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How To Combine Bass Parts | Getting DI and Amp Recordings to Work In the Mix 

Green Light Sound
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When mixing, we’re often given both a DI and amp copy of the bass part. In this episode I go over the best way to get the most out of both of these sources together, taking the best elements of each and combining them together for a full bass tone.
0:00 - Intro
0:44 - Audio Starts
1:15 - Phase Issues
2:17 - Combining Parts with EQ
4:40 - Multiband Compression
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10 июл 2024

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Комментарии : 23   
@nonyabusiness4269
@nonyabusiness4269 2 года назад
This is EXACTLY what I needed. Thank you
@GreenLightSound
@GreenLightSound 2 года назад
You're welcome!
@nofalsetto5834
@nofalsetto5834 10 месяцев назад
Hell yeah!
@technicoloursound2115
@technicoloursound2115 Год назад
Beautiful.
@morde_cai
@morde_cai 2 года назад
Amazing!!! Thank you so much
@GreenLightSound
@GreenLightSound 2 года назад
You're welcome!
@arthurkagondo6810
@arthurkagondo6810 3 года назад
thanks!
@GreenLightSound
@GreenLightSound 3 года назад
No problem!
@billymack4258
@billymack4258 Год назад
Great video love the EQ trick! Question When I record bass in a similar way DI and amp mic on two separate mono tracks. Doing multi takes on both mono DI and amp tracks at the same time for comping I notice some of the takes are not quite aligned .Do I need to align all these track takes so they won't be out phase before I do my comping? Cubase 12 pro Thanks so much...😎
@greenberet84
@greenberet84 Месяц назад
Hello, great video. However I have a question: When you have two EQs in parallel (HP/LP at 100Hz) with 36db/oct slope this creates a big dip at that 100Hz corner frequency, so when a note or harmonic of the bass in that frequency, that note will dissappear, right?
@mattmoares8022
@mattmoares8022 3 года назад
Great video Joe. I was just wondering... I often get recordings where the main low end is coming from the amp track and the DI is mostly attack. Do you ever get that and if so, what's your approach? Do you just employ the same logic but the other way around?
@GreenLightSound
@GreenLightSound 3 года назад
I don't often get that, but when I do I would probably keep the full frequency of the amp track and blend the DI in for more attack if needed.
@fromaggio7654
@fromaggio7654 Год назад
I like to use a parallel band pass to find a seat for the low end
@joseferro1432
@joseferro1432 11 месяцев назад
Hi Joe. Great Video! I just missed one part. When you added the compressor, did you add it to the Dry or AMP track? Thanks again!
@GreenLightSound
@GreenLightSound 11 месяцев назад
I take the DI and amp tracks and send them to a buss. The compressor is on there.
@joseferro1432
@joseferro1432 11 месяцев назад
Thanks for the quick reply!@@GreenLightSound
@stupidusername38
@stupidusername38 4 года назад
hi Joe do you use an LA2A on the bass to do overall levelling?
@GreenLightSound
@GreenLightSound 4 года назад
I often do. Sometimes I use the bx opto or Kush Novatron instead, or another style of compression if it fits the part or song. If the bass part has a lot of peaks, I'll pair the LA2A with an 1176 style compressor.
@sonysoni5079
@sonysoni5079 3 года назад
Thanks. Can you please tell.me what DAW is that?
@GreenLightSound
@GreenLightSound 3 года назад
Studio One from Presonus
@Austin4098
@Austin4098 4 года назад
Hey Joe, your VO sounds slightly gargled
@jamesheo106
@jamesheo106 2 года назад
Is your bass stereo by the way? If it is, how did you make it stereo?
@GreenLightSound
@GreenLightSound 2 года назад
It's not. If I need width on bass I usually send to a chorus and blend it in a little.
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