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How I Save 1,000s of Hours // Remote Editing and Storage 

Drew Schettler
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In this video I break down our workflow for remote editing using Davinci Resolve and I show you how to use Lucid Link's cloud storage as a way to transfer and use video files remotely. This process has been able to increase our collaboration and allowed me more time to grow my video business.
For our storage workflow check out the comments.
www.blackmagicdesign.com/prod...
www.lucidlink.com/
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Insights: www.resonatefilms.co/insights
Website: www.resonatefilms.co/
Instagram: / resonatefilms.co
Personal Instagram: / drew.schettler
Demo Reel: • Demo Reel 2023
Contact Form: www.resonatefilms.co/contact
#filmmaking #filmmaker #storytelling #filmmakingtips

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30 июл 2024

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Комментарии : 11   
@drew.schettler
@drew.schettler 6 месяцев назад
If anyone’s curious more about our cloud storage workflow here’s what we do.
After a shoot, project files (approx. 500gb - 2TB) gets offloaded to a ssd. We then create proxies and offload those or the original files to Lucid. Once that project is complete we’ll archive it on a drive as cold storage. We’ll repeat this process keeping about 5TB of usage in Lucid. This comes out to about $100 a month, not cheap but it is a vital cost to running a production company. The technology in this space is growing rapidly and is constantly changing. Would love to know what other unique storage options you guys are using?
@Spiritmadevisuals
@Spiritmadevisuals 4 месяца назад
Just signed up for the free trial! But I’m curious, did you say you got the $20 TB/month? If so, how is it for you as far as performance? I’m doing trial on the high performance at $80 TB/Month…. Wondering if I should go for the basic? Which was my initial thought…. I’m a wedding videographer so typically a wedding is usually 200-300+GB… I guess wondering the best budget option 😅
@matt.banton
@matt.banton 4 месяца назад
Drew this is awesome. Im looking into remote editing at the moment. I geek out with data management, but can never really afford my own server or more robust solution. So I use a mix of NVME drives and old school spinning drives. After a shoot, files go on to a 4TB NVME working drive, but also on to a raw backup spinning drive. So there are 2 copies of the raws. The working NVME then gets cloned daily by Carbon Copy Cloner to a different 4TB spinning drive. When a project is finished it get archived and backed up on to more old spinning drives. Also uploading to Backblaze. I friend of mine had an 18TB spinning G-Drive die on him last week. Only owned it for 6 months. Had no backup system in place, lots a bunch of active, unfinished client projects
@allen_bernardo_jr
@allen_bernardo_jr 6 месяцев назад
This is good stuff, I'd likely refer back to this down the line, I still just use SSDs and a larger HD at home for backing up lol haven't been organized enough with this type of stuff yet but the workflow would be much better if I did 😄
@drew.schettler
@drew.schettler 6 месяцев назад
That’s great man! Whatever gets the job done.
@allen_bernardo_jr
@allen_bernardo_jr 6 месяцев назад
By the way Drew, you likely have this answered in previous videos and whatnot, but how long did it take you to get to where you are with your production company? I've watched a few of your past videos (that unprofessional one was pretty hilarious 😄) and like the work and the look your films have. I'm trying to get a business up and running myself lol @@drew.schettler
@drew.schettler
@drew.schettler 6 месяцев назад
I started my business in 2018 doing a lot of nonprofit work and then rebranded last year to do more commercial work and then on the side focus on narrative projects. Best of luck man with the business!!
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