called Love by Jimmy Dean, we want Adam Chance to take full lead, will used dominant of chest throughout whole song with radio effects that have oldies by clearer vocals with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used mixed of chest and growl for the bassline.

What about this: American Soldier by Toby Keith, we want Adam Chance to take full lead, will used dominant of chest throughout whole song and full of passio with much emotion with much feelings that we didn’t recognize his tone of voice with some lower and mostly higher register, high harmony by: Rob Lundquit and collaborate with Home Free by Austin Brown, Tim Foust will used subterranean chest and growl that we didn’t hear it but we feel it for the bassline.

💔❤‍🩹

And thank you Vincent for being the inspirational artist that you were. ❤